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When it comes to Korean rock, 2Z have never been content with standing still. Since debuting, the quartet—BumJun, HoJin, JungHyun, and ZuNon—have built a reputation for high-octane performances, raw vulnerability, and an unshakable bond with their fandom, FromA. With each release, they’ve proven they’re identity extends beyond your typical rock band as sonic explorers. Now, with the release of their newest EP Highness, 2Z step boldly into uncharted territory, teaming up with acclaimed DJ and producer plomo to create a project that smashes the barrier between rock and techno. Released under GOGO2020, Highness is a five-track collaboration that brings together the grit of 2Z’s rock roots and the polished, pulsating energy of electronic music -- resulting in a project that feels fearless, inventive, and deeply personal all at once. Two brand-new originals—“Borderline” and “Unreal”—anchor the EP, while three remixes reimagine 2Z’s catalog through plomo’s driving electronic lens. Together, they form a body of work that’s not only a creative experiment but also a reflection of where 2Z are headed: a band evolving without limits. The collaboration with plomo feels natural. As a senior DJ and producer under the same agency, his work has already inspired ZuNon’s own creative instincts. His style—a mix of techno precision and big beat intensity—adds a new dimension to 2Z’s trademark sound. Where 2Z brings passion, grit, and emotional storytelling, plomo injects hypnotic textures, intricate layering, and club-ready production. The marriage of the two is nothing short of electrifying. The EP opens with “Borderline,” the project’s centerpiece. More than just a track, it unfolds like a two-part musical journey. The first half wrestles with disillusionment—dreams crushed under the weight of harsh reality, the kind of despair that feels suffocating. But in the second half, the song bursts open into something brighter. It’s a rebirth, one powered by hope and inspired by the constant encouragement of FromA. With its rise from fragility to triumph, “Borderline” is both an anthem and a love letter: a reminder that 2Z’s music has always been a conversation with their fans. Then comes “Unreal,” a track that’s as dreamlike as its name suggests. Romantic and unconventional, it spins the story of being swept away by awe—the beauty of encountering something extraordinary—and the fear of losing it. But “she,” in this song, isn’t just a lover. She represents music itself. She represents the fans who fill the venues, who stream the songs, who lend meaning to the band’s journey. That intimacy gives “Unreal” its emotional pull, balancing grandeur with tenderness in a way only 2Z could. The remixes—“How Do We Know (plomo’s Fresh Cooked Mix),” “2020 March (plomo’s Rhythm Institution),” and “25 (plomo’s Screwed Boozy Mix)”—round out the project with a jolt of adrenaline. Each takes familiar tracks from the band’s catalog and spins them into something club-ready, the kind of versions you’d expect to hear shaking a festival stage at midnight. Where the originals may have leaned rock, these remixes thrive on hypnotic repetition, tension-building drops, and the kind of basslines that rattle your chest. It’s 2Z like you’ve never heard them before—reborn through the language of techno. 2Z "Glory Dayz" Tour in LA | Photo by Branson Flores At its core, Highness is more than an EP. It’s a bridge between worlds: between rock and electronic, between band and DJ, between 2Z and FromA. It’s a reminder that music doesn’t have to live in boxes or stay confined to a genre. Instead, it can morph, expand, and find new life in collaboration. For 2Z, this release proves once again that they’re not afraid of risks, and that they’re ready to chase inspiration, wherever it leads. And for FromA, Highness is another chapter in a story that’s always been about connection. Whether it’s screaming along in a venue, streaming late into the night, or finding your heartbeat in a remix, fans are at the center of it all. With Highness, 2Z and DJ plomo have created something that speaks to the present while hinting at the future: a sound that’s raw, experimental, and most of all, alive. So plug in your headphones, turn up the volume, and let Highness pull you into its world. For 2Z and FromA, the journey is only getting started.

Cifika Some releases don’t just arrive—they make you feel the pulse of a moment, the thrill of youth, and the strange allure of a digital universe. Garzón Robie ’s latest single, “PC Cafe” featuring ethereal electronic a rtist Cifika , is one of those releases. Dropped on August 20, 2025, the track isn’t merely a song—it’s a fleeting experience of contemporary youth, a journey where reality and the virtual blur into a single, luminous space. In “PC Cafe”,the familiar hum of computers, the glow of screens, and the quiet excitement of digital connection transform an ordinary Korean PC bang into a canvas for introspection, playfulness, and subtle wonder. From the very first note, Garzón Robie invites listeners to step into a world where every click, every pixel, every moment carries both the weight and the thrill of being alive in a digital age. The opening layers of the track immediately set the mood: dreamy synths shimmer like neon reflections on wet streets, while soft, flowing vocals glide over a beat that is at once relaxed and insistent. It’s music that moves with the rhythm of the mind, as if following the scattered thoughts of someone sitting alone in a late-night PC bang, headphones on, caffeine in hand, yet fully connected to countless others through screens and signals. There’s a delicate tension in the arrangement: an interplay between the mechanical and the organic, the repetitive and the unpredictable, the real and the imagined. Cifika ’s voice floats through this landscape like a gentle echo, adding a layer of fragility and longing, while Garzón Robie’s playful yet precise delivery keeps the listener grounded in both the narrative and the beat. Together, they create a sonic space