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The summer vibes are already turning more refreshing courtesy of PSYCHIC FEVER. The seven-member Japanese group has officially released their newest single, "Pink Lemonade," offering fans a very DIFFERENT sound from their previous release leading up to the upcoming album—scheduled to release on July 10th. Arriving just in time for the warmer months, the track showcases a softer side of PYSYCHIC FEVER while maintaining the signature charisma and energy that have helped the group build a growing global fanbase. Filled with sweet melodies, honest emotions, and an irresistible groove, "Pink Lemonade" arrives as the perfect track for summer drives, late night conversations, and those moments when feeling become impossible to ignore. Photo Credit: © LDH JAPAN Consisting of KOKORO, WEESA, TSURUGI, RYOGA, REN, JIMMY, and RYUSHIN, PSYCHIC FEVER officially debuted in July of2022 as the seventh group from "EXILE TRIBE," an unmatched artist collective under LDH JAPAN. Since then, the group has established themselves as one of Japan's most exciting rising acts through their unique blend of vocals, rap, performance, and unmatched chemistry. Guided by their message of "IGNITE OUR DREAMS," PSYCHIC FEVER have spent several years inspiring fans to pursue their passions while continuously challenging themselves artistically. Continuing to break records and surpass their dreams, only to create new dreams and goals makes "Pink Lemonade" feel like a particularly exciting release. While many first listeners first discovered the group through their high energy performances and infectious tracks, "PINK LEMONADE" becomes the epitome for the album as it highlights a very DIFFERENT side of PSYHCIC FEVER's artistry. Wrapped in mellow production and a smooth pop sound, about someone. the song explored the internal struggle between wanting to walk away and recognizing just how important that person has become. It is a feeling that many listeners instantly recognize and relate to, making the track emotionally engaging from the very first listen. The level of honesty found in the song is found as it turns away from the ideal that love is something simple and straightforward. Instead, PSYCHIC FEVER embraces the vulnerability that often accompanies meaningful relationships. The lyrics capture moments of uncertainty, pride, frustration, and affection while reflection on the realities of modern relationships. There is a sincerity throughout the song that allows listeners to connect with the emotions being expressed, regardless of where they may be in their own personal experiences. Musically, "Pink Lemonde" balances sweetness and sophistication with its laid-back groove giving an effortless charm while the members' vocals take turns shining throughout. Much like title, the track creates a flavor that is both sweet and slightly tangy--lingering long after the song ends. Fans were also treated to an additional surprise release of "Pink Lemonde (Special Live at Amazon Music Studio Tokyo)." the specially recorded performances give listeners the opportunity to experience the song in a new way while highlighting the group's vocal abilities and stage performance. For a group that has consistently been praised for their performances, the live performance serves as a reminder of the elements that continue to drive PSYCHIC FEVER forward. The single captures everything that has made PSYCHIC FEVER such an exciting group to watch over the past several years. It is confident without feeling forced, emotionally honest without becoming overly dramatic, and refreshing while remaining unmistakably authentic. Most importantly, it demonstrates a group that continues to grow while maintaining the qualities that helped fans fall in love with them in the first place. As the countdown to DIFFERENT continues, "Pink Lemonade" serves as a sweet reminder that PSYCHIC FEVER are only getting started. With a growing international audience, an exciting new album on the horizon, and a clear vision for the future, the group continues to prove why they remain one of Japan's most compelling acts on the global stage.

Welcome back, #SoundLovers! Today on K Fuse, we are diving deep into the world of a multi-talented force who has been redefining his sound and style across borders. HANSE has never been an artist defined by limitation. From his debut days as the main rapper of VICTON to his current evolution as a solo musician, he has continued to reshape his identity through raw emotion, genre experimentation, and unwavering honesty. With his latest release, “Shine Forever,” HANSE steps into a reflective yet forward-moving era—one shaped by personal struggle, creative independence, and a desire to connect. HANSE made his official debut as a member of the boy group VICTON on November 9, 2016. During his time with the group, he became well-known for his sharp rapping skills and creative involvement in their music, helping to shape the group's identity over several successful years. Following the conclusion of his activities with VICTON, HANSE embarked on a new path as a solo artist, choosing to lean into his personal artistic vision and explore deeper, more experimental sounds. This transition has allowed him to showcase his versatility as both a performer and a songwriter, making him a whirlwind force in the industry. “I don’t have any special philosophy or mindset. I make music because I’m someone who makes songs—it’s just a natural part of who I am.” To celebrate this exciting new chapter and honor the incredible dedication of his fans, we had the distinct pleasure of speaking with HANSE for an exclusive look behind the artist. We talked about his recent experiences abroad, the creative process that birthed his latest track, and the vision he holds for his future in the industry. Let’s see what HANSE has to say as he steps into this new era. K Fuse: We first want to take a moment to thank you for taking the time to share your story with us here at K Fuse. While we have been fans since your debut in 2016, could you please take a moment to introduce yourself to readers who may be meeting you for the first time? HANSE: Hello, I’m HANSE, a musician from Korea. Nice to meet you. K Fuse: Your artistry is known for its raw vulnerability. When you look back at your journey from your debut in 2016 to your work now, what is the most significant change you’ve noticed in the way you express yourself through music? HANSE: The biggest musical change has been that during my time promoting as part of the idol boy group VICTON, I mainly showcased rap-focused music as the group's rapper. Since the group activities ended, I've been focusing more on band-oriented music. K Fuse: Transitioning from a group dynamic in VICTON to a solo path allowed you to explore different sounds. How has the creative independence of being a solo artist changed the way you approach the songwriting process? HANSE: Since I was young, I’ve loved both hip-hop and rock music. Over time, I found myself listening to more rock, enjoying it more, and creating more of it. Those who know me well probably already know this, but when I released my first solo album in 2021, it had two title tracks. The main title track was hip-hop, while the secondary title track was a pop-punk song. I found that writing melodies and lyrics over the sounds of the genres I love came naturally to me, and I think that’s what led me to where I am today. K Fuse: What is one lesson from your early career that you still carry with you every single day in the studio? HANSE: I simply approach each day with the mindset of making music however it naturally comes out. I don’t have any special philosophy or mindset. I make music because I’m someone who makes songs—it’s just a natural part of who I am. K Fuse: Your stage presence has always captivated viewers and listeners and is often described as a “whirlwind force.” What does it feel like to be in the middle of that intensity? HANSE: Thank you very much for seeing it that way. I still have a lot to learn, and I’m always working to become an even better artist. Please continue to watch my journey. Thank you. K Fuse: You’ve become known for a rare level of honesty in your lyrics; what sparked you to create in this manner? HANSE: I always turn what I feel and what I want to say into lyrics. Sometimes there’s a bit of fiction mixed in, but most of the time I create music based on things I’ve seen, heard, and felt. Honestly, though, I don’t think that’s anything special. I believe most artists who write their own music work with a similar mindset. K Fuse: What does the word “artist” or “idol” mean to you personally at this stage in your life? HANSE: Artists and idols are definitely different, but I think the line between them is very thin. Even if someone doesn’t know how to write songs, if they can express what they think, feel, and want to communicate, then I believe anyone can be an artist. K Fuse: You’ve spent significant time performing in Japan recently. Was there a specific element of the Japanese music scene or environment that surprised you the most? HANSE: Since I’ve been active in Japan quite often now, there isn’t much that surprises me in terms of daily life anymore. However, I think Japanese artists have incredibly unique and distinctive approaches to lyrics and melodies. Every time I discover a new Japanese artist, I experience a refreshing sense of inspiration as a Korean artist. K Fuse: Were there any interactions with local creators or the Japanese music environment that you feel will influence your future creative direction? HANSE: I don’t know if it will happen, but I’ve been thinking about forming a band, either in Korea or Japan. I want to keep learning step by step so that day can eventually come. As for what influences I may receive in the future, I’m not sure yet. For now, I simply want to do my best with the work and responsibilities in front of me. K Fuse: How would you describe the unique energy you felt from your fans during your time in Japan? HANSE: My Japanese fans aren’t necessarily the most energetic during performances, but they watch the stage with sincere eyes. At first, I wasn’t used to that style of communication, so I often tried to encourage more reactions and wondered if the atmosphere was awkward. Eventually, I realized that this is simply part of their culture and way of expressing themselves. Still, I hope that one day I can create performances that make them even more passionate and excited than they are now. K Fuse: Congratulations on the release of “Shine Forever.” Can you walk us through the creative process for this song? HANSE: I wrote this song during a difficult period in my life. Even so, I wanted to sing about hope. At that time, I was searching for even the smallest glimmer of hope. I wanted to express my desire to continue shining as an artist for a very long time. As you’ll notice when you listen to the song, about 90% of the lyrics are in English. Since I don’t get many opportunities to meet fans from English-speaking countries in person, I wanted to communicate with them through music in their language. I hope this song reaches people who are feeling exhausted or surrounded by darkness. K Fuse: How did you approach the production to ensure the sound matched the intensity of the message you wanted to convey? HANSE: Since I’m currently working independently without a company, there wasn’t any particularly elaborate production process. I released this song with the mindset of not putting too much pressure on it and focusing on preparing what comes next. Still, I hope many people listen to it. I’ll