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Orelsan launches a new chapter of his career with La Fuite En Avant , a multi-dimensional project that ties together music, cinema, and an ambitious new tour into one sweeping narrative about upheaval, transformation, and growing up without losing yourself. The multi‑diamond‑certified French rapper, already a defining voice of the past two decades with over three million albums sold and landmark projects like La fête est finie  and Civilisation , now turns the page with his fifth studio album and its cinematic counterpart, Yoroï , pushing his storytelling further than ever. La Fuite En Avant  (translated as “The Headlong Rush”) is a dense, deeply personal body of work crafted with longtime collaborators Phazz, Eddie Purple, and Grammy‑winning producer Skread. Across its 17 tracks, Orelsan confronts the kind of life shifts that redraw your entire map: friendship under pressure, burnout, relationships stretched thin, pregnancy, and the emotional whiplash of becoming a father. The album is built like a continuation of the story explored in Yoroï —not just a soundtrack, but an extension of its emotional universe, where music and visuals mirror and amplify each other. Each song feels like a chapter in a larger narrative, blurring the lines between confessional diary entry and cinematic monologue. That ambition is mirrored in the album’s collaborations, which bridge cultures and genres without ever losing Orelsan’s signature voice. On “Plus rien,” he invites Lilas—also known as ikura from the acclaimed J‑pop duo YOASOBI—into his world, fulfilling what he describes as a dream partnership with one of his favorite vocalists. He praises her as his favorite singer in the world, admiring not only her tone but her flow and versatility, whether she’s performing as ikura or as Lilas the singer‑songwriter. For her part, Lilas describes being “truly overjoyed” by his heartfelt invitation, accepting immediately and expressing how honored she feels that her voice can live alongside his story in this song. This cross‑border collaboration is designed not as a one‑off novelty, but as a genuine artistic meeting point meant to resonate across languages and borders. On “Oulalalala,” Orelsan further expands that global reach by teaming up with South Korean group FIFTY FIFTY, whose hit “Cupid – Twin Version” has amassed over 900 million streams and become one of the most‑played K‑pop girl group songs on Spotify. The collaboration emerged at a moment of serendipity: Orelsan had their track “Pookie” on repeat just as he and his team were searching for a feature to integrate into the Yoroï  film for the Rokurokubi yōkai scene. When Sony Music brought up FIFTY FIFTY as a possibility, it felt less like business and more like fate. The group, in turn, describes feeling truly honored to be part of Orelsan’s soundtrack, emphasizing how his artistry and storytelling inspired them and how this project allowed them to explore new sonic colors while delivering a different layer of FIFTY FIFTY’s sound to a global audience. The international scope doesn’t stop there. La Fuite En Avant  also includes an unprecedented collaboration with Thomas Bangalter, the legendary producer best known as one half of Daft Punk, on the track “Yoroï.” Local heavyweights complete the cast: Yamê—one of France’s breakout artists of the year with tens of millions of streams—joins on “Encore une fois,” while SDM, a major figure in French rap boasting over a million albums sold, appears on “Soleil levant.” These features sit alongside a career‑long list of high‑caliber collaborations, with Orelsan’s past work including Pharrell Williams, The Neptunes, Dizzee Rascal, Cordae, Stromae, Gims, Angèle, and Ibeyi, underscoring his status as one of France’s most creatively connected artists on the world stage. Orelsan’s deep connection to Japanese pop culture runs like a spine through this entire era. A long‑time fan of manga, anime, and video games, he even lends his voice to Saitama in the French dub of One Punch Man , and his stage name itself nods to Japanese influences. With Yoroï —Japanese for “armor”—he pushes that love into new territory. Co‑written with David Tomaszewski and released in theaters across France, Belgium, and Switzerland, the film follows Aurélien (Orelsan) at the height of his career as he leaves France for Japan with his pregnant wife, Nanako. In their new home, he discovers an ancient suit of armor. Once he puts it on, he can’t remove it, and the armor forces him into direct confrontation with his fears, which manifest as powerful yōkai, mystical beings drawn from Japanese folklore. This journey—part supernatural trial, part psychological odyssey—guides him toward becoming a wiser man and embracing fatherhood. The tracklist of La Fuite En Avant  reflects that narrative arc, moving from pacts and distance to monsters and epiphanies: Le pacte Plus rien feat. Lilas Ailleurs Boss Deux et demi Osaka Encore une fois feat. Yamê Internet Dans quelques mois Oulalalala feat. FIFTY FIFTY Tellement d'amis La petite voix SAMA Soleil levant feat. SDM Les monstres Epiphanie Yoroï with Thomas Bangalter Each title hints at a different facet of the journey—geographic and emotional distance (“Ailleurs,” “Osaka”), digital noise and isolation (“Internet”), anticipation and uncertainty (“Dans quelques mois”), inner demons (“Les monstres”), and hard‑won realization (“Epiphanie”). Together, they map out the “headlong rush” of a life in motion, sprinting forward while still haunted by questions that can’t be outrun. This universe doesn’t end with the album and the film. It extends onto the stage as the third act of the project. With 300,000 tickets sold in just 24 hours, more than 40 dates already announced, and a staggering 10 consecutive shows booked at Accor Arena in Paris for December 2026, Orelsan’s upcoming tour is set to transform La Fuite En Avant  and Yoroï  into a full‑scale live experience. For fans, it promises not just a concert, but immersion into a world where armor, monsters, love, and self‑reinvention collide—proof that even at the peak of success, Orelsan is still willing to take risks, confront himself, and rush headlong into the unknown.