that feels personal yet expansive, familiar yet otherworldly. Garzón Robie ’s artistry has always thrived at the intersection of multiple disciplines. Formerly known as Kim Minsu and deeply embedded in Seoul’s vibrant hip-hop club scene, he has spent years evolving into an artist whose vision encompasses music, visuals, and narrative storytelling. His work refuses to be boxed in—each track, each video, each performance carries a sense of careful construction, but also the freedom of improvisation. “PC Cafe” exemplifies this: from its lyrics to its visual conception, every element reflects a philosophy centered on fun, exploration, and creative authenticity. The music video, directed by Jaejun Kim, perfectly mirrors the track’s duality. Surreal visuals blend seamlessly with real-world elements, transforming the PC bang from a simple gaming hub into a stage for introspection, fleeting connections, and moments that feel at once digital and deeply human. Screens become windows, pixels become memories, and each sequence pulses with the energy of youth navigating a world of infinite possibilities. There is a narrative richness in the track’s production that makes it more than just a collection of sounds. Rooted in the uniquely Korean experience of a PC bang, the song explores feelings of lethargy, repetition, and the subtle exhilaration of digital escape. Keywords drift through the rhythm—Discord, gaming, caffeine, fleeting mortality, and metaphorical rebirth—creating a sonic lexicon that is both playful and profound. It’s a world where the ordinary becomes magical, where the familiar routine of scrolling, clicking, and chatting transforms into a meditation on connection, creativity, and identity. CIFIKA’s contributions enrich this palette, her airy, ethereal tones juxtaposed against Garzón Robie’s clever rhythmic phrasing, resulting in a musical dialogue that feels intimate yet expansive, casual yet intricate. Garzón Robie Beyond the music itself, “PC Cafe” is a testament to Garzón Robie’s meticulous, multidimensional approach to artistry. Co-producing the track with preux, he oversaw composition, arrangement, lyrical content, and visual direction, shaping a cohesive identity that spans sound and image alike. This level of engagement demonstrates a rare kind of artistic integrity—an insistence that every component of a release, from the way the bass thumps to the framing of a shot, communicates something essential about the artist and the world he inhabits. The collaboration with CIFIKA adds depth and nuance, not merely as a featured voice but as a co-contributor to the track’s emotional and sonic textures, solidifying “PC Cafe” as a standout moment in Korea’s ever-evolving electronic landscape. The music video , in particular, deserves attention as a narrative and visual companion to the single. Jaejun Kim’s direction transforms each frame into a dreamlike exploration of digital and physical spaces. Neon lights blur into streaks of memory; computer screens flicker like portals into private worlds; game controllers and coffee cups become instruments in a symphony of modern youth. There is a gentle, almost meditative pacing that balances frenetic gaming sequences with quiet, reflective moments, echoing the ebb and flow of attention in a hyperconnected age. Even without spoken words, the visuals communicate connection, nostalgia, and the sense of being fully immersed in a fleeting, digital moment—sentiments that resonate universally, regardless of the viewer’s background or generation. Garzón Robie’s trajectory only amplifies the significance of “PC Cafe”. Based in London but rooted in Seoul, he has spent the past four years developing a genre-fluid, visually distinct identity. Recognized as a Top 5 Rising Artist of 2024 by Hypebeast Korea and featured in Dazed Korea’s Whos Now – New Mankind, New Music, his work consistently blends indie electronic, hip-hop, and alternative pop into something unmistakably his own. Previous projects, including the mini-album To Be Honest (2024) and singles like That’s You (2025), reveal a persistent commitment to experimentation and audience connection, a willingness to explore both sound and narrative while remaining rooted in a personal artistic vision. Each release expands the world he is building—an alternate reality where music, visuals, and imagination intersect. In many ways, “PC Cafe” is more than just music—it’s a reflection of modern youth, a meditation on connection in a time dominated by screens, and a playful yet thoughtful exploration of how digital and physical lives intertwine. The track manages to feel intimate without being insular, sophisticated without being inaccessible. Listeners are invited to inhabit a world that is at once whimsical and profound, where the hum of electronics becomes a backdrop to human emotion, and fleeting moments in a digital space become experiences of shared understanding and memory. Ultimately, the brilliance of “PC Cafe” lies in its ability to capture the strange, exhilarating essence of contemporary youth. Garzón Robie offers more than a song; he offers an experience—a brief, luminous journey through screens, beats, and emotions. Surreal yet grounded, playful yet contemplative, the single encapsulates the thrill of being alive, alert, and connected in a world of infinite digital landscapes. Cifika's ethereal contributions, the meticulous production, and the vibrant visuals converge to create something that lingers long after the track ends—a reminder that music, at its best, can transform ordinary moments into something extraordinary. For those ready to immerse themselves, “PC Cafe” is streaming everywhere. Beyond the song itself, the music video transforms everyday pixels into windows onto a universe uniquely Garzón Robie’s own—a world where youth, creativity, and connection pulse at the heart of every frame, every beat, and every fleeting digital moment. In this space, listeners are not merely observers but participants, invited to feel, reflect, and remember the strange, beautiful thrill of contemporary life, one pixel at a time.

