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‘ALIVE’ marks LA POEM’s elegant comeback

Recently after almost twenty-one months since their last single Mirror on April 2024, LA POEM comes back strongly with their third mini-album Alive to be released on January 20, 2026 at 6:00pm KST under Drama House Studio. This much awaited comeback set makes a big milestone in the Korean contemporary music as it is the very first seamless release of this kind. It promotes LA POEM into the position of one of the main players in Korean crossover music scene. Over time ‘LA POEM’ has distinguished itself as a group that combines classical music, ballad type music and current pop songs with a difference; melodious sophistication and emotive storytelling have been its trademark. Alive does not disappoint when it comes to such expectations- it continues with these traditions though in a more elaborate way.



Mini-album encompasses five songs, delivered in Korean and Spanish languages and available to both Korean and international audience via digital platforms. The album begins with the opening title track Alive that has lyrics by MBC announcer and lyricist Kim Soo-ji produced by Creation Music Rights and it concludes with the climax song 살리라 (Salira / I Will Live) by well-known singer-songwriter An Ye-eun lyricist composed. Therefore, the album shows a high level of detail in narrative structure, texture as well as emotional progression. The decision by each track to embody the central theme of the album is what keeps one going forward despite changes, affirming one’s life, and finding life in every moment.


The song, Meant to Be as the main text, brings out LA POEM’s style in dramatic ballads so that the vocals are written by Kim Eana and the music is by Lucky Clover. The continuum gives voice to a protagonist in a dialogic manner varying intimacy and expanse. The initial part of the song features an intimate delivery style with relatively low octaves but as it progress into climax you will realize that more octaves are employed hence expanding the range. On the other hand Este amor, delivered in Spanish and produced by local Hispanic team and 오랜 약속 (A Long Promise) which was co-created with Pepper-tone’s Shin Jae-pyeong delve into contemplation and introspection moods raising a difference against oversized piece in an album. This is classical sound blended with contemporary elements which becomes a distinguishing sound of crossover group – it also ensures narrative coherence for album offering different emotional types simultaneously



The artistic and visual direction of Alive does more to strengthen the album’s emotional depth than anything else. Teasers that went from January 13, 2026, beside the main artwork designed by cinematic artist Yeon Yeo-in point out to a dark yet elegant aesthetic with luxurious black outfits set against violet backgrounds. The dramatic lighting and carefully composed visuals match the music’s intensity and depict the duality of vulnerability and inner strength that is at the heart of this concept-album. It is this type of visual storytelling that makes sure people won’t be able to separate their auditory experience from their visual experience rendering the release even more immersive.


In terms of singing, LA POEM impresses with the awesome delivery and expression displayed in the album. Each of them has a unique set of sounds to offer and together they can easily alter from soft vulnerability to immense power. The wide range of emotions this group can evoke you can clearly see in the songs Meant to Be and 살리라, in which melody line dynamics contribute to the central subjects of determination and perseverance. Among less active pieces which are Este amor and 오랜 약속 , their subtle tonal changes as well as very good intonation take much space hence they create deep emotional appeal but not too much that it will leave you hypersensitive filmmaker asked on of these vocal approaches allowed such an interpretation from The Drama House Studio / Korean Media said both let stay music humane emotionally resonant technically excellent


If we look at the lyrics of Alive more closely, we will see that they are quite consistent with the major story it tells implying perseverance, human bonds, and fulfillment of promises. Unlike what is written in the other lyrics that might sound complex or poetic, the lyrics adopted for this album are simple in order to make their theme crystal clear yet interesting. Recurring motifs as well as climaxes in music serve to give a deeper meaning of the words emotionally and ensure that every moment is carefully laid out scenario-wise. Through lyricism, vocal delivery and instrumentals support LA POEM strives to deliver an immersive narrative experience.



The promotional activities associated with Alive underscore once more the group’s keenness and meticulousness in what they do. The preorders and tracklist releases commenced on January 9, 2026, radiating through a highlight medley on January 18th and music video teaser on January 19th, all to lead to its digital release on January 20th. An LA POEM SYMPHONY: ALIVE live orchestral concert in Busan scheduled for February 7 and 8, 2026 will mark an event when the mini-album will be performed with a full orchestra which is supposed to show a merger of classical and contemporary performance practices.


Critically, Alive stands out for being a collectively well-conceived work and one rich in emotions and impeccably done art although it is noted by some that the introspective and orchestral approach of this album may not be easily digested by listeners who are used to more mainstream pop formats. However, Alive further solidifies the position of LA POEM within the crossover classical-pop segment of Korean music which now becomes an example of sophisticated story-based productions. The purpose of the album is not simply to get commercial recognition; it is to declare LA POEM’s artistic identity as well as take their narrative, conceptual as well musical aspirations to the next level.


Based on their Alive production, LA POEM shows that they are not just endowed with the ability to come up with great individual tracks or performances but take music to a whole other immersive level. Alive does this through merging baritone vocals, expressive instruments and authentic feel to create an album that is both solemn yet breathtaking, position which will stop once more at the pinnacle of Korea’s crossover music. Thus, it is not a mere comeback but rather a pronouncement that focuses on the current spirit, the power of stories about life and hope.

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