New Year, New Artist, More Energy felt less like a theme and more like a promise that kept cashing out all night long, and the fans were the heartbeat that made every moment hit harder. The second you stepped into RENDEVOUZ in Duluth on January 3, 2026, you could feel it in the way people rushed to find their friends, compared outfits, and clutched lightsticks and cameras like they were gearing up for a once-in-a-year celebration that refused to end at midnight. The hosts, Hanyang Society and INVASIAN , didn’t just throw a show—they curated an experience that made every fan feel like they were an essential part of the story, not just spectators. The night kicked off on an intimate note with the VIP meet and greet, where fans lined up with buzzing nerves to see SAM SUEN, BACHYARD GHOST, Toshi, Jjang.E, JUNOFLO, and Justin Park up close. There was a softness in the room as fans exchanged shy smiles and bolder ones jumped straight into conversation, sharing how certain songs got them through tough days or long nights. The artists gave that energy right back—posing for photos, laughing at inside jokes, and taking the time to really listen. It felt less like a transactional moment and more like a reunion between artists and the people who have been cheering them on from behind screens for years. When the VIP portion wrapped, fans stepped out for a moment, but the energy never dipped—it simply shifted. As staff reset the space, special guest DJ Tommy Yoo, better known to many as imyoonotyou , took full control of the room and flipped RENDEVOUZ into party mode. The second his set started, the venue turned into a pulse of bass and color, with fans walking back in and immediately bouncing to the beat, waving at artists across the room, throwing their arms around old friends, and hyping up strangers as if they’d known them for years. Once the lights shifted again and the concert truly began, SAM SUEN hit the stage like a starting gun, slamming his foot on the gas from the first note. The second “ Late Night ” dropped, the room locked in—fans shouting, hands up, bodies moving as if they’d been rehearsing this moment all week, and by the time he flowed into “ Call Me Baby ,” it felt less like an opener and more like a headline moment. Every hook landed, every ad-lib rode perfectly over the crowd’s noise, and with each song, the cheers only grew sharper and louder, not because he needed the validation, but because the audience knew they were watching an artist rise to match their energy. BACHYARD GHOST came next, and if SAM lit the fuse, BACHYARD GHOST detonated the room. The beat for “ AKIRA ” dropped and suddenly the floor was alive—fans jumping in unison, hands punching the air, a chain reaction of energy that traveled from the front of the crowd to the back wall. When he rolled into other tracks such as “ woke up ”, the crowd didn’t just watch; they participated. Every time he signaled, screams ripped through the venue, and when he called for call and response, the audience fired right back, roaring his words until their voices blurred into one massive, single sound. This was the point where the concert stopped feeling like separate performances and started feeling like a shared, collective high. Then the vibe took a beautifully intentional turn as Toshi stepped onto the stage. Known for his effortless presence and the sincerity he carries in every note, he opened his set by admitting he felt a little nervous now that it was his turn. That honesty only made the room lean in closer. He took a moment to acknowledge something that rarely gets said out loud: everyone came for different artists. Instead of seeing that as a challenge, he embraced it and promised a set that would make everyone feel included, no matter who their original bias was. What followed was less a setlist and more a love letter to the music that made him who he is. When he sang DEAN’s “ I’m Not Sorry ,” you could hear fans belting the lyrics out with him; during keshi’s “ WANTCHU ,” the mood softened as people swayed and filmed, wanting to bottle that moment; and when he hit NewJeans’ “ ETA ,” the energy picked back up with fans chanting and echoing the melody. He closed with his own rendition of “FREE” from K-Pop Demon Hunters, and that’s where his voice truly took over the room—smooth lower range, then soaring higher notes that seemed to hang in the air for just a second longer than expected. The crowd responded with cheers that felt more like gratitude than just hype. Right when emotions were at a high, Jjang.E took us even deeper into that space with a set carved out for the ballad-lovers in the room. On paper, “sad songs” might sound like a slowdown, but in that moment, it felt like everyone was ready to breathe together. Having debuted onstage back in January 2025 at Believe Music Hall, he brought the kind of growth you only get from sitting with your craft and evolving in real time. He shared his admiration for traditional ballads, and you could hear that influence in every phrase he sang. When he performed Lee Mujin’s “ Rain and You ,” the room cheered him on admiring the artist that was being created with every new stage. Before closing his set, he asked fans if they had ever built a snowman, a simple question that pulled smiles and soft laughter from the crowd, then drifted into “ The Snowman (눈사람) ” by Jung Seunghwan. His tone was precise, emotional, almost perfectionist—but never cold. The final notes rang across the venue, and fans kept cheering long after the song ended, not ready to let that warmth go. Just when you thought the emotional intensity might level out, JUNOFLO charged in and flipped the switch back to full blast. He immediately waved fans closer, refusing to let there be any distance between performer and crowd. His set felt like a victory lap: fan favorites like “ HUNNED% ” and “ They Don’t Want This ” shook the room, pushing people to jump, shout, and rap along where they could. Then he shifted the tone with a string of unreleased tracks that felt like a preview of the future, including “ Kawasaki ,” which hit with the kind of power that makes you imagine it blaring out of speakers in a packed car at 2 a.m. He introduced one track as what he’d consider his theme song if he ever became a villain—“BADMAN”—and suddenly the room turned into his anthem factory as he had everyone echoing “ BADMAN ” back at him on the chorus. The call-and-response boomed so loud it felt like the walls were singing too. When he brought out special guest JAEYOUNG for “ Activated ,” the entire audience shifted into another gear: people jumped in sync, heads bobbed to the beat, and the collective vibe was nothing short of “we’re locked in right now.” To close out the RENDEVOUZ portion of the night, Justin Park stepped in with the perfect blend of chill, groove, and emotional payoff. He started with “ Adore You, Dior You ,” and you could immediately tell who had been waiting for this moment—the fans who screamed from the first note, the ones who lifted their phones with shaking hands to capture every second. As he moved into “POV,” “ FASTEST ,” and more, the room swayed like one giant wave. Some fans danced with friends, others sang at the top of their lungs. When he ended with “ On the Low ,” it didn’t feel like an ending as much as a last shared exhale, a final chance to dance it out and lock the memory in. The lights, the voices, and the smiles painted a picture of a night that hit every emotional note without ever losing its sense of fun. But the party didn’t stop there. As fans and artists made their way from RENDEVOUZ to the after party at Illuminarium, the night evolved into something even bigger: a full-body, immersive continuation of the celebration. Walking into the LED room felt like stepping into another dimension. The walls themselves were alive with color and moving visuals, wrapping everyone in a 360-degree experience that took the concept of a “party” and cranked it past ten. DJs KUYA , DJ Chen, Ben Kang , IMYOONOTYOU, and WESTNINE! rotated through the booth, each putting their own spin on the night with mixes designed to keep bodies moving and lungs working overtime. One moment you were shouting along to a chorus, the next you were lost in a beat drop that made the whole room feel like it was vibrating in sync. The best part? The artists weren’t done either. Sam, BACHYARD GHOST, Toshi, Jjang.E, JUNOFLO, and Justin Park stepped in for a short segment, giving fans who missed the earlier performances another chance to catch that magic and rewarding those who followed them from venue to venue with extra memories. Attendees danced, sang, jumped, and cheered even louder, determined to wring every last ounce of joy out of the weekend. By the time the night finally began to wind down, one thing was crystal clear: this wasn’t just a show or a party—it was a New Year’s celebration stretched into an entire experience, proving that with the right artists, the right community, and the right energy, the feeling of ringing in the New Year doesn’t have to end when the clock strikes midnight. It can linger, echo, and live on in every replay, every photo, and every “remember when” shared between friends long after the lights go out.