continue working hard to make that happen. K Fuse: What was the most difficult sonic or emotional obstacle you had to overcome to bring this project to life? HANSE: Musically, the process went relatively smoothly from creation to release. The biggest challenge wasn’t related to the music itself—it was simply the difficult state I was in mentally at the time. K Fuse: How does "Shine Forever" expand or redefine your musical identity compared to your previous solo work? HANSE: Because I’ve been focusing on band-oriented music, many fans have told me they miss hearing my rap. I can’t satisfy every preference, but with this song I tried to find a middle ground. Naturally, that led me toward the nu-metal genre, which allowed me to showcase both rap and singing. I’ve said this many times before: just because I focus on band music doesn’t mean I’ve abandoned rap or hip-hop. I simply want to share as much of the music I love as possible. K Fuse: When working on this release, how much was spontaneous discovery in the studio versus a meticulously planned vision? HANSE: This song’s demo version and final release version aren’t dramatically different. The released version is simply a more polished and higher-quality version of the original demo. If I had to point out a difference, the demo had a much stronger nu-metal influence, while the final version incorporates more elements of pop and hip-hop alongside the nu-metal foundation. K Fuse: Looking back, what is the most important lesson you learned while working in Japan that you are applying to your career now? HANSE: This year marks my tenth year since debuting, and I’m incredibly grateful to everyone who continues to support and care about me. Regardless of nationality, I want to thank all my fans in Korea, Japan, and around the world. K Fuse: Do you plan on touring to other countries? HANSE: At the moment, I don’t really have plans to travel to other countries. It’s also been a very long time since I visited the United States. More than anything, I hope to meet my American fans through performances. I’ll keep working hard so that day can come again as soon as possible. K Fuse: What song would you recommend to listeners finding you for the first time, and why? HANSE: Personally, I’d love to recommend all of my songs. I still feel like I haven’t released that much music, and it would make me happy if even one more person could discover my musical growth and journey. But if I absolutely had to choose one song, I’d recommend Shine Forever simply because it’s my most recent release. K Fuse: Is there a personal interest or quiet hobby that you always make time for? HANSE: I honestly don’t have any particular hobbies. If anything, I spend time watching YouTube. I’m now thirty years old in Korean age, and I think it’s finally time to stop just talking about exercising and actually start doing it. Then maybe I’ll be able to say that working out is my hobby. K Fuse: Is there anything that you miss about being in a group compared to your activities as a solo artist? HANSE: I think I was happy then, and I’m happy now. The difference is that the happiness feels different. They’re simply different kinds of happiness. There are many things I miss, but it would be difficult to explain them all. And since missing those days won’t bring them back, I’d rather keep them as happy memories. K Fuse: Did you explore any new foods or places recently while in Japan? HANSE: Recently, I discovered a new favorite Japanese food: tsukemen. It’s a type of ramen where you dip the noodles into the broth before eating them. If you ever have the chance, I highly recommend trying it. K Fuse: What’s currently on your playlist? HANSE: I usually listen to music on shuffle. Right now, MGK’s “fix ur face” is playing, and I’m actually writing these interview answers while listening to that song. K Fuse: Beyond the immediate success of your latest release, what are the goals you are currently setting for yourself as a solo artist? HANSE: I want to be someone who can continue making music happily for a long time. There are many things required to sustain a long career in music, and I want to maintain and keep building those things. Most importantly, I hope to stay healthy both physically and mentally. That’s really all I want. K Fuse: Is there another side of HANSE—perhaps a genre or a performance style—that your fans haven't seen yet, that you are eager to try? HANSE: Since most of my music is band-oriented, I’d love to perform with a full live band. K Fuse: If you could create your "dream project" without any constraints or boundaries, what would it look like? HANSE: If I could create my dream project without any limitations, I think it would be making an album with the very best people in every field, collaborating freely and without restrictions. K Fuse: What is the one thing you want your music to stand for when people look back at your discography years from now? HANSE: I simply hope that people will remember my name for a long time. In our profession, there’s nothing scarier than being forgotten. I hope people simply listen, feel whatever comes naturally, and enjoy the music. Music is meant to be enjoyed. K Fuse: To those who have been with you since 2016 and those who are just finding your music today: what is the most important thing you want your fans to understand about how you think and why you create? HANSE: I’m constantly creating new music, and I’ll keep working hard to present it in the best possible way. I’ll also continue performing in Japan, and I’ll do my best to meet people not only there but in many other places as well. Thank you for your continued love and support. K Fuse: As you look at the rest of 2026, what are you most looking forward to sharing with your community? HANSE: A healthy mind leads to a healthy body. I hope everyone can live happily and without too much hardship. K Fuse: Sadly, it is time for us to close out our interview. Once again, thank you for taking the time to share your story with K Fuse, our readers, and your fans. Before we leave, is there a message that you would like to leave for everyone? HANSE: This has been HANSE. I love you all. As HANSE continues to leave his mark on the industry by merging his signature intensity with a bold, forward-thinking vision, it is clear that his journey is only gaining momentum. The release of "Shine Forever" serves as a reflection of his growth, his tenacity, and the unwavering connection he shares with those who follow his work. We are incredibly grateful to HANSE for opening up and sharing his perspective. Keep your eyes on the horizon, because if this current era is any indication, the best—and most honest—is yet to come!

ALL’N: Meet The Violinist Defying K-Pop Conventions From competing on one of China's largest survival programs to launching his own entertainment company and debuting as a violin-driven K-pop soloist, ALL'N is charting a path entirely his own. In this exclusive interview with K Fuse, the artist and CEO opens up about his journey, the inspiration behind "WE UP", balancing creativity with business, and why his next chapter is all about dreaming higher. When speaking with ALL'N, one thing becomes immediately apparent: his story is not simply about music. It's about persistence. Whether discussing the violin that first entered his life through a challenge from his older brother, the lessons learned on Youth With You, or the realities of running an entertainment company while promoting as an artist, every answer circles back to one idea—betting on yourself even when the outcome is uncertain. With new music on the horizon and an expanding vision for SKS Entertainment, ALL'N sat down with K Fuse to discuss the journey that brought him here and where he's hoping to go next. K Fuse: We first want to thank you for taking time from your busy schedule to share your story with our readers. Before we begin, could you please take a moment to introduce yourself to readers that may be discovering you for the first time? ALL’N: My name is ALL’N, or 올린 in Korean. I am a violin-driven K-pop soloist signed under my own label, SKS Entertainment, where I also serve as CEO. What that means is I have full creative direction over not just the music, but also the message behind who I am as an artist and what I want this company to represent. I chose the name ALL’N because that is really my mindset with everything I decide to do. I am all in. The Korean name 올린 also comes from the last two characters of the Korean word for violin, 바이올린, which makes it very personal to my identity. As an artist, what people can expect from me is a fusion of violin and everything people love about K-pop. The violin will be part of every song in some way. Sometimes it may be a big solo, sometimes it may be more subtle, but it will always be part of the ALL’N sound. In the future, after I prove that I can grow a label while also being the artist, I want SKS Entertainment to nurture future artists who have unique niche talents within K-pop and stories that are different from the typical trainee path. I want to help build a space for artists who are not just talented, but also have something real and personal to say. K Fuse: You have a background as a classically trained violinist and in a previous interview you said you began playing at about nine. Who or what inspired you to choose to study violin or did you experiment with a variety of instruments before choosing it? ALL’N: I started playing violin when I was nine. My older brother is 18 months older than me, and he started playing the violin about a year before I did. During that year, my mom would take me to his private lessons, so I would sit there and watch everything. One day, his teacher kept telling him to straighten his wrist, not bend it, and make sure his bow was straight. I remember getting frustrated watching because I had heard the teacher repeat the same thing for weeks. So I said something like, “The teacher has been telling you this already.” Then my brother looked at me and said, “If it’s so easy, why don’t you try?” I think the beautiful thing about having an older brother is that you are always competing with each other. You always want to be better at something. So I looked at my mom and told her I wanted to start learning violin. The following week, I began playing. At first, it may have started from sibling competition, but over time, the violin became one of the biggest parts of my life. K Fuse: What inspired you to choose the violin as a central part of your debut single “WE UP”? ALL’N: The violin is not just a central part of “WE UP.” It is going to be a central part of everything I do as ALL’N. For “WE UP,” I wanted to make a statement because it was my debut. I wanted people to understand right away that the violin is not a prop for me. It is not something I randomly added to look different. It is part of who I am. Throughout my life, a lot of people told me that the violin is too classical and that it does not really mix well with K-pop. If I had signed to another label, I honestly do not know if I would have been able to convince the creative directors or executives to let me build my entire identity around violin in this way. That is one of the reasons I took matters into my own hands and built this through SKS Entertainment. With “WE UP,” I wanted to show the full picture: violin, singing, rap, choreography, performance, and K-pop energy. Future songs will not always be structured the same way. Some will be more violin-heavy, some will use violin more as an embellishment, but people can definitely expect violin in every song. K Fuse: Your training includes