On August 16, Atlanta welcomed K-Pop Minicon for another one-day celebration packed with panels, performances, and fan experiences at the Gas South Convention Center. With so much on the schedule, from interactive panels and spontaneous dance moments to a mini concert, shopping, photocard trading, and more, the K-Pop Minicon team made sure every attendee had something to dive into. The mini concert stole the spotlight this year with Kevin Woo, the U-KISS alumnus whose decade-long career includes hit music, Broadway’s KPOP , and Netflix’s K-pop Demon Hunters , where he stars as ‘Mystery’ from the ‘Saja Boys.’ Gas South Theater practically buzzed with anticipation the moment his silhouette appeared on stage. Opening with his 2021 single Got It , Kevin officially made his Atlanta debut, delivering a performance that had fans singing and cheering from start to finish. Beomhan brought the heat from the very first beat. Known for his explosive dance moves, magnetic energy, and electrifying stage presence, Beomhan had the audience on their feet instantly. Performing his latest single, D.U.M. , he proved why fans are buzzing about him as one of the brightest solo acts rising in the K-Pop scene. Between his sharp choreography and playful charisma, Beomhan turned the Gas South Theater into his personal stage playground. Hohyun offered a contrasting but equally captivating vibe. With a soulful voice and a heartfelt presence, Hohyun shared unreleased tracks from his upcoming album, giving fans a sneak peek at the music he’s been pouring his heart into. He also took a moment to speak candidly about mental health, creating a space where fans could feel seen and heard. Hohyun’s performance was a reminder that K-Pop isn’t just about high-energy moves—it’s about the emotions and stories that connect artists and fans. One of the most special parts of an intimate event like K-Pop Minicon is seeing how fans connect directly with the artists who have shaped their journeys. Meet and greet packages gave attendees a moment to share personal stories, artwork inspired by K-pop Demon Hunters , and messages of gratitude, creating a space where music and fandom intersected in a meaningful way. Panels covered something for every fan, from K-Pop Family Feud and bingo to 18+ discussions. Every room was designed to feel welcoming, giving fans of any group or genre a place to connect. The iHeartRadio K-Factor Podcast went live in the theater, offering behind-the-scenes conversations with artists and industry insiders. Meanwhile, the popular karaoke room, K-drama watch space, and craft panels provided a chill retreat from the bustling floor, and when fans were ready, photocard trading, photo ops, and vendor booths were ready to pull them back in. K-Pop Minicon also celebrates fan creativity. Each year, cover contests give attendees a chance to showcase their talents, amplifying the sense of community and immersion that defines the event. With every year, K-Pop Minicon raises the bar, bringing fresh experiences, unforgettable performances, and a place for fans to truly feel at home in the fandom. Keep an eye on future events at kpopminicon.com .

The air outside Center Stage in Atlanta was electric long before the first note rang out. N.Fia, N.Flying’s loyal fandom, gathered in buzzing anticipation, trading lightsticks, smiles, and memories of the band’s last U.S. tour. After two years away since DWUW: Do What You Want, the wait had been long, but as soon as the fog machines swirled and the stage lights climbed, the roar that erupted could’ve filled the record books. Atlanta’s night with N.Flying had officially begun. When Seunghyub, Hun, Jaehyun, Hweseung, and Dongsung stepped into the spotlight, the connection between band and fans was immediate. The first few songs set the tone—tight instrumentals, boundless energy, and an audience so loud the walls themselves seemed to vibrate. Jaehyun even stood up mid-performance to show off his already-broken drumsticks, proof of just how much passion was going into every beat. It wasn’t just a concert; it was a reunion. What sets N.Flying apart is how much they make the crowd part of the show. From the constant banter between songs to the sight of lightsticks rippling like waves, the band crafted an atmosphere that was equal parts festival, family gathering, and rock show. At moments, they even cut the music entirely just to hear N.Fia sing back at them—a sound that transformed the room. The members worked every inch of the stage, climbing up boxes, leaning out toward the crowd, making sure no corner of the venue was left unseen or unheard. There truly wasn’t a bad seat in the house. This night wasn’t just about energy—it was about emotion too. N.Fia have stood by N.Flying for 10 years now, and that milestone brought a tender pause in the chaos. At one point, the members reminded the crowd, “Lyrics aren’t important. What’s important is that we’re connected.” That line lingered as they launched into Firefly , a song that lit the venue in soft blue and yellow hues. As the harmonies swelled and emotions broke loose across the crowd, you could feel the weight of a decade of memories blending with the joy of the present. Still, N.Flying never let the surprises stop. Seunghyub made appearances on the keyboard, Hun shredded through a solo that had jaws dropping, Hweseung hit high notes that soared above the noise, and the group’s signature humor kept fans laughing between songs. Whether it was silly antics or spontaneous moments, the joy radiating off the stage was contagious. The night built toward a close with Moebius and their beloved anthem Rooftop , songs that perfectly captured the theme of the evening: connection, nostalgia, and memories meant to last. As fans belted the lyrics back and the band gave every ounce of themselves, Atlanta’s stop on the &CON: FULL CIRCLE tour became more than a concert. It became a reminder of why N.Flying and N.Fia have held each other so close for the past decade. Atlanta was just one stop, but for those in the room, it felt like the center of the universe that night. For N.Fia everywhere, the message was clear: this is a band that doesn’t just perform for their fans—they perform with them.