The energy inside Atlanta’s venue on December 18 felt electric from the very first moment. Hidden KARD packed the room wall to wall, lightsticks raised and voices already warmed up long before KARD stepped on stage. There was an unmistakable sense of excitement in the air — not just because it was another tour stop, but because this night felt personal. As the opening beats hit, it became clear that Atlanta was ready to give everything they had, and KARD was more than ready to match it. KARD opened the night with “ Touch ,” easing fans into the set with smooth vocals and controlled confidence. The crowd immediately locked in, swaying and singing along as the members moved effortlessly across the stage. Without losing momentum, they dove straight into “ ICKY ,” igniting the room with bold choreography and attitude. Cheers grew louder as fans jumped in time with the beat, feeding off the group’s energy. When the familiar intro to “ Oh NaNa ” began, the venue erupted. Celebrating nine years since its release, the song felt like a shared milestone between KARD and Hidden KARD. Voices rang out loudly, some nostalgic, some emotional, all unified. In the middle of the chaos, BM took notice of a particularly hyped group of fans jumping and shouting “AYE” without missing a beat. Laughing and pointing them out, he encouraged them even more, turning their joy into a moment the entire venue could feel. It was pure celebration, the kind that reminded everyone why KARD’s music continues to resonate years later. The night continued with “ Hola Hola ,” “ Top Down ,” and “ Before We Go ,” each song bringing a different shade of KARD’s sound. The transitions were smooth, the performances confident, and the chemistry between the members undeniable. As the music paused for a brief talk segment, the members took a moment to connect with the crowd, and the sincerity in their words made the night feel even more intimate. Somin shared honestly, saying that they had been a bit tired earlier, but the energy from the crowd completely revived them, thanking fans for saving them. J.Seph followed, comparing Hidden KARD to doctors, explaining that despite expecting to feel exhausted, the overwhelming energy from the audience had him feeling stronger than ever. When BM turned to Jiwoo and asked how she was feeling, her response drew laughter from the entire room. She admitted she was scared, joking that even though they had sung a song meant to cool things down, they were far from cooled off and she was already sweating. J.Seph added another playful comment, teasing that HIDDEN KARD’s powerful energy had practically taken off her eyelashes, pointing out his own bandage and joking, "You see my bandage? You can take that off, too, right?" followed by his own beaming smile and mischievous chuckle. The crowd roared, loving every second of his natural charisma. The show kicked back into high gear with “ Ring the Alarm ” and “ RED MOON ,” both delivered with intensity and sharp precision. The stage lighting deepened, matching the dramatic tone of the performances as the crowd shouted along to every chorus. A shift in focus came as BM took center stage for his solo performances. “ Freak ” and “ Ooh ” showcased his unapologetic confidence and commanding presence, drawing loud cheers and playful reactions from the audience. The energy remained high as BM and J.Seph reunited for “ Been That Boy ,” their chemistry undeniable as they owned the stage together. The atmosphere shifted as Somin and Jiwoo took the stage for “ ENEMY .” The performance was powerful and emotional, highlighting their vocal strength and connection. The mood lightened with a short charades game, splitting the members into teams of BM and Somin versus J.Seph and Jiwoo. After J.Seph won rock, paper, scissors, he stepped back and allowed BM and Somin to go first. Their teamwork paid off with six correct answers, earning cheers from the crowd. Not to be outdone, Jiwoo flawlessly acted out her words, making it easy for her and J.Seph to secure the win. The playful competition gave fans a glimpse into the group’s dynamic off-mic, full of laughter and natural charm. It was followed by a festive surprise with a cover of Wham!’s “Last Christmas,” bringing smiles, laughter, and sing-alongs throughout the venue. Momentum surged again with “ Pivot ” and “ SPIN ,” bringing sharp choreography and relentless energy back to the forefront. Before the final stretch, BM took a moment to remind Hidden KARD that Jiwoo would be the next member to release a solo album, asking if she could give a small spoiler. Jiwoo shyly shared that her album is planned for late January to February, sending the crowd into excited cheers and anticipation. As the night moved toward its finale, “ GUNSHOT ” hit with full force, commanding the room with its intensity. “ Bomb Bomb ” followed, turning the venue into a bouncing wave of movement, before “ Cake ” added a playful yet confident twist. The night reached its explosive conclusion with “ Dumb Litty ,” the perfect ending that left fans shouting, jumping, and refusing to let the energy fade. During the final ments, BM shared that with member solo projects coming soon and another album following, fans might have to wait a little longer, apologizing sincerely. Somin closed the night with heartfelt words, saying that the worries she had before stepping on stage disappeared the moment she saw the crowd. She thanked Hidden KARD for allowing her to finish 2025 together with them, wishing fans strength through their hardships and hoping the new year would bring only laughter and brighter days. As KARD took their final bow, Atlanta’s cheers lingered long after the lights dimmed. For Hidden KARD, this was a night filled with memories, laughter, and the comforting reminder that KARD’s bond with their fans continues to grow stronger with every stage. FULL GALLERY Now LIVE!