classical roots. How do you integrate that style into the rap and vocal elements of your music? ALL’N: I think when people hear the word “violinist,” they often imagine something very classical, very formal, or very traditional. But that is not the only side of me. I also love working out, breakdancing, rock music, hip-hop energy, and powerful performances. So with my music, I want to show that the violin can also have a more masculine, aggressive, and cool side. Classical training gave me discipline and musical sensitivity. It taught me phrasing, emotion, dynamics, and how to build tension. But I do not want to be limited by the image of what a violinist is supposed to be. I want to bring that classical foundation into modern K-pop, rap, vocals, and performance in a way that feels fresh. For me, it is not about forcing classical music into K-pop. It is about taking everything I have learned and making it part of my own sound. K Fuse: Can you walk us through your creative process when creating a new song? Where do you start, what do you do when you feel stuck, and how do you know it is complete? ALL’N: For me, a song usually starts with a message and a feeling. I ask myself what kind of world I want to place myself in, and what kind of emotion I want people to feel when they hear the song. With “WE UP,” I wanted the song to feel like rising together. The story was about nobody seeing me coming, but still moving forward and going up with the people who believe in me. Since it was my debut, I also wanted the music and visuals to show different sides of me: the classical side, the K-pop side, the performance side, and even small glimpses of my physical and athletic side. Musically, I usually start with chords and build from there. I may loop a chord progression first, then later replace or layer it with synths, guitar, piano, strings, or other sounds to make it feel more K-pop. After that, I start adding drums, kicks, snares, layers, and textures. The violin and topline usually come later, once the world of the song starts to feel clear. After the writing and production process, I record, mix, and master with someone I work closely with named Benny. Together, we make sure the song feels professional and ready to release. When I feel stuck, I try not to force it too much. I like to go for a walk, watch other creatives on YouTube, scroll through Pinterest, or look through my iPhone gallery to revisit memories and emotions from certain periods of my life. Sometimes an image or memory can bring back the feeling I was trying to express. To be honest, even when a song is complete, I often still feel like there is something more I could add. But I remember hearing a producer once say that sometimes less is more in music. I am still learning how to find that balance, but ultimately, I know a song is ready when it conveys the meaning and feeling I wanted it to carry. K Fuse: Some fans may not know this, but you participated in Season 1 of Youth With You. What aspects of that experience did you find most relevant when you began working on your own solo projects? ALL’N: Youth With You was definitely one of the biggest experiences that helped prepare me for this journey. On that show, I competed against around 100 of the best trainees in China. They had global and nationwide auditions for close to a year before the show aired, so the level of competition was very high. I was fortunate enough to be promoted to A-class and trend number one on Weibo after Lay from EXO recognized my hard work and talent. That experience taught me a lot. I learned how hard you have to practice, how cameras work, how important interviews are, how important communication is with the production team and other trainees, and how every small detail matters in K-pop. I also experienced paparazzi, fans, pressure, and the behind-the-scenes reality of a large-scale idol show. Even though I had always been producing my own music, Youth With You helped me understand how all the pieces of K-pop come together, from training to performance to production. That experience really set the stage for my eventual K-pop debut in Korea on shows like M Countdown and Music Bank. K Fuse: You serve as the CEO of SKS Entertainment. How do you manage your responsibilities as a company head alongside your work as a recording artist? ALL’N: Running an entertainment label while also working as an artist and producing my own music is probably the most difficult thing I have ever done. On one hand, I am dealing with legal, financial, and operational work every day. On the other hand, I have to stay creative, make music, practice, train, work out, film content, do interviews, and continue improving as a performer. Because of that, time has become my most valuable asset. One of the most important things I learned from my previous company experience was how to prioritize tasks and manage time efficiently. Without that experience, I honestly think this would be impossible. At the same time, having experience as both a K-pop trainee and an artist gives me a strong foundation to understand what needs to happen on the creative side as well. It is definitely tough, but I cannot really see myself doing anything else right now. I have sacrificed a lot of free time, but I am genuinely enjoying the journey, both the highs and the lows. K Fuse: In what ways does your role as an agency CEO influence the way you approach the creative process in the studio? ALL’N: I think being both the CEO and the artist is powerful because the incentives are aligned. In a bigger label, the investors, executives, creative directors, staff, and artists may all want different things. Sometimes personal goals, money, and business interests can get mixed into the creative process. K-pop is also a very communication-heavy business, so having clarity in direction is very important. Because I am both the artist and CEO, I have full control over the direction I want to go. That does not mean I do everything alone, but it does mean I can protect the core vision. For me, the creative process is not only about violin or performance. It is also about the message. I want my music and story to inspire people, give people hope, and encourage them to dream higher. If my story can become an example for someone else to go for their dream, then that means a lot to me. I want people to feel like, “If he can do it, maybe I can too.” K Fuse: You debuted as a soloist on April 15, 2026. What was the most significant challenge you faced while preparing for that debut? ALL’N: The most significant challenge was the sheer volume of work. A normal K-pop trainee already has to go through intense training to debut. You have to practice, rehearse, perform, prepare your body, and mentally handle the pressure. But in my case, I also had to handle everything that comes with building a label at the same time. Usually, a label pre-funds the artist, manages the team, handles the legal and financial side, and takes care of the structure around the debut. But because I am building SKS Entertainment while debuting as the artist, I had to think about all of that too. So I was not only training like an artist. I was also managing the label, making sure people were doing their jobs, handling business matters, and trying to make sure the whole project moved forward. It was overwhelming, and honestly, a lot of things I wanted to do did not get done perfectly. But I learned so much from the debut experience. I think it made me stronger, more efficient, and more aware of how to handle situations moving forward. K Fuse: How involved were you in the creative direction of the music video for “WE UP”? ALL’N: I was very involved in the creative direction for the “WE UP” music video. Before working with Brick Studios, I had already drafted the overall vision for “WE UP,” as well as my upcoming song “Dream Higher.” One of the main reasons I came back to K-pop after running a business was because I wanted to put something out that felt 100 percent mine. That does not mean I think I can do everything better than everyone else. There are a lot of talented directors, producers, choreographers, and creatives who can make amazing work. But as an artist, there is something very personal about wanting to create something that truly represents your own vision. For “WE UP,” I was heavily involved in the concept and direction, but the team made it possible. The music video directors knew how to capture the right angles and bring the visuals to life. My choreographer, Kim Taegeun, created the choreography with his wife, Lee Eunji. Without everyone working together, the final result would not have been possible. So yes, I was very involved, but I also really value the team that helped turn the idea into reality. K Fuse: You have lived on three continents and speak three languages. How has this impacted the way you approach your career as an artist? ALL’N: Being multilingual and having lived across different cultures has definitely shaped the way I approach my career. K-pop is so global now, especially in English-speaking countries, so I feel very blessed that English, which is one of my native languages, has become so heavily adopted in the global K-pop space. I think living on different continents also helped me understand different audiences and different ways of thinking. It made me more open-minded, and it gave me a wider perspective on what music can be. I am still figuring out how all of these languages and experiences will come into play, but I know they are part of my identity. I want ALL’N to be a global artist, not just in language, but in mindset. K Fuse: What specific goals did you set for yourself when you decided to establish SKS Entertainment? ALL’N: With SKS Entertainment, my goal is to build a label that focuses on artists with strong niche talents within K-pop. For example, I am a violin-driven K-pop soloist. In the future, I want to find artists who also have something very specific and unique about them. That could be a special talent, a different background, or a personal story that separates them from the typical trainee path. Of course, singing, dancing, discipline, and fundamentals are important. But beyond that, I care about life experience and individuality. I want to work with artists who have a real story. Long term, I want SKS Entertainment to become a major label within the next five years. I believe one of the reasons many successful entertainment companies in Korea were able to grow is because their founders understood both the artist side and the CEO side. To truly understand both sides, I think you have to live it. K Fuse: Since your debut on M Countdown, how has your perspective on your performances changed? ALL’N: Because I had performed on Youth With You before, some parts of the broadcast experience felt familiar. But in Korea, everything feels very precise. Everyone knows exactly where to go, what to do, and how the system works. When it is your first time, if there is something you do not know, you can feel very out of place. There was actually a funny moment where I accidentally ended up in an elevator with TXT. It was my first time debuting on a Korean music show, and I did not know that you are supposed to let the senior idols ride the elevator back up first. The elevator doors opened, no one was getting in, and I thought everyone was just being shy or nervous, so I walked in. I later shared that story on TikTok, and it went viral. It was a small moment, but it reminded me that even when you have experience, every new stage teaches you something. Since debuting, I have become more aware of the details. I am more focused on