The legendary global icon’s, and pioneering member of K-Pop’s 2nd gen group BIG BANG, much-awaited ‘Übermensch G-Dragon 2025 World Tour’ finally arrived in Newark, New Jersey for two sold-out nights. It marked the first stop of the U.S. leg, at the mecca of K-Pop venues for the tri-state area, the Prudential Center. The sold-out crowds of nearly 17,000 were on hand to witness the unparalleled artistry we have come to expect from the star, after an 8 year hiatus from the stage. ⓒ GALAXY CORPORATION V.I.P.s packed the venue, with anticipation building, they erupted in a roar when G-Dragon finally made his entrance on a center-stage lift, complete with fog and pyrotechnics, 25 minutes after the scheduled start time. Adorned with a crown, fit for the King of K-Pop, he kicked off the show with his award winning single, ‘Power’. The live band and dance crew, featuring this writer’s favorite Kwon Twins (Deukie & Dony) - staples of GD’s group and solo career performances, were also highlights of the night. The crowd stayed on their feet for a venue shaking performance of ‘Home Sweet Home’, featuring video screen appearances from fellow BIG BANG members, Taeyang and Daesung, and then moving on to ‘Go’ before taking a break to address the crowd for the first ment of the night. GD addressed the enraptured crowd with his all-English ments. Even in a non-native language, he conveyed to the crowd repeatedly his appreciation and gratitude, that we waited for him. In turn, the crowd gave the love right back by singing Happy Birthday, to the star, multiple times through the night, as he turned 37 just 4 days before the show. Lasers, pyro, fog, confetti, multiple lifts, 10 screens - 8 of which were modular, and a faux steam grate, only enhanced the level of showmanship that G-Dragon has been known for during his decades spanning career. Each stage had its own vibe - whether it was the lasers and pyro during ‘Home Sweet Home’, fog with subdued colors for ‘Bonamana’, hologram of beatboxer WinG during ‘Heartbreaker’, samples from Kendrick Lamar’s ‘Not Like Us’ during ‘Bullshit’, or fan favorite choreo during ‘Too Bad’, GD kept us guessing and enthralled all night. His VCRs between stages, gave a more intimate feel and featured home videos from his childhood and early days of his career. One video in particular, nearly 9 minutes in length, gave a peek behind the curtain of the creation of the ‘Übermensch’ album and world tour. Übermensch, a word coined by philosopher Nietzsche, and its meaning, while subjective, initially meant to describe an ideal future human. G-Dragon explained that it was a mentality that he adopted to connect and honor his past self while creating the best version of his present self. ⓒ GALAXY CORPORATION The nearly two and half hour show was stacked with the best songs from G-Dragon’s past, accented by the tracks from his Übermensch album, released in February of this year. He showcased his versatile vocal style - featuring his deep singing tone and his distinct rapping that allowed him to be playful with his voice throughout the night. We were treated to genre-defying performances of ‘One of a Kind’, ‘Crayon’ , ‘I Love It’, ‘WHO YOU?’, ‘Crooked’ and more before the star teased the supposed last song of the night ‘Drama’ featuring his haunting vocals. His 5-song encore was a crowd pleaser, as he took to the floor during ‘This Love’ (a Maroon 5 cover) and ‘One Year Station’ to meet the fans who waited 8 long years for him to return. This proximity sent the crowd into a frenzy, with a piece of lower level railing giving way and a fan falling, all to get closer to the K-Pop deity. Luckily, no one was hurt, G-Dragon and his staff made sure the fan was ok, before continuing back to stage, and eventually ending with ‘Untitled, 2014’ which he renamed ‘Untitled, 2025’ for the night. Another highly anticipated feature of the show was the fashion. Known as a trendsetting fashion icon, G-Dragon’s stage ‘fits did not disappoint. Only adding to the already phenomenal performances were a jacket made of realistic red roses with white rose accents around the cuffs, a pearl adorned moto-style jacket, a navy military inspired jacket, a double-breasted red suit with with classic straw hat, and ended with custom pajama look complete with a teal robe with Übermensch embroidered on the back and shoes that resembled slippers. And can’t forget to mention the accessories - glasses, bracelets, custom broaches and huge blinding diamond rings all had the star shining even brighter. ⓒ GALAXY CORPORATION After 8 years of disconnection, G-Dragon’s ‘Übermensch World Tour’ theme was one of reconnection. Reconnecting with the fans, with his musically creative side since his last solo album release in late 2013, and with himself as a person, honoring young Kwon Ji Yong and the present G-Dragon, the spirit of the Übermensch itself. This comeback and tour, after years of self-proclaimed soul searching, marks a bold new chapter in his career, and solidifies his global legacy as an innovative, groundbreaking, driving force in K-Pop. Missed out on G-Dragon’s first stop in the U.S.? There is still time to catch his remaining shows in Las Vegas and Los Angeles. G-Dragon has also given V.I.P.s a reason to stay turned in 2026, teasing events and content celebrating BIG BANG’s 20th Anniversary.

The streets around Nashville’s Ryman Auditorium buzzed with excitement long before the doors opened. Fans—affectionately known as ToMoon—were lined up with lightsticks in hand, sharing stories, trading photocards, and building the kind of anticipation that only a ONEUS concert can spark. By the time the lights dimmed and the first notes hit, it was clear the night would be one to remember. ToMoon Capturing Moments to Last a Lifetime Raffle Drawing