A new year brings new beginnings—and for RE:GUYS , it marks an exciting chapter of growth, music, and connection. RE:GUYS, formerly known as GreatGuys (멋진녀석들), consists of Yeongki , Jinhyeon , Donghyun , D.I , Daeyoung , Minki , and Semin . While their journey began August 25, 2017 with nine members under DNA Entertainment, the group has grown, evolved, and now steps forward under a new name. Reintroducing themselves with fresh energy and a renewed identity, the group is ready to share music that comforts, inspires, and resonates with everyday life. With each member contributing their voice, creativity, and personal touch, RE:GUYS are redefining what it means to start anew while staying deeply connected to their fans. For anyone discovering them for the first time, this is an invitation to join Yeongki, Jinhyeon, Donghyun, D.I, Daeyoung, Minki, and Semin on a journey filled with music, growth, and moments meant to be shared—together. To kick off this new chapter, RE:GUYS share their story, creative process, and vision for the future in their own words. K Fuse: For those of you meeting for the first time, please introduce yourself as RE:GUYS. "Hello! 'Our story to be rewritten'—RE:GUYS! We are a team where members of different colors come together to create a harmony. We are here to bring pleasant energy into your daily life." K Fuse: How would you describe the music and style of RE:GUYS to a first-time listener? "We want to describe our music as 'comfort.' We interpret the catchy melody in our ears and everyday emotions that anyone can relate to in a trendy sound. We aim for a style like 'playlist regular song' that doesn't feel too heavy but keeps wanting to hear it again." K Fuse: What do you think is unique about RE:GUYS? "All members directly participate in songwriting or performance composition. Our strength is that we feel the charm of authentic 'raw' because it contains the story we really want to tell, not just digesting what is given." K Fuse: What is the origin of the team name 'RE:GUYS' and what is the meaning of it? "RE: means 'Again.' It means 'young people who are ready to start again at any time,' and promises to always 'respond' to the fans' love. For us, this name symbolizes 'initial' and 'connection.'" K Fuse: What emotions or thoughts do you want listeners to sympathize with when making music? "I hope you feel like you're not alone. It's good to listen to music that makes you more excited when you're happy, but after a long day, it's our goal to share the sympathy of patting on the back: 'I've done that too.'" K Fuse: How do you approach telling a story or expressing yourself through a song? "We start by unfolding 'Memories of the Past.' Rather than a big message, we express trivial moments, like a conversation we had with a friend yesterday or thoughts while looking out the window. We believe this brings us closer to the hearts of those who listen and enjoy it." K Fuse: How is the chemistry between the members? "In a word, it's like a 'puzzle.' We have different personalities and tastes, but they fit perfectly when we stand on stage or gather in a practice room. We usually play like brothers, but when we work, we maximize each other's strengths like ghosts." K Fuse: What does it mean to each person to work together as RE:GUYS? "It's like having a 'virtue' walking with me on a path I would have feared alone. We feel like complete artists in the team called RE:GUYS because we make up for each other's shortcomings." K Fuse: What can the audience expect from the stage of RE:GUYS? "It's a sense of immersion that you can't take your eyes off. Beyond simply dancing and singing, we aim to show a shocking energy so that the joy we feel on stage reaches the back row of the audience." K Fuse: Vocal, choreography, or communication with fans, what do you think is particularly important? "I can't miss any of them, but the most important thing is sharing them with the fans. No matter how perfect the song and dance are, it's meaningless if we can't connect with the audience. The moment we exchange energy with our fans on stage is the most precious to us." K Fuse: What kind of relationship do you want to build with fans you're just getting to know? "I want to be like a long-time friend, not a distant celebrity. Please watch our growth from the side, and we also want to become a piece of your life and grow together." K Fuse: How do you want people to feel after watching a performance or a song? "Even a little courage to say, 'I'm also a precious being.' If a small smile spreads across someone's face after our influence, we'd be happy enough." K Fuse: As RE:GUYS, what activities are you most looking forward to showing next? "Our first solo offline performance as RE:GUYS! We're waiting for the moment to finish our military service safely and show our new performance while hearing the cheers of the fans." K Fuse: What do you want people to experience from this moment on the journey of RE:GUYS? "I hope you feel the joy of growing up together. We will do our best to make the whole process a wonderful memory and source of pride for you, from our clumsy start to the moment we stand tall on top! I love you 💞" With a fresh identity, new music in the works, and a renewed connection to their fans, RE:GUYS are poised to make this year unforgettable. Their journey is not just about songs or performances—it’s about growth, togetherness, and sharing authentic moments that fans can feel and relate to. For those just discovering the group, RE:GUYS invite you to join them in celebrating a new beginning, one that promises energy, empathy, and the joy of starting again—together.