improving not just the performance itself, but also my professionalism, awareness, and confidence in those environments. K Fuse: Your fans are known as N’CORE. What inspired this chosen name for your fandom? ALL’N: I chose the name N’CORE together with the fans. In classical music or live performances, when the audience really enjoys a performance, they clap, give a standing ovation, and ask for an encore. I loved that meaning because it connects to performance and the idea of continuing beyond the first stage. At the same time, my fans are the core group of people that make me who I am as an artist. Since my artist name is ALL’N, I wanted the fandom name to continue that style, so we chose N’CORE. It sounds like “encore,” but it also means they are my core. I also had votes and conversations with fans on Instagram Stories, so it feels even more special because they were part of the process. K Fuse: You are very transparent with N’CORE and we are here for it. What have you enjoyed the most about interacting with N’CORE, whether live or online? ALL’N: N’CORE keeps me going every single day. At the end of the day, I am still human. I have a wide range of emotions in the morning and at night, depending on what is happening in my life and career. There are days where I feel confident, and there are days where I feel overwhelmed. N’CORE has honestly been emotional support for me. They leave words of encouragement, but they also share their own personal journeys and stories. That helps me keep everything in perspective and reminds me why I am doing this. I really love N’CORE. It is because of them that I have not given up and continue moving forward. K Fuse: Looking at your debut single, what message did you intend to convey to listeners through the lyrics of “WE UP”? ALL’N: The message of “WE UP” is about rising together. It is about the feeling of nobody seeing you coming, but continuing to work, continuing to believe, and eventually moving upward with the people who stood beside you. It is confident, but it is not just empty confidence. It comes from struggle. For me, “WE UP” was not just saying, “I am going up.” It was saying, “We are going up.” That includes my fans, my team, and everyone who believed in the journey before it looked obvious. Since it was my debut, I wanted the song to feel like an introduction, a celebration, and a statement all at once. It was my way of saying that this is only the beginning. K Fuse: You mentioned that you have been speaking with some distributors and that it will set the trajectory for the next year. Have you made a decision on what distributor you want to partner with? ALL’N: I am very close to finalizing a deal, and hopefully there will be more news very soon. I do not want to speak too early or accidentally affect anything before it is fully confirmed, but what I can say is that I am very excited about the direction. This partnership is important because it can really help set the trajectory for the next year of ALL’N and SKS Entertainment. For me, it is not just about choosing a distributor. It is about finding the right partner that understands the bigger vision and can support where I want to take this project globally. Hopefully, I will be able to share more details soon. K Fuse: You have often expressed feeling overwhelmed through your transparency. What is something that helps you feel more at ease and what advice would you give others who are feeling overwhelmed? ALL’N: Some days, I wake up and immediately check my phone out of panic. I probably should not do that, but sometimes I worry that something happened on the U.S. side while I was asleep. Then I start reading emails and messages, and before the day even begins, I already feel overwhelmed by everything I have to do. Something I always remind myself is that momentum is created not just through thoughts, but through action. You have to do something. For me, that thing is usually the gym. When I work out in the morning, get my blood flowing, bench press, do muscle-ups, and push myself physically and mentally, it makes the rest of the day feel more manageable. After pushing through something physically difficult, answering emails, taking calls, and dealing with legal or financial matters feels less painful in comparison. The gym helps me feel like I have momentum. It reminds me that progress comes one rep, one task, and one step at a time. My advice to others who feel overwhelmed is to stop trying to solve everything in your head all at once. That can lead to paralysis by overanalysis. Start with one action. Build momentum from there. K Fuse: You just recently shared on SNS that there is a new song ready. Can we get any hints or sneak peeks of this new song? ALL’N: The next song is called “Dream Higher.” It is going to be a K-pop and pop rock-inspired song, and it feels different from “WE UP.” It is not as hip-hop-driven. It has more of a late-night, inspirational feeling, some EDM synths in it as well. The title says a lot about the message. I want the song to encourage people to dream higher, but in a personal way. There is more of my own story in this one, so I think listeners will get to hear a different side of me. Of course, the violin is still part of the sound, but emotionally, this song feels like a new chapter. K Fuse: Looking ahead to the rest of 2026, what are you hoping to accomplish? ALL’N: For the rest of 2026, I want to release at least two or three more songs I also want to finalize the deal with the team I have been speaking with, and I am currently in talks for some potential collaborations with artists I really like. Fingers crossed that those go through. Beyond the music, I want to make all of my channels feel more official, grow my fan base, connect more deeply with N’CORE, and prepare properly for 2027. This year is about building the foundation. I want to keep releasing better music, improving as a performer, and making sure ALL’N and SKS Entertainment are moving in the right direction. K Fuse: What has been the most unexpected part of your career? ALL’N: The most unexpected part has been how much positive support I have received. On my music video, on social media, and from people discovering my work, I have been extremely blessed to receive so many encouraging comments and almost no negativity so far. I do not take that for granted at all. I know that as I grow, things may become more difficult, and not everyone will support me. That is just part of putting yourself out there. But for now, I am very grateful for the support and the trajectory. I hope more people continue to resonate with my music, my story, and what I am trying to accomplish. K Fuse: Unfortunately, it is time to wrap up our interview :( Thank you again for sharing your story with K Fuse, our readers, and N’CORE alike. Before we say goodbye, is there a message that you would like to leave for readers? ALL’N: I want to say this to anyone reading. I have been in places in my life where I felt like I lost everything. I have gone from feeling like I was on top of the world to having to start over again, more than once. Those experiences taught me that fear is not always real. A lot of the time, fear is something we create in our own minds before anything has even happened. If you have a dream that you have been putting aside because you are scared of failing, I want to encourage you to go for it. Failure is not the end. Sometimes it is the thing that teaches you who you really are. You can do more than you think. You can rebuild. You can start again. You can dream higher. Go for it. ALL'N is proving that the rise to the top is about the purpose you bring to every note. By merging the discipline of his classical violin training with the raw, boundary-breaking energy of modern music, he is forging a path that is entirely his own. For ALL’N “Dream Higher” is a philosophy that has guided every chapter of his career so far. As ALL’N continues building both his career and SKS Entertainment, one thing remains clear: he’s not waiting for permission to pursue the future he envisions. Instead, he is creating it himself. We want to thank ALL'N for sharing his story with us, and we encourage the SoundLovers community to keep supporting him and the N’CORE fandom as they continue to rise higher, together.

For NCHIVE and SAVE, this feels like a moment years in the making. Since their debut on April 9, 2024, HA.L, E.aN, Kangsan, Yuchan, Juyoung, and N of NCHIVE have steadily built a reputation as a group that never stops moving forward. Whether it was traveling overseas to meet fans, stepping onto new stages, or challenging themselves through every comeback, NCHIVE has approached each opportunity with enthusiasm and determination. Now, the group is preparing to embark on their biggest journey yet with the 2026-27 NCV GLOBAL LIVE TOUR "WE'VE." For SAVE around the world, this announcement brings a new opportunity to celebrate just how far the group has come while creating even more unforgettable memories together. NCHIVE: ACTIVE LIVE TOUR in Paris, Photo by Lucy H. NCHIVE made their official debut on April 9, 2024, under AUBEMOON STUDIO -- with their first single album DRIVE, and title track "RACER." The group quickly began making a name for themselves through their youthful yet powerful energy, impressive performances, and genuine connection with fans. Just six months after their debut, NCHIVE made their U.S. debut as headliners of Houston's 2024 Korean Festival, where they captivated festivalgoers with immersive choreography, memorable fan interactions, and an unforgettable introduction to American SAVE. Since then, they have continued to grow through releases including BELIEVE, "Never Give Up," and "First Nchristmas!," while expanding their global presence through overseas tours, cultural initiatives, and fan events that have allowed them to connect with SAVE across multiple continents. Over the past two years, NCHIVE has consistently shown that they are willing to go wherever the music takes them. Their ACTIVE LIVE TOUR introduced the group to new audiences throughout Europe and Asia, creating opportunities for fans to experience NCHIVE's energy firsthand. One particularly memorable stop came in Paris, where fans filled the venue with excitement, chants, laughter, and overwhelming support. Throughout the night, the members shared stories, performed fan-favorite songs, and even stepped into the crowd to create personal moments with SAVE. It was a night that perfectly reflected one of NCHIVE's greatest strengths—their ability to make fans feel seen, appreciated, and included. That same spirit has followed the group wherever they go. NCHIVE Fan Meet at Houston K Fest 2024 Beyond the music, NCHIVE has continued to embrace opportunities, allowing them to connect with people through culture and community. Their activities in Cambodia introduced the group to even more international fans while highlighting their growing influence beyond traditional K-Pop promotions. Rather than focusing solely on performances, the members have consistently demonstrated a desire to build meaningful relationships with fans and communities alike. Whether appearing at cultural events, participating in outreach activities, or simply taking the time to connect with supporters, NCHIVE has shown that its impact extends far beyond the stage. The group has also continued to evolve with every release. While DRIVE introduced listeners to NCHIVE's confidence and ambition, subsequent releases have revealed new sides of the members' artistry. Tracks like "Never Give Up" reflected messages of perseverance and determination, while BELIEVE showcased a group continuing