Chicago’s Vic Theatre pulsed with excitement as fans — affectionately known as WAV — filled the venue to see tripleS ’ newest subunit, Alpha Percent, take the stage. With the energy of a full-scale festival packed into one night, the eight-member lineup — Yooyeon, Kotone, Nien, Lynn, HaYeon, ShiOn, ChaeWon, and JiYeon — delivered a performance that reminded everyone exactly why tripleS continues to stand out in the 4th-gen K-pop scene. Known for their ambitious 24-member structure and dynamic subunits, tripleS  have built a reputation for innovation and versatility. The Alphie Tour marks the group’s second North American tour of 2025, following their successful Come True Tour  earlier this year. This new chapter brings a sharper focus on Alpha Percent’s individuality while still celebrating the larger identity of tripleS as a whole. From the moment the lights dimmed, fans knew they were in for something special. The concert burst to life with “Girls Never Die,” a high-energy opener that instantly set the tone for the night. The members moved with flawless synchronization — their formations crisp, their charisma magnetic — while WAVs filled the theater with cheers, chants, and waves of bright lightsticks. The setlist was a well-crafted journey through tripleS’ universe, featuring highlights from their ASSEMBLE  albums and reimagined performances from beloved subunits like Visionary Vision  and EVOLution.  Between songs, playful VCR segments gave fans a more personal look at the members as they shared stories, behind-the-scenes memories, and reflections on their growth as idols. Alpha Percent proved that tripleS isn’t just about choreography and stage presence — it’s about connection. Each member took moments to wave, laugh, and interact with the audience, ensuring even fans seated at the back felt part of the experience. The atmosphere was electric yet intimate, a balance only a group with their confidence and heart could pull off. Before the show even began, VIP fans were treated to exclusive experiences — from group photos and hi-touch moments to raffles for signed memorabilia. The attention to detail reflected the same care and effort that defines tripleS as artists. As the night built toward its climax, the group unleashed crowd favorites “Are You Alive” and “Rising,” closing the main set with an explosion of light, sound, and energy that left fans breathless. But WAVs weren’t ready to let go just yet — chants filled the venue until Alpha Percent returned for an encore filled with fun interactions, freestyle moments, and even lightstick choreography that had everyone moving together as one. For many, this wasn’t just another concert — it was a shared celebration of creativity, resilience, and community. tripleS Alpha Percent  reminded everyone why they’re one of the most exciting forces in K-pop today: versatile, grounded, and endlessly evolving. And for WAVs who couldn’t make it to Chicago — don’t worry. The Alphie Tour continues across the West Coast, and with tripleS ∞  preparing to debut their first project this month, it’s clear that this global phenomenon is only just getting started. 💚 Full gallery and coverage available soon on KFUSE.NET

Music.. our universal language, an art form that can be understood without translation, a feeling that grants sparks in your chest and tears in your eyes. Without music where would we all be? 7:30pm, Desert diamond Arena, Glendale AZ, over 18,000 in attendance. Atinys (ATEEZ’s fandom name) lined up hours before doors opened, trading freebies and doing Random dance plays in the scorching heat, a 109 high for the day which isn’t anything out of the ordinary. Which goes to show Never doubt the enthusiasm of die hard fans, especially when it involves their favs. Starting off the night with an opening performance of “BOUNCY (K-HOT CHILLI PEPPER) “ a song on the group's The World EP.2: OUTLAW album, the arena erupted with screams of enthusiasm while fans shook their lightsticks. The 8-member group, which consists of leader Hongjoong, and members Seonghwa, Yunho, Yeosang, San, Mingi, Wooyoung, and Jongho could be seen showing off their outstanding performances and captivating stage presence on the main stage, illuminated by a LED backdrop. Clad in all Black, the screams turned from loud to deafening, with fans watching in intensity and soaking in every moment. Performing “ Fireworks (I’m the one)“ a track off of their 2021 album Zero : FEVER, Pt.2, followed by the Powerful track “Blind” and “Man On Fire” the arena never once stood quiet, as the strong mix of new and old releases kickstarted the evening. “I’m always surprised that you all came here in this same venue and we can sing along and dance together. I think it’s the most amazing thing in the world. And I can truly understand your heart and mine, how you love Ateez” Leader Hongjoong said as he addressed the crowd. This year marks the group's Third time in the desert state & every time the love gets bigger. Many fans felt the fondness and called out “our captain” making the moment feel that much more special. As the show continued, the LED backdrop turns into Dollar bills with Atiny written on them, and ATEEZ steps out in Monochrome White outfits, setting the tone for “Work” Ateez’s chart-topping song, and let me tell you the fans did not disappoint with singing along. After a captivating performance with high-end energy for “Ice On My Teeth”, ATEEZ showed the world just who they really are with “Guerilla”. Phoenix Atiny truly broke the wall with ATEEZ as the whole area erupted into the iconic Fanchant which could be heard even outside the arena. “Phoenix 잘했어요 ! “ Mingi and Wooyoung told the crowd. Giggles and laughter exploded from fans which earned them a quick Korean lesson. The feelings of gratefulness, contentment and warmth did not stop once, As a fake out ending of “This House Ain’t a Home” came to a close “Enough” trailed soon after. Emerging in their own tour merchandise, all eight members came back on stage one last time for their encore stage “The Real” which earned much dismay. Saying their final thank yous to their dancers and fans, ATEEZ took their final bow, “8 makes one team, thank you!”, they said in unison, basking in the cherished screams of their fans. Two hours seems so short when you're having fun, when the outside world is drowned out and you’re sharing fond memories with the people who turned into friends and the music you love being performed for everyone who listens. I can attest and say music stirs emotions, tells stories, and connects everyone. It’s truly a beautiful thing to have witnessed eight talented performers shine as bright as the midnight moon, to be captivated by their powerful and distinctive stage presence and to catch a glimpse of their heart in the stands. There’s absolutely no doubt that ATEEZ deserves to be at the top of 4th gen, because the ones who make the most noise are the ones always remembered and they truly caused beautiful chaos that no one will ever forget.