Atlanta’s music scene is starting 2026 with a bang as INVASION ATL and HANYANG SOCIETY join forces to host a vibrant Korean New Year celebration on Saturday, January 3rd, 2026 at Rendevouz. Promising a night packed with high-energy performances, fan moments, and genre-defying music, the event marks one of the first major cultural and musical highlights of the year in Atlanta. Designed to bring together fans of K-Hip Hop, electronic, and live performance art, the celebration captures the essence of community, artistry, and global music trends. The lineup represents a perfect fusion of established names and rising stars. Justin Park, known for his smooth vocals and dynamic stage presence, sets the tone for the night with his R&B and pop-infused performances. Following him, JUNOFLO brings his signature lyrical flow, combining hip-hop bravado with storytelling that resonates with fans both locally and internationally. DJ IMYOONOTYOU ensures the dance floor stays alive all night, curating a set that seamlessly blends electronic, hip-hop, and K-Pop influences. BACHYARD GHOST, known for genre-defying beats, adds another layer of energy, keeping the crowd on its feet with pulsating rhythms and creative mixes. The evening also showcases emerging talents making waves in the scene. SAM SUEN and JJANG.E bring fresh perspectives and contemporary sounds, balancing high-energy tracks with moments of melodic introspection. Toshi, with his unique vocal timbre and charisma, provides a captivating experience that blends performance and personal storytelling. Fans can also look forward to special appearances by WEST1NE!, DJ CHEN, and Ben Kang, who round out the evening with surprises and collaborative moments, making this celebration a truly fan-centered experience. Rendevouz offers an intimate yet high-impact venue, allowing fans to feel connected to the artists while enjoying a full-scale production experience. From stage design to lighting, the space is tailored to highlight each artist’s performance style, creating an immersive musical journey. As the night progresses, the mix of live performances and DJ sets ensures that energy remains high while giving fans moments to engage directly with the music and culture of Korean New Year festivities. Tickets are available now via Rebelity . Fans are encouraged to purchase early, as events of this scale often sell out quickly. While VIP perks are yet to be fully detailed, attendees can expect exclusive opportunities such as early entry, premium viewing, and collectible memorabilia that enhance the overall experience. Pre-sale benefits and official merchandise will also be available to ensure that fans can commemorate this special night. Beyond music, the event celebrates cultural unity and community engagement. By highlighting artists from diverse backgrounds and musical styles, INVASION ATL and HANYANG SOCIETY create a space that honors both the heritage of the Korean New Year and the modern, globalized approach to music and entertainment. This event is not only a concert—it’s a cultural experience, blending tradition, innovation, and community spirit into one unforgettable night. For fans looking to kick off 2026 with energy, creativity, and connection, the INVASION ATL x HANYANG SOCIETY Korean New Year Celebration is a must-attend event. With a lineup of crowd favorites and rising stars, Rendevouz will transform into the epicenter of music, dance, and cultural celebration, setting the tone for the year ahead.

As 2026 begins, the final echoes of 2025’s most defining global music moments are still resonating, and few were as monumental as G-DRAGON’s “Übermensch” world tour. Concluding with a grand encore in Seoul this past December, the tour now stands as one of the most significant artistic and cultural achievements to close out the year, solidifying G-DRAGON’s place not only as a pioneer of K-pop, but as a once-in-a-generation global icon. Spanning 39 performances across 17 cities in 12 countries, “Übermensch” brought together an astonishing 825,000 fans worldwide. At a time when global touring reached new heights in 2025, G-DRAGON redefined the solo tour standard through a rare dome and arena-level run that stretched across Asia, Oceania, North America, and Europe. The scale alone placed the tour in historic territory, but it was the depth of its artistic execution that elevated it beyond numbers and records. The Seoul encore, held from December 12 to 14 at Gocheok Sky Dome, served as both a culmination and a reflection of the journey. G-DRAGON curated a setlist that moved with deliberate emotional precision, threading together defining tracks such as “PO￦ER,” “MichiGO (GO),” “Crayon,” and “Crooked,” before arriving at the deeply personal “Untitled, 2014.” Rather than feeling like a closing chapter, the progression unfolded as a narrative of growth, vulnerability, and transcendence, echoing the tour’s central theme. One of the most emotionally charged moments came with “HOME SWEET HOME,” when TAEYANG and DAESUNG joined G-DRAGON on stage. Their surprise appearance instantly reignited BIGBANG’s unmistakable chemistry, transforming the encore into a shared, multigenerational moment. Performances of “WE LIKE 2 PARTY” and “A Fool of Tears” blurred the line between past and present, reminding audiences that BIGBANG’s legacy remains deeply embedded in K-pop’s foundation while continuing to evolve alongside its future. Additional surprise moments underscored the tour’s dynamic spirit. During “TAKE ME,” G-DRAGON was joined by choreographer Bada for a spontaneous “Smoke” challenge, electrifying the crowd and highlighting the artist’s ability to seamlessly merge performance with cultural moments. A specially prepared video reflecting on the meaning of “Übermensch” added emotional gravity, inviting fans to reflect on the journey they had collectively shared across continents and months. Throughout 2025, audience response to the tour bordered on unprecedented. Tokyo and Osaka sold out entirely, including limited-view seats, despite marking G-DRAGON’s first performances there in eight years. In Macau, over 680,000 fans reportedly entered ticketing queues, while Taipei and Osaka both added encores due to overwhelming demand. Hanoi experienced full pre-sales based solely on performance announcements, with the city itself transforming into a celebration through daisy-themed campaigns and GD tributes across businesses and public spaces. In the United States, the tour drew attention from major outlets such as Forbes and was supported by widespread outdoor advertising, reaffirming G-DRAGON’s enduring global influence. Critics and fans alike praised “Übermensch” for its conceptual cohesion. Rather than operating as a traditional hit-driven concert, the tour unfolded as a fully realized artistic narrative. Multidimensional stage designs, dragon bike sequences, massive LED installations, and continuously evolving fashion choices worked together to express the theme of transcending existence. Each city featured reimagined staging elements, reinforcing the idea that the tour itself was alive, adapting and growing alongside its audience. Looking back from the start of 2026, the “G-DRAGON 2025 WORLD TOUR [Übermensch]” now reads as a defining close to the year that was. It marked not just the return of an artist after years of hiatus, but the reaffirmation of his irreplaceable role in shaping global pop culture. Through artistic ambition, cultural impact, and unparalleled execution, G-DRAGON closed 2025 by raising the bar for what a solo artist can achieve on the world stage — and as his words hinted during the Seoul encore, the story is far from finished.