to mature both musically and emotionally. Built around themes of hope, confidence, and trusting yourself despite uncertainty, BELIEVE reflected many of the same qualities that fans have come to admire in NCHIVE. The members have never hidden the fact that achieving their dreams requires hard work and persistence--messages that have become an important part of the connection they share with SAVE. The 2026-27 NCV GLOBAL LIVE TOUR "WE'VE" will take NCHIVE across Europe as the group continues expanding its global reach. Organized by MMS Entertainment, the tour combines concerts, festivals, appearances, and fan-focused events, giving SAVE multiple opportunities to meet the members through the fall. NCHIVE is set to meet SAVE in London beginning October 10, followed by appearances at Festival Weekend Dance & Co in Salon-de-Provence, France, on October 17 and 18. NCHIVE will then continue to greet save in Lyon (October 21), at Festival MEX in Berlin (October 24), and conclude the announced leg of their tour in Baku, Azerbaijan (November 1). Additional cities and dates are expected to be announced as the tour continues to grow. This tour carries such a heavy meaning for the group, as NCHIVE has shared every step of their journey alongside their fans. During one of their earliest interviews, the members spoke openly about their desire to meet SAVE around the world. During their first visit to Houston, they shared hopes of one day touring throughout the United States and reaching even more fans internationally. At the time, it was a dream they were still working toward. Now, that dream is becoming a reality. The WE'VE Global Tour represents more than a series of concert dates. It is a celebration of the memories NCHIVE and SAVE have created together since their debut and an opportunity to create many more in the future. From Houston to Paris, Cambodia, and beyond, the group's journey has been shaped by the fans who have supported them every step of the way. As NCHIVE prepares to bring their music, performances, and heartfelt energy to audiences around the world, one thing is certain: this is only the beginning. Create new memories with NCHIVE! Secure your tickets here

The wait is officially over for music lovers and culture enthusiasts alike. 88rising—the pioneering music and media company globally amplifying Asian talent—alongside premier West Coast concert promoter Goldenvoice, has officially announced the highly anticipated return of the Head In The Clouds Music & Arts Festival to Los Angeles. Solidifying its reputation as “the premiere music festival for Asian talent in the US,” the 2026 edition is shifting gears into a hyper-focused, high-energy one-day experience. Mark your calendars for Saturday, August 8th, as the festival takes over the beautiful, historic grounds of Brookside at the Rose Bowl in Pasadena, California. Gearing up to be another memorable event for the global music community, this year's festival boasts an incredible roster of international superstars. Beyond the stellar music lineups, attendees can look forward to a carefully curated selection of iconic Asian food vendors, celebrating identity and community through both sound and taste. To get you ready for the festival gates to open, we are breaking down this year’s stacked performing lineup: Stepping onto the Head In The Clouds stage for the very first time as this year’s blockbuster headliner, KATSEYE is a powerhouse global girl group that has taken the music industry by storm. Formed through the rigorous international survival show The Debut: Dream Academy—a joint venture between HYBE and Geffen Records—the final six-member lineup consists of Daniela Avanzini, Lara Raj, Manon Bannerman, Megan Skiendiel, Sophia Laforteza, and Yoonchae Jeong. Representing a groundbreaking fusion of distinct cultures and backgrounds, the group officially debuted in 2024. Their meteoric rise to fame, propelled by massive streaming numbers and a viral global fanbase, has already taken the girls on to receive Best New Artist nomination at the GRAMMY Awards. Arriving in Los Angeles fresh off the massive success of their latest high-energy release, "Pinky Up," KATSEYE is set to deliver an unforgettable headlining performance that proves they are a permanent force in global pop. Bringing their jaw-dropping performance power from Japan, XG is a hip-hop and R&B-influenced girl group that has completely redefined the boundaries of global pop music. Managed by XGALX (a subsidiary of Avex), the group consists of seven exceptionally skilled members: Jurin, Chisa, Hinata, Harvey, Juria, Maya, and Cocona. Debuting in March 2022 with their fierce single "Tippy Toes," the group completely opts out of traditional genre limits, performing entirely in English to reach a borderless audience. Over the past few years, XG has achieved numerous achievements, earning spots on global charts real estate and earning praises for their immaculate, synchronized choreography, futuristic concepts, and unparalleled rap lines. Their appearance at the Rose Bowl serves as a major pit stop amid their highly anticipated upcoming world tour, giving Southern California fans a front-row seat to their boundary-pushing live production. Making waves with a highly anticipated career transition, South Korean rapper and producer Dabin.kr is set to make a notable appearance at Brookside following his career as DPR LIVE. Previously performing under DPR LIVE, Hong Da-bin first emerged through the DPR collective and gained wider recognition with his 2017 album Coming to You Live. Known for his melodic rap style and visually driven storytelling, his current evolution reflects a continued artistic shift into a more personal and independent creative direction, marking this appearance as a new chapter for longtime listeners. Representing the exciting, forward-thinking powerhosue of the new K-Pop generation, LNGSHOT is a rising boy group carefully crafted and produced by the legendary, highly accomplished and versatile individual, Jay Park under his More Vision label. Composed of members Ohyul, Ryul, Woojin, and Louis, the group officially debuted in January 2026 with their lead single "Moonwalkin'." Merging the signature high-octane performance standards of traditional idol groups with a gritty, authentic hip-hop edge, they heavily contribute to their own production—shown in their collaborative mixtape 4shoboiz Vol. 2: 4shoville alongside Jay Park. Most recently, LNGSHOT made a massive splash at the 2026 K-EXPO USA at the Peacock Theater, completely stealing the show when Jay Park joined them on stage for explosive live performances of "Moya" and "4SHO 4SHO." Their upcoming appearance at Head In The Clouds is one of the most highly anticipated in the lineup. Adding a beautifully distinct, high-energy presence to the festival lineup is the acclaimed South Korean girl group KiiiKiii. Known for their undeniable combination of sharp vocal versatility, infectious concepts, and distinct member personalities, the group has carved out a unique space for themselves under Starship Entertainment. The line-up consists of members Jiyu, Leesol, Sui, Haum, and Kya, who initially made waves with their March 2025 mini-album UNCUT GEM. Following up with their January 2026 comeback album Delulu Pack and its hit title track "404 (New Era)", KiiiKiii has consistently earned praise for their ability to masterfully shift between bright pop melodies and complex instrumentation, making their inclusion in the 2026 lineup a hint at their growing international appeal. Bringing a serene, grounding aura of healing and soulful introspection to the Rose Bowl, UMI is a visionary American R&B singer and songwriter hailing from Seattle, Washington. Born Tierra Umi Wilson to an African-American father and a Japanese mother, UMI began her musical journey by independently uploading heartfelt, self-produced tracks to SoundCloud and YouTube while still in high school, eventually breaking out globally with her beloved 2018 bedroom-pop single "Remember Me." Seamlessly blending neo-soul rhythms, delicate acoustic textures, and bilingual English-Japanese lyricism, her career has been highlighted by critically acclaimed EPs, high-profile collaborations, and a dedicated global following drawn to her themes of love, identity, spiritual wellness, and deep human connection. Bringing his blend of witty lyricism and globally resonant hip-hop, Rich Brian stands as one of the defining breakout figures of the modern Asian diaspora music wave. First gaining international attention through viral online releases under the moniker Rich Chigga before evolving into a more refined, genre-fluid artist, he officially joined the 88rising roster and quickly cemented his place with projects like Amen and The Sailor. Known for balancing humor, introspection, and sharp cultural commentary, his live sets consistently showcase both technical growth and an effortless command of stage presence, making his return to the Head In The Clouds stage a highly anticipated moment for longtime fans and new listeners alike. Injecting a globally inspired, rhythm-forward energy into the festival is DJ and tastemaker Gia Fu, whose sets have become one with cross-cultural musical storytelling. Drawing deeply from Latin vinyl culture while bridging influences from Asia and the diaspora, she has carved out a distinct identity within the international DJ circuit. Her approach to sound is both archival and forward-thinking, blending rare grooves with contemporary club rhythms in a way that transforms each set into a cultural dialogue. At Head In The Clouds 2026, her presence adds a vital connective thread between communities, genres, and eras of global music. Emerging under the 88rising umbrella, no na represents one of the platform’s newer introductions from Southeast Asia. As an early-stage act, their artistic identity is still in development, but their inclusion reflects 88rising’s continued focus on nurturing emerging regional talent and expanding its global roster. Positioned within the label’s ecosystem of rising artists, no na adds a developing voice to this year’s lineup as they continue to build their presence on the international stage. Bringing a playful, emotionally charged indie-pop sensibility to the stage is singer-songwriter Tiffany Day, an artist known for turning everyday feelings into hook-driven, bedroom-pop confessionals. With roots in online-first music culture, she has steadily built a global audience through relatable storytelling, crisp production choices, and a voice that balances softness with clarity. Her performances often feel like shared diary entries set to melody, creating an atmosphere that resonates strongly with younger audiences navigating love, identity, and growing pains in real time. Rounding out the announcement is genre-bending rapper and producer Warren Hue, whose sharp-edged delivery and experimental production style continue to push the boundaries of contemporary hip-hop. Rising rapidly through the 88rising ecosystem, he has become known for his fearless approach to genre, blending trap, punk energy, and digital-age elements into a sound that feels both chaotic and controlled. His live performances are marked by high intensity and unpredictability, making him one of the most dynamic young voices to watch at this year’s festival. The lineup for Head In The Clouds 2026 arrives as a celebration of global Asian talent and its continued evolution. With a roster spanning pop, hip-hop, R&B, indie, and club culture, the festival once again positions itself at the intersection of music, identity, and global collaboration. We’ll see you at the Rose Bowl.