Queens lit up this summer as The Shops at Skyview transformed into the ultimate classroom—one where K-pop, Asian cuisine, art, and fashion became the electives everyone wanted to sign up for. The four-week event series, called Skyview High, ran from late July through the end of August and drew thousands of attendees eager to explore the vibrancy of Asian culture. With interactive workshops, delicious food, friendly competitions, and even a special appearance by global K-pop star Kang Daniel, Skyview High became the kind of summer school no one wanted to skip. From the start, the atmosphere was electric. Each themed event—Cultural Electives, Creative Studio, Culinary Lab, and the culminating Commencement ceremony—offered something new for guests of all ages, while also highlighting the diverse communities of Queens. The turnout was staggering: Perform Properties reported up to a 53% increase in foot traffic on event days compared to the year before. Local retailers, restaurants, and community partners came together, proving just how powerful culture-driven experiences can be when shared with heart. The Cultural Electives kicked things off in style on July 24. Skyview buzzed with live K-pop DJ sets, Taekwondo demos, and tastings of beloved Asian snacks. But it was the competitions that stole the show. The K-pop Dance Challenge brought over 30 submissions from fans showing off their best choreography, with finalists competing live for a \$500 gift certificate and the chance to share the stage with Kang Daniel himself. Meanwhile, more than 100 guests brought their creativity to the Student ID Uniform Competition, channeling the iconic school-style looks popular across Asia. The finalists not only impressed the crowd but also earned the once-in-a-lifetime opportunity to stand alongside Daniel during the finale event. Next came Creative Studio on August 3, where art and music collided in the most inspiring way. Seven students from Francis Lewis High School teamed up with artist Lee Hyun Joon and local Kang Daniel fans to build a breathtaking 10-foot mosaic portrait of the singer, with each of its 48 panels representing a different culture from around the world. It was a celebration of unity and artistry, reflecting both Daniel’s global impact and the diversity of Queens itself. The day also gave guests the chance to personalize tote bags and t-shirts with local Asian artists, sample K-beauty and J-beauty products, and even craft their own perfume bottles—a fashion and beauty playground for all ages. Food took center stage on August 14 during Culinary Lab , and the turnout proved that nothing connects a community like shared flavors. Over 250 participants dove into dim sum workshops, Japanese meal-prep sessions, Filipino summer desserts, and endless snack tastings. The adorable Kawaii lunchbox challenge quickly became a crowd favorite, with finalists showing off their creations live and the winner walking away with a $300 gift certificate plus a golden ticket to meet Kang Daniel. Local eateries like Grandma’s Dim Sum thrived as attendees lined up to savor authentic dishes, and owners remarked on how these cultural exchanges built stronger bonds between food, community, and celebration. All of this built toward Commencement Day on August 30—a by-invitation-only event for the 101 guests who earned enough “credits” by participating in the prior workshops. The atmosphere was buzzing with anticipation, and then the moment everyone had waited for arrived: Kang Daniel himself stepped onto the stage in his signature school uniform, just as fans remembered from his “Produce 101” days. He performed, laughed with fans, judged competitions, and personally thanked attendees for their creativity—especially those who had helped create the massive mosaic portrait in his honor. Daniel later shared, “I was thrilled to join the Skyview High event as an ambassador, sharing Asian culture with audiences here in New York. It was amazing to see American fans embracing K-pop… this event was a lively celebration of Asian music, art, and culture, and I feel honored to have been a part of it.” Adding heart to the high-energy festivities, Skyview High also ran a charitable school supply drive throughout the series. Guests filled a bright yellow locker with more than 300 donated items valued at $1,800, which will be distributed to local children through the River Fund charity. It was a reminder that culture, community, and giving back can all thrive together under one roof. From Sephora and Drip of Tokyo to Grandma’s Dim Sum, local retailers saw not only an increase in sales but also a surge of new relationships. As Patrick Bivins of Sephora noted, the creativity and excitement from the events carried straight into their stores, creating moments of discovery that went beyond shopping. With thousands of attendees, heightened energy, and an unforgettable finale with Kang Daniel, Skyview High proved that The Shops at Skyview is more than a shopping destination—it’s a cultural hub and community stage. The event’s success showed how much people crave experiences that connect them to their heritage, their interests, and each other. As summer fades, the memories of Skyview High remain: the laughter from dance battles, the aroma of fresh dim sum, the mosaic of Daniel smiling back at the crowd, and the joy of fans who felt seen, celebrated, and connected.

The curtain rises. The crowd holds its breath. In Tokyo, thousands of fans wave their light sticks as G‑Dragon steps onto the stage, the first notes of Übermensch reverberating through the air. Hearts beat in unison, and the collective energy fills the arena. “This is not just a concert. It’s my next chapter. I’ve grown, I’ve changed, and I’ve challenged myself in unimaginable ways. I hope fans can feel all of that on stage,” G‑Dragon told Rolling Stone via Allkpop. These words capture the essence of the Übermensch tour, the artist’s fourth solo concert series, designed to accompany his third self-titled studio album, released on February 25, 2025. After seven years without a new album and twelve years since Coup d’Etat (2013), this comeback is more than a return: it’s an artistic rebirth, a reaffirmation of self, and an exploration of creative freedom in its purest form. Released under his new label, Galaxy Corporation, Übermensch stands as a manifesto of this evolution. Its 8 tracks traverse K-pop, experimental hip-hop, alternative rock, and electronic music, exploring themes of solitude, transcendence, reconstruction, love, and control. Each song—whether Übermensch, Echo Echo, Afterlight, or 88 (Rebirth)—unfolds like a chapter in his life and career, with G‑Dragon sharing his experiences and worldview. Collaborations with Code Kunst, Millic, and a surprise feature from Rosalía on Ashes to Ashes add an international, avant-garde dimension, earning praise from NME, Pitchfork, Rolling Stone Korea, and The Korea Herald. G-DRAGON - POWER (Official Video) The concept of Übermensch, inspired by Nietzsche’s Thus Spoke Zarathustra, symbolizes the ability to surpass one’s limits and create one’s own values. G‑Dragon applies this philosophy to his music and career: every performance becomes a space where he transcends expectations while remaining true to his essence. “‘Übermensch’ means ‘Beyond-Man,’ representing an individual who transcends themselves. This album embodies the idea of presenting a stronger and more resilient version of oneself to the public. I hope this strength resonates with my fans through my music,” he explained in an official statement via antiMusic.com . Artistically, the tour marks a major turning point. It’s his first global tour in eight years (Act III: M.O.T.T.E in 2017) and his first project post-YG Entertainment, cementing his creative independence. The staging is a total work of art: 3D projections, generative AI, visual symbols—butterflies, mirrors, masks, flames—each element enhancing the immersive experience. The finale, 88 (Rebirth), embodies this renaissance: G‑Dragon literally rises