Lee​‍​‌‍​‍‌​‍​‌‍​‍‌ Sung-yeol, the talented South Korean singer, dancer, actor, and a member of INFINITE, is back with a deeply personal and meticulously designed special single album titled Asteroid, which was dropped on December 12, 2025, at 6:00 PM KST. The album is released under his current agency, Management 2Sang. The emotional and artistic aspect of Sung-yeol that people are familiar with is what the solo artist represents here with this project. This special single album is a step by his as a solo artist, which also shows his heartfelt bond with fans, the Inspirits, who have been with him since his debut. The work is not a full-length album but a special single album that is a concentrated, intimate work and which reflects a careful balance of vulnerability, maturity, and musical nuance. The Asteroid has the three tracks, “Asteroid,” “One Step Closer,” and “DIVE.” Each track is emotionally attached, reflecting the different facets of the musical identity of Sung-yeol, and at the same time, they maintain a coherent narrative of reflection, connection, and gratitude. The album is available to the public in digital and photobook editions; thus, listeners can not only hear the music but also its visual storytelling, which is a reflection of the care and thought put into every aspect of the release. First of all, the album mood is captured by "Asteroid" –a very atmospheric, tender-emotionally resonating song. Sung-yeol’s voice is so soft and like a whisper that it seems to be carried by the melody, the one that is flowing gently, and to think of a tiny asteroid drifting in the vast universe is what the voice and the melody together evoke. In other words, the song is a lyrical expression of love’s mystery using the metaphor of an asteroid slowly going around the cosmos to illustrate the tiniest swelling and diminishing of the heart. The fact that Sung-yeol was hands-on with the song creation process, working closely with composers to change the lyrical expression, tone, and emotional delivery, is what makes the piece authentic and that is what the audiences felt deep down. His vocal expression is very light indeed but yet it is very deep and it shows wonderfully his inner conflicts of desire, hesitation, and hope, resulting in a piece the audience can relate to on an intimate level and also broadly ​‍​‌‍​‍‌​‍​‌‍​‍‌applicable. After​‍​‌‍​‍‌​‍​‌‍​‍‌ the opener, “One Step Closer” is a deep and thoughtful follow-up in a reflective mood. The tune’s melodic outline is very nice and flowing, and it has very light instrumentation which makes Sung-yeol’s voice the absolute main point. His delivery moves very close to a sensitive and shy confident nature at the same time, creating emotional closeness which at the same time attracts the audience. The song’s subtle changes in volume are the moments of looking inside oneself and showing the realization of the move to the next emotional level with another person or something dear to life. Sung-yeol’s perfect vocal control is his ability to convey even the smallest changes in emotions which is here obvious in the song and the artist’s high skill level is demonstrated in this track, the artist who can without the use of overt dramatics. The last song, “DIVE,” gives the audience the feeling of the opposite of the previous moments but still, it has the same emotional atmosphere that runs through the whole album as all the songs are connected emotionally. Also, its overlapping vocals and the seamless melodic progression are like a sensory plunge into the reflecting and introspective state of mind. Expansive yet fragile are Sung-yeol’s vocals which bring the listener to follow his emotional journey through the different stages from hesitant curiosity to complete surrender. The creation of the track shows the impression of movement and the issue of depth which are the main ideas of the action of diving not only into the water, but also into one’s own feelings and weaknesses. Therefore, Asteroid can be seen as a full picture of a trip which not only starts with thoughtful musing, gradually moves through the emotional closeness, and finally completely immerses the listener in the world of Sung-yeol’s ​‍​‌‍​‍‌​‍​‌‍​‍‌expression. Management​‍​‌‍​‍‌​‍​‌‍​‍‌ 2Sang characterized Asteroid as a very special gift to Sung-yeol’s fans by the singer himself. “Asteroid is a warm personal gift from Sung-yeol to his fans, very much a true representation of emotions and stories that he always kept to himself,” the agency conveyed by its official statement. The emotion behind the story is the main theme for the whole album, the precise musical arrangements as well as the album’s visual representation through the photobook edition. Every detail of the release — lyrics, melodies and the album concept — is a manifestation of Sung-yeol’s desire to reach out to his fans in a discursive but sincere way, without any mediation. Sung-yeol reiterated his thanks to the fans by saying that he will definitely keep on sharing his musical journey with them. Asteroid's release comes with fan meetings scheduled for different cities in Asia in the first half of 2026. The events will surely help fans experience the music of Sung-yeol in a very close and friendly manner, thus personally, the topic of the album will be further elongated. With these fan meetings, Lee is not only going to be making music, but he will be creating a dialogue with his fans. Lee Sung-yeol, the artist, has successfully blended a career of achievements with a journey of personal growth. He made his debut with INFINITE in June 2010 and very soon he proved himself to be a singing-artist capable of both strong and gentle performances. The group’s success came with the hit songs such as “The Chaser,” which was brand-new and was later on recognized by Billboard as one of the best K-pop songs of the 2010s and also was counted by Rolling Stone as one of 75 Greatest Boy Band Songs of All Time. Sung-yeol is not stopping his talent at music but rather further he has ventured into acting and musical theater, which clearly shows his artistic versatility and the eagerness to try new forms of creative expression. An idea like this, a solo career, that Lee has now named Asteroid, is a mirror of the same discipline, the same self-inquiry, and the same heartfelt truth in the artist ​‍​‌‍​‍‌​‍​‌‍​‍‌himself. Asteroid​‍​‌‍​‍‌​‍​‌‍​‍‌ is a proof of Sung-yeol's change to be a- one that artistically balances poetic imagery, delicate vocal delivery, and production that is thought-provoking. To be honest, the record feels like a total immersion into Sung-yeol's invisible side: from the emotional vagueness that can drift away of the headliner track, through the reflective closeness of "One Step Closer" and