Most K-Pop artists spend years preparing for their debut. ALL’N spent those years preparing for a debut while simultaneously building the company that would make it possible. As the founder and CEO of SKS entertainment, the violin-driven soloist occupies a unique position within the industry. He isn’t simply responsible for his performances, recordings, and promotions. He’s also involved in the business decisions, partnerships, operations, and long-term vision guiding the company behind his career. Photo Credit: SKS Entertainment It’s a balancing act that many artists would find overwhelming. For ALL’N, it’s simply part of the dream. “I am all in,” he tells K Fuse–letting us know that this is the sole foundation of his identity as an artist. Known professionally as ALL’N, the soloist built his name around the philosophy of complete commitment. His Korean name, 올린, also carries a more personal connection, drawing inspiration from the final characters of 바이올린, the Korean word for violin. Together, the names represent the two forces that have shaped his journey: unwavering determination and a lifelong relationship with the instrument that first entered his life through an unexpected challenge from his older brother. Long before his music show stages and executive meetings became part of his daily life, ALL’N was simply a younger brother sitting in on violin lessons. His older brother had started learning the instrument first, and for nearly a year, ALL’N accompanied his mother to lessons, quietly observing from the sidelines. Week after week, he listened as the instructor repeated the same corrections, reminding his brother to straighten his wrist and keep his bow aligned. Eventually, frustration got the better of him. After hearing the same feedback for what felt like the hundredth time, he finally spoke up. “The teacher has been telling you this already.” His brother’s response would unknowingly change the course of his life. “If it’s so easy, why don’t you try?” The challenge was impossible to resist. “The beautiful thing about having an older brother is that you’re always competing with each other,” ALL’N explains. “You always want to be better at something.” The following week, he began violin lessons of his own. What started as a sibling rivalry gradually evolved into something much more meaningful. Over the years, the violin became a constant companion through different chapters of his life, eventually transforming into the centerpiece of the artistic identity he presents today. That identity stands at the heart of EVERYTHING ALL’N hopes to accomplish. For many artists, incorporating a violin into a song might be viewed as a creative flourish or a special feature. For ALL’N, it is far more personal than that. “The violin is not a prop for me,” he says. “It is not something I randomly added to look different. It is part of who I am.” That conviction became the foundation of his debut single, “WE UP.” Released earlier this year, the track serves as both an introduction and a declaration of purpose. Through a fusion of violin, rap, vocals, choreography, and high-energy K-Pop performance, ALL’N sought to introduce listeners to every side of himself at once. The song reflects not only his musical influences but also the resilience that carried him through years of preparation. “The message of ‘WE UP’ is about rising together,” he shares. While the song carries a confident energy, its meaning runs deeper than simple self-assurance. It is rooted in the experience of continuing to move forward even when others fail to see your vision. “It wasn’t just saying ‘I am going up,’” he explains. “We are going up.” That distinction matters. Throughout his career, ALL’N has consistently emphasized the people who supported iim before the opportunity arrived. Fans, collaborators, mentors, and friends all play a role in the story he tells through his music. Success, in his eyes, is rarely achieved alone. Long before his Korean debut, ALL’N gained valuable experience competing on Season 1 of Youth With You, one of China’s largest idol survival programs. Surrounded by approximately one hundred highly skilled trainees selected through extensive auditions, he was pushed to develop not only as a performer, but as an artist capable of thriving under immense pressure. Photo Credit: SKS Entertainment The experience introduced him to nearly every aspect of the entertainment industry. Cameras followed contestants constantly. Interviews became as important as the performances. Every interaction, rehearsal, and evaluation carried a heavy weight. Most importantly, it taught him how many moving pieces contribute to a successful career. “I learned how hard you have to practice, how cameras work, how important communication is, and how every small detail matters in K-Pop,” he recalls. Those lessons would later prove invaluable as he stepped into a role few artists ever experience. Running SKS Entertainment while simultaneously launching his own career has required a level of discipline that extends far beyond music. On any given day, ALL’N may move from recording vocals to rehearsing choreography to handling legal documents, partnership discussions, operation decisions, and long-term planning. Time, he says, has become his most valuable asset. Yet despite the challenges, he views his dual role as an advantage rather than a burden. As both artist and CEO, he maintains a level of creative freedom rarely afforded within traditional entertainment structures. While he values collaboration and credits the teams around him for helping bring his ideas to life, he also has the ability to protect the core vision behind his work. That vision extends beyond his own career. Looking forward, ALL’N hopes SKS Entertainment will become a home for artists whose talents and stories don’t necessarily fit the industry’s traditional mold. Read our full interview with ALL’N here (coming 6/9)

Global pop powerhouses XG are officially bringing their cosmic energy back to North America. Following a massive, completely sold-out arena run across Japan earlier this year, the group has announced the North American dates for their highly anticipated second world tour, ‘XG WORLD TOUR: THE CORE.’ The announcement has sent shockwaves through the fandom, as international ALPHAZ have been eagerly waiting to see how the group's fierce choreography, immaculate rap lines, and ethereal vocals will translate to massive Western arena stages. Photo Courtesy of XG ​XG (Xtraordinary Genes) is a seven-member global pop group consisting of JURIN, CHISA, HINATA, HARVEY, JURIA, MAYA, and COCONA. Unbound by innate attributes or predefined frameworks, XG unleashes the power and creativity that lie within each individual’s core. By continuously creating new culture without being constrained by convention, XG seeks to empower people across the world from all walks of life. Known for their high-concept visuals, performance-driven artistry, and genre-blending sound, the group has emerged as one of the most internationally successful acts to come out of Japan in recent years. All of their music is performed in English, helping fuel a rapidly growing global fanbase and major crossover success in the U.S. market. ​ Since debuting in 2022 with “Tippy Toes,” XG has amassed more than 1 billion streams on Spotify alone and landed multiple Top 40 U.S. radio hits, including “LEFT RIGHT,” “WOKE UP,” and “GALA,” with “LEFT RIGHT” spending 13 consecutive weeks on the chart. The group has continued to break barriers globally, becoming the first Japanese artist to appear on the cover of Billboard, and in 2025, made history as the only Japanese artist to perform at Coachella, where they headlined the iconic SAHARA stage and earned widespread acclaim from U.S. and international media. Later that year, they made a showstopping U.S. television debut on the Season 29 finale of The Voice with a performance of “GALA.” ​ Their first full-length studio album, THE CORE – 核, released in January 2026, debuted on the Billboard 200, further cementing XG’s breakout momentum in the U.S. The group is currently on their second world tour, ‘XG WORLD TOUR: THE CORE,’ following their first global run, which drew approximately 400,000 attendees across 47 shows in 35 cities worldwide. XG will also return to the U.S. festival circuit this August with a performance at Head in the Clouds in Los Angeles. Produced for the big stage, the 7-show arena trek kicks off on Tuesday, November 3 at the Oakland Arena in California. From there, the group will storm through major venues in Los Angeles, Chicago, Hamilton, Newark, and Dallas, before wrapping up the spectacular run on Sunday, November 22 in Mexico City. Fans can expect a massive production that mirrors the alien-chic, futuristic aesthetic XG has championed since day one, complete with intense visual effects and a setlist designed to showcase their evolution from rookies to global leaders. This upcoming tour marks XG's highly anticipated return to the U.S. since their historic appearance at Coachella in April 2025, where they shattered boundaries as the only Japanese artists to headline the iconic SAHARA stage. Their festival set was widely praised by international media for its unrelenting pace, live vocal stability, and magnetic stage presence. Before they hit the arenas this November, fans can catch them returning to the festival circuit this August at Head in the Clouds in Los Angeles, which will serve as the perfect teaser for the scale of the upcoming arena production. ALPHAZ, clear your schedules because the route maps out an unforgettable November. The group will kick off the run on Tuesday, November 3 at the Oakland Arena in Oakland, CA, followed by a massive hometown-style crowd on Thursday, November 5 at the Crypto.com Arena in Los Angeles, CA. They will then head to the Midwest to command the United Center in Chicago, IL on Monday, November 9, before crossing the border to give Canadian fans a legendary night at the TD Coliseum in Hamilton, ON on Thursday, November 12. The tour continues down the East Coast on Saturday, November 14 at the Prudential Center in Newark, NJ, followed by a southern stop at the American Airlines Center in Dallas, TX on Tuesday, November 17, and finally wraps up with what promises to be an explosive finale at the Arena Ciudad de Mexico in Mexico City, MX on Sunday, November 22. Due to the massive demand following their sold-out Japan dates, fans are encouraged to secure their remaining seats as soon as possible. General tickets and remaining premium VIP packages can be purchased directly through XG's official tour portal at xgalx.com/xg/tour/thecore, which connects buyers to the authorized local ticketing platforms for each specific venue, including Ticketmaster for the U.S. and Canadian tour stops, and Superboletos for the Mexico City finale. Are you planning to see XG on tour this fall? Which stop are you claiming? Let us know in the comments below!