from virtual ashes, representing the Übermensch ideal and the power of a mastered reinvention. The concerts are more than visual spectacles—they forge a genuine connection with the audience. As G‑Dragon told Billboard via Moment-K: “This tour is my way of connecting with everyone through music… I vow to give an unforgettable experience with all my effort on stage.” Fans, young and old, sing, dance, and share moments that transcend cultural and generational boundaries. The tour has logged over 350,000 paid live-stream connections across 54 countries, a testament to its global impact and the emotional breadth of each performance. Every city on the tour—Tokyo, Bulacan, Osaka, Macau, Sydney, Melbourne, Taipei, Kuala Lumpur, Jakarta, and Hong Kong—has allowed G‑Dragon to refine his show, balancing warm fan interactions with displays of artistic virtuosity. Upcoming stops—Newark (August 22 & 23, Prudential Center), Las Vegas (August 31, T-Mobile Arena), Los Angeles (September 5 & 6, Crypto.com Arena), and Paris (September 20, Paris La Défense Arena)—promise to heighten the experience with surprises, intimate moments, and full immersion in his world. Symbolically, the tour acts as a bridge between past and present: linking G‑Dragon’s legacy as BIGBANG’s leader with his current, experimental, and personal vision. It proves that an artist can reinvent themselves, set their own rules, and remain true to their creativity—even within the structured K-pop industry. Artists like Taemin, Zion.T, CL, and RM (BTS) have praised this approach, underlining his influence and inspiration. It’s the moments of sharing and gratitude, however, that make the tour truly memorable. “I’m so happy to see you after such a long time… I apologize for the delay due to the harsh weather conditions, but I’m so grateful to see you holding your light sticks and cheering me on,” he told fans in Goyang. Or, “I tried to show you everything… It took a little longer, but I’ll continue to show you my best moving forward.” These words reflect the sincerity and closeness he maintains with his audience. During a Sydney performance, he paused to applaud fans, raising his arms and smiling—a simple yet profoundly emotional moment that everyone in the arena will never forget. In conclusion, the Übermensch tour is more than a musical event: it’s an emotional journey, an artistic statement, and a testament to resilience and freedom. Each performance celebrates youth, energy, and the moments that shape our lives. As G‑Dragon himself says: “Through this music, I hope everyone can feel their own strength and courage to reinvent themselves.” Fans leave with memories, emotions, and a shared experience that transcends a traditional concert, forging a lasting bond between artist and audience. As G‑Dragon prepares to perform in Newark, Las Vegas, Los Angeles, and Paris, he continues to remind everyone that music can serve as a bridge, a mirror, and a memory all at once—and that the spirit of Übermensch lies in the ability to reinvent oneself while staying deeply true. Tokyo, Bulacan, Osaka, Macau, Sydney… every city has pulsed to the rhythm of the Übermensch tour. Now, all eyes are on G‑Dragon: Newark, Las Vegas, Los Angeles, Paris — get your light sticks ready for unforgettable moments and surprises at every show. August 22 & 23 – Newark (USA, Prudential Center) August 31 – Las Vegas (USA, T-Mobile Arena) September 5 & 6 – Los Angeles (USA, Crypto.com Arena) September 20 – Paris (FR, La Défense Arena)

"We fall. We rise. We fly together.” From the very first note of Club Icarus, ARTMS isn’t just releasing a mini-album—they’re inviting OURII to feel every heartbeat, every stumble, every moment of courage alongside them. Watching the five members—HeeJin, HaSeul, Kim Lip, JinSoul, and Choerry—transform their LOONA legacy into this cosmic, hopeful universe feels like stepping into a dream fans get to live together with them. HeeJin shared, "The energy that we get from seeing people in person is completely different. You feel it in your heart. That connection—it’s priceless." HaSeul added, "Our music bridges generations. Whether you’ve followed LOONA for years or are a new OURII, there’s always something to connect with." Kim Lip reflected, "Even after a fall, there’s always a way to regain your strength. We wanted to capture both fragility and power." These statements echo the heart of the EP, which explores themes of emotional scars, resilience, and the transformative power of music. The EP’s lead track, Icarus, embodies this vision with elegance, weaving vulnerability and courage into every note. Choerry commented, "Some fans even recreated our stages at home. Watching their creativity blow up—it’s just amazing." The track itself, celebrated for its haunting piano introduction and orchestral strings, has been praised for its classical elegance while remaining firmly rooted in contemporary pop—a testament to ARTMS’ musical versatility. ARTMS 'Icarus' (Club Ver.) Official MV Grand Club Icarus , the North American tour, brings this narrative universe to life. Kicking off in Baltimore on November 6, the tour spans eleven cities across the U.S. and Canada, including Medford , Toronto , Madison , St. Louis , Ft. Lauderdale, Atlanta , Denver , Tempe, Los Angeles , and Monterey. Each show is more than a concert; it is a full sensory experience blending neon lights, feathered costumes, surreal skies, video projections, precise choreography, and reimagined tracks from both the Club Icarus EP and previous albums like MoonShot and Lunar Theory. During past events in Seoul, New York, and Los Angeles, ARTMS interacted with fans in intimate settings. HeeJin emphasized, "The energy you get from seeing people in person and interacting is just different! Since New York is known for its nightlife and club culture, the vibe was on another level!" Beyond the spectacle, it’s the emotional connection that defines Grand Club Icarus. Every light, every projection, every note tells the story of rising together. HaSeul reflected, "We want our songs to be a place where someone can find courage. That’s what Club Icarus is for us—and for OURII." JinSoul concluded, "Every ending is a new beginning, and sharing that with our fans makes it real." ARTMS’ backstory enriches this narrative further. The group debuted on May 31, 2024, with their first album DALL—short for “Devine All Love & Live”—following pre-releases including Birth, Flower Rhythm, Candy Crush, and Air. Their mythology-infused aesthetic, drawing inspiration from Artemis, the Greek goddess of the moon, as well as NASA’s Artemis program, positions the group at the intersection of fantasy, futurism, and resilience. The North American leg of Grand Club Icarus is a continuation of this storytelling approach. The EP Club Icarus , released on June 13, 2025, explores unseen emotional scars and the journey to hope and renewal. Fans have enjoyed not only performances but opportunities for Q&A, meet-and-greets, and pop-up exhibitions that deepen their connection to ARTMS’ universe. The tour also features exclusive merchandise—limited-edition Club Icarus items, vinyl, posters, and apparel. VIP packages include hi-touch events and photo sessions, strengthening the bond between ARTMS and their fans. Critics have praised the group’s sonic sophistication. Asian Junkie highlighted the elegant piano and orchestral strings that elevate Icarus, while Album of the Year commended the group’s masterful blending of pop, R&B, and drum-and-bass influences. NME described the album as a narrative of hope: "There was a moment our wings were broken, but we found the strength to rise again. Club Icarus is our story—not a tragedy, but a message of hope." Every city, every show, every interaction reminds us of ARTMS’ motto: "We rise together, back to the moon and beyond." As the North American tour kicks off in Baltimore this November, fans won’t just witness performances—they’ll live in ARTMS’ universe, where falling isn’t failing, and every moment is a chance to soar together.