to the engrossing profundity of "DIVE.". I guess it is a very selective kind of listening that the work demands, and the subtle emotional and musical layers, as well as the profound connection, are what keep emerging with every play. The album, Asteroid, acts as an eloquent recall to the fans and music lovers that Lee Sung-yeol has been one of the most treasured and stable figures in the K-pop industry for more than ten years. Not only does the record depict his artistical maturity and sensitivity but also, it is a genuine thankful message that closes the gap between the performer and the audience. Essentially, Lee Sung-yeol in Asteroid indicates that albeit the musical world is rapidly changing, the timeless qualities of being authentic, caring and emotionally resonant still remain. By putting it out into the world, Sung-yeol is saying that he is a one-of-a-kind voice in K-pop. A singer and a performer who always treats his work with great care, insight and, most importantly, respect for his fans. Asteroid is far from being a single album; it can be said that it is a sincere trek, a private chat, and a bright instance of the art which from the very start has been the hallmark of Lee Sung-yeol's ​‍​‌‍​‍‌​‍​‌‍​‍‌career.

Snow, memories, and winter warmth. With White Longing, fromis_9 doesn’t just cover a classic—they transport us to that soft, fleeting moment where winter nostalgia settles in, and every falling snowflake seems to awaken a memory we thought we’d forgotten. Released on December 2, 2025, at 6 PM KST, this special digital single marks the group’s first return since their mini-album From Our 20’s in June, acting as a heartfelt year-end gift for their fandom, the flover. After a year of major transitions—new five-member lineup, change of agency, a summer comeback, and their first world tour—White Longing symbolizes a shift toward calmer, more introspective emotions, perfectly closing out 2025 with warmth and tenderness. Chosen as a remake of Kim Min-jong’s iconic 2001 track, White Longing keeps the nostalgic soul of the original while infusing it with fromis_9’s bright, modern sensibility. The musical arrangement, a medium-tempo pop composition, blends clean guitars, soft synths, and gentle layers to create an enveloping, cozy atmosphere. Every sound element is carefully designed to evoke winter: the crispness of the first snow, the comfort of a quiet evening by the fire, and the magic of the holiday season. According to their agency ASND, the single was intended as a “winter carol,” a seasonal song revisiting the 2001 classic through fromis_9’s unique vocal color. The official music video, released alongside the track, translates this vision into imagery, combining wintery visuals, festive vibes, and even an appearance by Kim Min-jong himself—a touching bridge between generations of Korean music fans. The visual promotion for White Longing is as meticulously crafted as its sound, unfolding in three phases that form a complete winter narrative. The first, “White Snow,” captures winter purity and softness. The members wear white dresses amidst falling snow, creating a fairy-tale-like scene reminiscent of the first snowfall and childhood memories. Accessories like canes, transparent spheres, and red ribbons add a magical, delicate touch, emphasizing the storybook charm of this initial phase. The second phase, “Pastel Santa,” presents a cozier, warmer interpretation of the holidays: members wear Santa-inspired outfits in soft pastel shades—from pale pink to light blue—with expressions and poses exuding warmth and intimacy. This stage bridges the ethereal winter of “White Snow” and the more mature, festive atmosphere of the final phase. The third phase, “Holiday / Chic Santa,” features elegant red outfits, evoking traditional Christmas festivities and a glamorous year-end spirit. Together, these three phases tell a full seasonal story: from winter’s purity, through cozy holiday warmth, to festive elegance, offering fans a visually cohesive and emotionally rich experience. Musically, White Longing shines in balancing respect for the original with modern touches. fromis_9’s bright, expressive vocals bring a youthful energy while preserving the song’s warm melody. The use of clean guitar and soft synths creates a contemporary yet serene sound, and the medium-pop tempo keeps the track accessible and emotionally resonant—perfect for winter playlists and cozy, reflective moments. The arrangement highlights each member’s voice, showcasing their growth in vocal maturity and artistry since becoming a five-member group. The music video enhances this seasonal and emotional approach. The group performs in a wintery, festive setting with snow, soft lighting, and holiday props, while Kim Min-jong’s cameo reinforces the intergenerational connection—linking those familiar with the original to a new generation of listeners. The visuals complement the music perfectly: the visual chill of snow contrasts with the warmth of the production and vocals, creating a fully immersive winter experience for fans and viewers alike. In the broader context of 2025, this release demonstrates fromis_9’s ability to reinvent themselves while honoring their roots. After three members departed in late 2024 and the group signed with ASND Label, fromis_9 began a new chapter as a five-member unit, exploring a more mature, sophisticated, and polished identity. Their mini-album From Our 20’s and the 2025 fromis_9 WORLD TOUR NOW TOMORROW already displayed their ambition and desire to reconnect with international fans. With White Longing, they reveal another facet of their artistry—gentle, reflective, and seasonal—highlighting their flexibility and willingness to evoke diverse emotions. For the flover, this single is more than just music: it’s a heartfelt year-end gift. The song invites listeners to revisit warm memories, enjoy the first snow, and experience a musical moment that spans generations. It demonstrates the group’s skill in merging heritage and modernity, nostalgia and freshness, while affirming their current artistic identity. Between meticulously planned visuals, sensitive vocal performance, and contemporary production, White Longing becomes a must-add to any winter playlist—a track to play repeatedly while soaking in the season’s magic and warmth. With this release, fromis_9 proves they can continue evolving, surprising, and connecting with their audience while staying true to themselves. White Longing is not just a remake—it’s an immersive experience that celebrates winter, nostalgia, and holiday joy, securing the group’s position as a standout act in contemporary K-pop, capable of bridging generations and turning each release into a uniquely emotional and memorable moment.