Since their debut, tripleS have built a reputation for creating music that speaks directly to the hearts of listeners. While the group's unique twenty-four-member structure often captures attention, it is their ability to tell meaningful stories through music that continues to leave a lasting impression. Photo Credit: MODHAUS Formed under MODHAUS, tripleS debuted in 2023 with a concept that introduced members through a series of subunits before ultimately coming together as a complete twenty-four-member group. Since then, they have become one of K-Pop's most unique acts, earning praise for both their ambitious structure and their ability to tackle meaningful themes through music. Whether through songs like "Girls Never Die" or "깨어 (Are You Alive)," tripeS have consistently reminded fans that it is okay to struggle, to question, and to keep moving forward despite life's challenges. That storytelling tradition continues beautifully through ASSEMBLE26 pt. 1. Inspired by the belief that dreams still deserve a place in an increasingly cynical world, the album arrives as both a reflection and a reassurance. While much of today's music landscape focuses on capturing immediate attention, tripleS instead chooses sincerity, crafting a collection of songs that encourage listeners to continue believing in themselves when the road ahead feels uncertain. The result is a release that feels deeply personal while remaining universally relatable. At the center of the album is title track "Baby Flower," a song that feels like a natural continuation of the emotional journey that tripleS have been building throughout their career. Like "Girls Never Die" and "," the track speaks directly to those experiencing growing pains, uncertainty, and the challenges that often accompany personal growth. However, where previous releases focused on endurance and awakening, "Baby Flower" leans into reassurance offering a gentle reminder that growth takes time and that everyone blossoms at their own pace. Using the image of a flower that has yet to fully bloom, the song explores feelings of uncertainty and self-doubt while encouraging listeners to embrace the journey rather than fear it. The members deliver a message that feels both simple and powerful: the struggles you are experiencing are not yours alone. Others have walked the same path before, and brighter days still lie ahead. It is the sense of shared understanding that gives "Baby Flower" its emotional weight. This track balances warmth and optimism with the polished production that fans have come to expect from tripleS. the arrangement allows the members' vocals to shine while creating an atmosphere that feels comforting from beginning to end. Rather than overwhelming listeners with dramatic moments, the song unfolds naturally, inviting reflection and creating space for its message to resonate. One of the most touching aspects of "Baby Flower" is its universal message. Nearly everyone has experienced moments where they questioned themselves, worried about the future, or wondered whether they were moving in the right direction. tripleS acknowledges those feelings without judgment, offering encouragement instead. through their lyrics and delivery, the members create the sense that they are walking alongside the listeners rather than speaking from a distance. The music video further strengthens that connection. Filmed across Seoul, Tokyo, Bangkok, and Taipei, the visuals expand the song's message beyond borders and cultures. By showcasing different cities and environments, tripleS highlights how emotions explored throughout "Baby Flower" are shared by young people everywhere. No matter where someone lives, the desire to find purpose, overcome obstacles, and continue chasing dreams remains universal. Photo Credit: MODHAUS As a whole, ASSEMBLE26 pt. 1 succeeds because it understands exactly what has made tripleS so compelling from the beginning. While the group's concept may be innovative, their greatest strength has always been their ability to connect with listeners through honesty and empathy. they continue to create music that acknowledges life's challenges while offering hope for what comes next. With "Baby Flower" leading the way, tripleS once again prove that some of the most powerful messages are often the simplest ones. Growth is not always easy. Dreams are not always straightforward. But with patience, courage, and perseverance, every flower eventually finds its time to bloom.

FIFTY FIFTY is officially ready to embrace a new direction, stepping away from the polished perfection often found in pop music. The group has made their much-anticipated return with their latest EP, Imperfect-I’mperfect, now available on all digital streaming platforms through Arista Records. This release marks an exciting and authentic chapter in their musical journey. With six tracks that don’t shy away from imperfections, the EP beautifully conveys the idea that our raw, unapologetic selves can be our most unique and complete versions. Moving beyond simple, bright idol optimism, the EP boldly tackles the real, heavy emotions that surface when the smiles fade, reminding us that it’s okay not to be perfectly happy all the time. Photo Credit: Sony Music Korea Entertainment FIFTY FIFTY debuted in November 2022 and quickly made waves with their hit song “Cupid,” which achieved historic success on global charts and became a sensation on TikTok thanks to a viral dance trend. Unlike many K-pop groups that initially focus on the local market and Korean-language songs, FIFTY FIFTY has leaned more into Western pop sounds and English-language hooks, as heard in tracks like “SOS” and “Gravity.” Last year, they signed a U.S. record deal with Arista Records and released their comeback EP Love Tune. To date, the group has launched two EPs—The FIFTY and Love Tune—along with one LP, The Beginning. They also contributed a song to the soundtrack of the blockbuster film Barbie. Before this release, the group showcased their versatility with a well-received cover of Pink Floyd's “Wish You Were Here,” earning praises from fans and critics for their heartfelt reinterpretation. They recently spoke with Variety about the creative direction of their evolving artistry and the emotional themes that inspired this current project. The EP immediately kicks things off with the pre-release single, “STARSTRUCK,” which drops a massive bomb on everything you thought you knew about the group's sound. Built around powerful electronic synths, distorted textures, vocal chops, and cyberpunk-inspired production, the track creates a retro-futuristic atmosphere that feels immersive, hypnotic, and emotionally charged. This experimental soundscape offers fans an early glimpse into the themes woven throughout the project while showcasing a bold new side of FIFTY FIFTY. From there, the tracklist pivots into the official focus track, “Like a Bubble.” This record balances out the dark energy of the opening track by leaning into a brighter and more playful energy through dreamy production, buoyant melodies, warm harmonies, and atmospheric instrumentation layered over a boom bap-inspired rhythm. At its heart, the song is about loving yourself exactly as you are — flaws and all — while capturing the freeing feeling of emotional weightlessness. Together, “STARSTRUCK” and “Like a Bubble” embody FIFTY FIFTY’s unmistakable sense of liberation and artistic growth. The rest of the track list continues to explore these themes, taking listeners on an energetic, emotionally complex journey through the highs and lows of youth. “Took It Too Far” brilliantly blends groovy, dreamlike textures with playful tension, portraying a relationship that’s constantly at odds yet impossible to leave. Meanwhile, “Genie Magic” bursts with vibrant synths and infectious energy, celebrating the unexpected magic of love. Leaning into their introspective, soulful side, “PERFECT” combines dreamy R&B textures with subtle retro influences, capturing the excitement and nervousness of first love while delivering a bold confession through the group’s signature confidence. Closing out the EP, “Carry On” builds toward a soaring and emotional finale with expansive production, powerful chants, and dynamic vocal ad-libs that leave listeners with a lasting sense of comfort, healing, and hope. Ultimately, Imperfect-I’mperfect succeeds because it doesn't try to sugarcoat the realities of growing up. From riveting dance-pop moments to softer introspective tracks, the project captures the complexities of youth, identity, emotional uncertainty, and personal growth while reinforcing FIFTY FIFTY’s place as one of the most exciting rising groups in global pop music. Turn down the noise, stream the full EP on your favorite digital platform, and let the music speak for itself.

Korean sibling duo Lil Cherry & GOLDBUUDA have spent years carving out a lane that belongs entirely to them, blending hip-hop, alternative pop, electronic influences, and experimental aesthetics into a sound that consistently defies expectations. Rather than chasing trends, the duo has built their identity around creative freedom, embracing individuality in every aspect of their work. Whether through their music, visuals, or fashion, Lil Cherry & GOLDBUUDA have become known for pushing boundaries that challenge what listeners expect from Korean artists. Their latest release, "DRESS2KILL," continues that tradition while offering one of their most confident and accessible statements to date. Lil Cherry & GOLDBUUDA entered the alternative music scene independently, gaining attention through a series of self-directed releases that showcased their fearless artistic vision. After debuting together with "Motorola" in 2018, the sibling duo continued building momentum through fan-favorite releases such as "ALL-YOU-CAN-EAT," "get a whiff of dis," and "MUKKBANG!," helping establish their reputation as two of the most exciting voices emerging from Korea's alternative hip-hop scene. Their genre-bending approach and larger-than-life performances have led to appearances at international events including Head in the Clouds and SXSW, while collaborations and projects such as SPACE TALK further demonstrated their ability to blend hip-hop, alternative pop, fashion, and underground influences into a world entirely their own. Released through Family Style Records, the new hip-hop imprint launched by Pacific Music Group and led by Asian American rap pioneer MC Jin, "DRESS2KILL" marks the duo's first major project under the label. The partnership represents an exciting new chapter for both the artists and the newly established imprint, which aims to spotlight boundary-pushing Asian talent on a global stage. For Lil Cherry & GOLDBUUDA, however, the release feels less like a fresh start and more like a continuation of the creative journey they have been building for years. From the moment the track begins, "DRESS2KILL" moves forward with an undeniable sense of energy and purpose. The production balances aggressive hip-hop influences with alternative pop sensibilities, creating a sound that feels equally suited for a festival stage, a late-night drive, or a personal moment of empowerment. Heavy beats collide with infectious melodies while the duo's dynamic delivery keeps the song moving with relentless momentum. What ultimately draws listeners in, however, is the compelling message hidden beneath it all. The title may suggest a fashion-forward anthem, but the song reveals itself to be something much deeper. For Lil Cherry & GOLDBUUDA, getting dressed becomes a metaphor for preparing yourself to face the world. The clothes people wear represent more than style—they become symbols of ambition, resilience, confidence, and survival. The track explores the idea that strength is not always something people naturally possess; sometimes it is something they choose to embody every day as they navigate life's challenges and pursue their dreams. "'DRESS2KILL' is for everybody," the duo shared in a statement. "Whether you're putting on a uniform for work, getting dressed to chase your dreams, or stepping out to feel like the strongest version of yourself—that's DRESS2KILL. It's about wearing your survival, ambition, confidence, and chaos on your body every single day." That philosophy gives the song a level of emotional resonance that extends far beyond its production. While the energy remains explosive throughout, the message feels deeply relatable. Nearly everyone can understand the feeling of preparing themselves mentally before stepping into an important moment, facing uncertainty, or pursuing something they deeply care about. Through that lens, "DRESS2KILL" becomes an anthem not only for self-expression, but also for perseverance. The accompanying music video amplifies those themes through a cinematic visual experience that complements the song's larger-than-life energy. Packed with striking imagery and bold styling, the video further showcases the creative world that Lil Cherry & GOLDBUUDA have spent years cultivating. For longtime fans, this approach to visual storytelling will feel immediately familiar. The siblings have consistently treated their projects as immersive experiences, inviting listeners into a world where sound, style, and emotion work together to tell a larger story. It is a philosophy that has helped separate them from many of their contemporaries while establishing a recognizable artistic signature. At a time when audiences around the world are increasingly searching for artists who offer something genuine rather than formulaic, Lil Cherry & GOLDBUUDA continue to trust their instincts and create music that feels reflective of who they are. That authenticity remains one of their greatest strengths. Listeners will undoubtedly find their own meaning within "DRESS2KILL," whether it serves as a reminder to embrace confidence, pursue ambition, or simply keep moving forward through life's challenges. More than just a high-energy release, the track stands as a celebration of individuality and resilience. For Lil Cherry & GOLDBUUDA, it is another compelling chapter in a career defined by fearless creativity. For listeners, it is an invitation to step into the world as the strongest version of themselves.