On August 11, 2025, at 6 PM KST, 24-member K-Pop boy group idntt officially debuted their first subunit with the mini album unevermet , a release that marks the beginning of the group’s exploration of its core themes of identity, growth, and transformation. This debut introduces fans to a fresh and dynamic side of idntt, offering a musical and visual narrative that captures the raw energy, ambition, and authenticity of youth. More than just an album, unevermet  represents a carefully curated storytelling experience, one that reflects the journey of young individuals navigating the complex landscape of self-discovery, aspirations, and the emotional highs and lows of growing up. Courtesy of Modhaus The concept behind unevermet  focuses on the multifaceted reality of today’s youth, portraying a world in which courage and anxiety, ambition and doubt, coexist. The album communicates these dualities through music and lyrics that are at once introspective and empowering. It captures moments of uncertainty and audacity, of worry and exhilaration, creating a deeply relatable and authentic portrayal of boyhood in the modern era. Fans can expect a narrative that balances raw honesty with cinematic energy, showcasing the members’ personalities and talents while emphasizing the universal journey of self-exploration. Musically, the mini album benefits from the expertise of some of K-Pop’s most acclaimed creators. KZLAB, working under the legendary producer KENZIE, contributes a sound that is both innovative and emotionally resonant, reflecting the evolution of K-Pop on a global scale. EL CAPITXN brings his genre-blending approach to create tracks that are rhythmically bold and melodically engaging, while VERSACHOI adds a contemporary edge that elevates the group’s signature sound. NoIdentity, known for crafting emotionally charged storytelling through music, rounds out the lineup of producers, ensuring that unevermet  resonates with listeners both sonically and thematically. The combination of these creative forces results in an album that is sophisticated, dynamic, and reflective of idntt’s ambitions as a group. The mini album is led by three title tracks, each embodying a distinct mood and thematic keyword. “You Never Met,” with the keyword Coincidence , explores moments of unexpected connection and the serendipity that can shape identity, blending melodic sensibilities with heartfelt lyrics to create a reflective and memorable track. “Storm,” whose keyword is Challenge , is an energetic anthem that encourages embracing obstacles and stepping boldly into the unknown, showcasing the members’ dynamic performances and intense stage presence. Finally, “BOYtude,” with the keyword Scar , is a contemplative song that reflects on personal struggles, resilience, and emotional growth, celebrating the experiences that leave lasting marks and shape character. Fans are invited to select the “Super Title Track” through Gravity, the interactive voting system on MODHAUS’ Cosmo app, allowing them to actively define the subunit’s initial identity and highlight the song that resonates most with the fan community “You Never Met” , “Storm” , and “BOYtude” . The unevermet  mini album features seven tracks in total, including the three title songs. The tracklist flows seamlessly from the opening song, “New,” through the title tracks, to “Instant Chemistry,” “EGO : Limitless,” and “Adolescence,” crafting a cohesive musical journey that spans reflection, energy, and self-expression. Each song is carefully sequenced to enhance the storytelling experience, offering moments of introspection, bold experimentation, and youthful exuberance, highlighting the group’s versatility and artistic range. Courtesy of Modhaus The unevermet subunit features seven talented members from idntt: id1 Kim DoHun, id2 Kim HeeJu, id4 Choi TaeIn, id5 Lee JaeYoung, id6 Kim JuHo, id7 Nam JiWoon, and id8 Lee HwanHee. This lineup marks the first introduction of idntt’s subunit system, which is inspired by MODHAUS’ previous work with tripleS, the fan-driven girl group recognized for its innovative subunit structure, immersive storytelling, and interactive fan experiences. By debuting unevermet first, idntt sets the stage for a larger, multi-phase rollout in which each subunit adds new layers to the group’s evolving narrative. idntt is structured into three subunits: unevermet, yesweare, and itsnotover. The debut of yesweare will follow unevermet, and once both subunits have been introduced, the revealed members will collaborate on a joint track, further building excitement and anticipation for fans. The final subunit, itsnotover, will complete the trio of subunits, after which the full 24-member group will engage in comprehensive group promotions. MODHAUS has designed this system to be interactive, giving fans the opportunity to reshape unit lineups after initial promotions, allowing them to influence the creative direction of idntt in real time, enhancing fan engagement and community participation. With the debut of unevermet , idntt takes its first steps into a bold, multi-layered concept that fuses musical innovation, narrative depth, and fan interactivity. From the reflective storytelling of “BOYtude” to the energetic momentum of “Storm” and the serendipitous charm of “You Never Met,” the mini album provides a fully immersive experience that celebrates the journey of self-discovery, ambition, and transformation. For fans new and old, unevermet  is a gateway into idntt’s expansive world, where music, identity, and storytelling converge in a uniquely interactive K-Pop experience. Be Sure To Follow idntt On SNS For Future Activities and New Music Releases YouTube  | Instagram  | X (Twitter)  | TikTok  | Cosmo app  | Discord  | Spotify