The global boundaries of contemporary J-Pop are officially shifting, and PSYCHIC FEVER is at the forefront of this change. Fresh off a massive year that saw them tear up the stage at SXSW 205, wrap up their first multi-city U.S. tour, and lock down a game-changing global deal with Warner Music Group and 10K Projects, PSYCHIC FEVER is ready to completely flip the script. Photo Credit LDH Japan Joining the music scene in July 2019, the seven-member squad----KOKORO, WEESA, TSURUGI, RYOGA, REN, JIMMY, and RYUSHIN-- first stepped into the spotlight as a trainee group during LDH JAPAN's massive BATTLE OF TOKYO concert series. They spent three grueling years sharpening their skills, serving as backup dancers for their senior labelmates, and conquering their promotional "Musha Shugyo" (Warrior's Pilgrimage) tours before officially debuting on July 13, 2022, with their first album P.C.F, which formally crowed them as the seventh official group of the legendary EXILE TRIBE collective. Driven by their core purpose to ignite global dreams, they officially began actively promoting across Southeast Asia, but everything took a turn with the release of their viral smash hit "Just Like Dat feat. JP THE WAVY." this addictive track became a full-blown global phenomenon, tearing up the Spotify Viral Top 50 charts across multiple countries and breaking into the U.S. charts. This was only the beginning of the many things that lay in store for PSYCHIC FEVER as they successfully wrapped up their first multi-city U.S. tour, performed at SXSW, and locked down a global contract with Warner Music Global and 10K Projects. Now, they are officially starting their most exciting chapter yet with the sultry, R&B-infused single "I Got Ways," setting the stage for a bold new era ahead of their highly anticipated second album, DIFFERENT, dropping July 10th! To bring the whole vision to life, the boys linked up with Grammy-nominated producer Rykeys, who is known for crafting those smooth late-night R&B tracks for artists such as Chris Brown and H.E.R. Under his direction, "I Got Ways" embodies a theme of "mature composure," beautifully reflecting the groups continued musical and personal growth. channeling he absolute confidence of "I got ways to make you stay" and the relentless momentum of "I ain't through yet," the track introduces a redefined, deeply magnetic presence that highlights a much more grown-up sound from the group. What makes this track, so captivating is how it deliberately switches up their style. If "Just Like Dat" was that loud, high-energy anthem designed to get everyone dancing, "I Got Ways" is the ultimate late-night playlist track. It operates on the power of being cool and calm. Instead of relying on aggressive chaotic beat drops, the music lets a steady smooth rhythm do all the heavy lifting. the beat is unhurried and spacious, creating a rich atmosphere that builds tension without ever feeling messy or crowded. Usually, the group keeps a pretty clear line between the vocalists and the rappers to create sharp, dramatic switches during a song. But on this track, those boundaries are completely gone. the members who usually stick strictly o rap took a huge creative leap here, challenging themselves to sing in a super soft, sensual style. This gives the whole track a seamless, velvety texture from the first second to the last note. It doesn't flatten their individual styles at all- capturing your attention just as easily with a quiet, moody groove as they can on a massive, roaring festival stage. "This is the kind of song that feels new for PSYCHIC FEVER -- something we hadn't really done before. Even the member swho usually focus on rap challenged themselves to sing in a more sensual style for this track, and that contrast is one of the highlights as well." - JIMMY The single is accompanied by a standout music video that delivers a striking counterpart to the track. Unlike their previous youthful and energetic image, this music video focuses more on a sense of composure and mature sensuality, creating a vibe that PSYCHIC FEVER can uniquely express now, nearly four years after their debut. the visual concept creates a cinematic, sensual mood that pulls viewers straight into a world shaped by tension, mystery, and late-night reflection. Stepping completely away from bright studio backdrops, the video places the boys against moody nighttime backdrops and rain-soaked scenes. the performance factor is turned all the way up, featuring a dynamic performance style with fluid choreography created by st kingz member Kazuki. The routine focuses heavily on slow, controlled power and incredibly sharp, synchronized formations that match the track's steady pulse. At the same time, the video does an amazing job of balancing teamwork and individuality, spotlighting each member through gorgeous close-up moments that highlight their distinct presence and effortless charisma. This release does a flawless job of kicking of the early-access window for their upcoming 2nd album, DIFFERENT. The highly anticipated release promises a highly diverse mix of tracks that highlight PSYCHIC FEVER's evolution by seamlessly blending massive, high-energy anthems with highly introspective and melodically rich songs. With "I Got Ways" PSYCHIC FEVER continues to expand their global impact, demonstrating that Japanese pop music can bridge cultural and geographic boundaries while maintaining a distinctly local identity. The track firmly reaffirms the group's place at the forefront of contemporary Japanese pop, highlighting their ability to combine world-class production, deep storytelling, and elite performance into a compelling musical experience for fans around the world.

One of music’s most unmistakable voices is officially back to upgrade our late-night playlists. Just about a year since his last drop, singer-songwriter JANGHYUNSEUNG has returned with a gorgeous new digital single called "My Only One." The track serves as a massive reminder of his incredibly unique, delicate vocal style, completely leaning into the deep, moody soundscapes he has spent years perfecting. Fans are already all over social media celebrating the release, especially with the artist dropping a ton of fun, casual content and chatting directly with the community lately—sparking huge excitement for everyone from longtime followers to brand-new listeners. JANGHYUNSEUNG has built an immaculately spectacular legacy over nearly two decades. Bursting onto the scene in October 2009, as part of the powerhouse boy group B2ST (BEAST; now known and loved as Highlight), he quickly established himself as one of K-Pop's most fiercely distinctive performers. Known for their commanding stage presence, sharp fashion sense, and unforgettable charisma, JANGHYUNSEUNG helped anchor some of the second generation's biggest culture-shifting hits, including the timeless bops "Shock," "Breath," and "Fiction." If that wasn't iconic enough, JANGHYUNSEUNG, alongside Hyuna, dominated the music scene with their most defining, daring, and legendary moments as a co-ed group performing smash singles like "Trouble Maker" and "Now." In April of 2016, JANGHYUNSEUNG chose to step away from B2ST to pursue a solo career. As a soloist, he has consistently chosen the path of artistic evolution, stepping away from standard pop formulas to deep dive into contemporary R&B, hip-hop, and indie influences. To set himself apart, his solo discography has won massive critical praises for its smooth emotional flow, dreamlike synthesizer textures, and his identifying beautifully restrained vocal delivery. It is a deeply immersive aesthetic that fans affectionately call his signature "nighttime sensibility"---the perfect music for late-night drives and introspective reflection. This unique sound comes as a result of a fearless journey of self-discovery. After parting ways with CUBE Entertainment in 2021, following a successful 12-year run, JANHYUNSEUNG embarked on a raw and personal creative chapter by joining AP Alchemy's sub-label Mine Field under the adopted stage name ABLE. During this time, he gifted fans an array of deeply personal hip-hop and R&B treasures, including the singles "Feeling" and "Daisy," as well as his EP Unparadise. In 2025, something glorious happened as he reclaimed his original name, JANGHYUNSEUNG, and signed an exclusive contract with MPLIFY (a new label under Warner Music Korea). He didn't waste time, and immediately hit the ground running, dropping the stunning singles "Orbit" and "Mess" to mark a mature, and more deeply reflective evolution in his artistry. Now with the arrival of "My Only One" he continues that creative journey, inviting fans once again into a world that perfectly balances vulnerability, lush atmosphere, and profound emotional depth. The song opens with an incredibly plush, low-filtering bassline that sets an immediate, intimate mood, layered beneath a slow-burning, steady percussion rhythm that gives the entire track a hypnotic, swaying pulse. Rather than building up to a dramatic and explosive chorus, JANGHYUNSEUNG opts for that nostalgic "nighttime sensibility" sound that fans know and adore. The instrumental introduces waves of hazy, ambient synthesizer pads during the hook, wrapping around the listener like a warm embrace and perfectly capturing a lonely midnight vibe. Vocally, "My Only One" highlights a remarkably mature and vulnerable side of JANGHYUNSEUNG that fans have never heard quite like this before. He utilizes his iconic, airy falsetto to float effortlessly over the dreamlike synth lines, but anchors the verses with a grounded, conversational chest voice that feels like an intimate whisper. His unique vocal delivery is brilliantly controlled throughout the track, making it seem as though he is intentionally pulling back on power to emphasize the raw and unprotected emotions embedded in the lyrics. The song tackles the bittersweet realities of deep devotion and the lingering ghost of a singular love, using poetic, evocative imagery about passing time and quiet, reflective spaces. Every vocal run adds a layer of psychological depth to the melody almost conveying that a profound heartbreak remains entirely unmatched. With the arrival of "My Only One," JANGHYUNSEUNG delivers a reminder that no matter how much the musical landscape changes, his artistry remains entirely and unmistakably his own. So, turn the lights down, plug in your headphones, and let the ultimate grove take over your night.