NewJeans continues to make their mark as one of the most powerful girl groups of their generation, making it clear that their influence within global streaming services has no signs of diminishing. Each achievement made by this group will see them leave their mark that transcends the realm of temporary trends. The company announced on the 21st of December that “Super Shy” by NewJeans broke the record of more than 800 million streams on Spotify. It is the third song from this band to reach this milestone, in the wake of huge success by “OMG” and “Ditto.” The industry presents a high turnover rate, yet the band has accomplished this on a regular basis. Their success is not something which has come in one moment. The repertoire of the band consists of 15 songs which have all broken the barrier of 100 million streams. NewJeans have already broken the barrier of over 7 billion streams, which not only showcases their popularity but also the loyalty of their fan base, which is not a common phenomenon in the initial stages of their careers. The timing of this achievement is also quite special as it came when they were resolving some legal issues with their agency, ADOR. The courts have also recently upheld that the exclusive contract between New Jeans and ADOR is still valid. They were initially considering appealing, but the members withdrew themselves from the appeal on the 12th of December. With this decision, ADOR has confirmed that the rookies Haerin and Hyein have chosen to rejoin the agency, with communication underway with the other members. Though little is known, this is set to mark the start of a fresh era for the group, one that is defined by resolution, among other factors. Considered cumulatively, these achievements represent a narrative of both success and challenges. NewJeans are setting streaming records at an incredible speed and are earmarked to enter an era of stability and planning. As “Super Shy” joins the lists of “OMG” and “Ditto” in the 800-million-stream club, there is little doubt that NewJeans are shaping international streaming culture. This critical juncture, NewJeans find themselves at the crossroads of artistic success and industry accolades, leading the way to the future of pop music while making their mark on the global community.

On Saturday, December 20, 2025, the national iHeartRadio Jingle Ball Tour came to a festive close as iHeartRadio Y100.7’s Jingle Ball 2025 presented by Capital One took over Miami’s Kaseya Center, transforming the arena into a vibrant celebration of music, community, and holiday spirit. As the final stop of one of the season’s most anticipated touring events, the night carried an undeniable sense of excitement, bringing together global superstars, rising favorites, and thousands of fans ready to sing, dance, and close out the year on a high note. photo credit: @altaimages From the moment doors opened, the energy inside the venue felt electric. South Florida student and alumni band Undercover, representing Young Musicians Unite, kicked off the evening by warming up the crowd with soulful, pop, and disco-inspired covers, setting a joyful and nostalgic tone that perfectly matched the spirit of Jingle Ball. Their performance served as a reminder of the event’s deeper mission—not just showcasing major artists, but also uplifting young musicians and supporting the next generation of talent. As the night unfolded, the stage welcomed an impressive lineup that spanned genres, generations, and global sounds. MONSTA X brought polished charisma and emotional depth, captivating the crowd with performances of “Baby Blue,” “Middle of the Night,” “Someone’s Someone,” and “Do What I Want.” Their sleek choreography and heartfelt delivery resonated strongly with fans, reinforcing the group’s lasting connection with U.S. audiences and their ability to command a massive stage with ease. Photo Courtesy of @gettyentertainment The energy surged as BigXthaPlug took over, delivering a high-impact set packed with raw intensity and Southern swagger. Tracks like “Levels,” “Hell,” “At Night,” “Home,” “Texas,” and “Largest” had the crowd moving nonstop, his commanding presence and booming delivery keeping the momentum at full throttle. The transition into Kehlani’s set brought a shift in mood, as she effortlessly blended vulnerability and confidence. With fan-favorite songs including “Toxic,” “Distraction,” “Out The Window,” “Nights Like This,” and “After Hours,” Kehlani’s performance felt intimate yet powerful, creating moments of reflection amid the high-energy night. Latin pop star Feid sent the arena into a frenzy as he delivered a string of hits that had the audience singing along word for word. Songs like “ Normal ,” “ Ferxxo 100 ,” “ Yandel 150 ,” “ PERRO NEGRO ,” “ NOS DESCONOXIMOS ,” “ Feliz Cumpleaños ,” and “ LUNA ” turned the venue into a massive dance floor, showcasing his global appeal and undeniable chemistry with fans. That momentum carried seamlessly into Sean Paul’s set, where the veteran hitmaker proved once again why his music remains timeless. With classics like “ Temperature ,” “ Get Busy ,” “ Give It Up to Me ,” “ Cheap Thrills ,” “ Baby Boy ,” “ No Lie ,” and “ We Be Burning ,” Sean Paul transformed the arena into a full-blown party, bridging generations through infectious rhythms and familiar anthems. Photo Credit: @altaimages Adding a uniquely playful and interactive moment to the evening, Y100.7 hosted a special KPOP DEMON HUNTERS sing-along that brought fans together in collective joy, highlighting the diversity of the night’s programming and the communal spirit that defines Jingle Ball. Shortly after, mgk delivered a dynamic, emotionally charged performance, running through tracks like “Forget Me Too,” “Bloody Valentine,” “Cliché,” and “Exes.” His set blended pop-punk edge with raw emotion, keeping the audience fully locked in from start to finish. Zara Larsson continued the celebration with a vibrant set that balanced pop perfection and holiday charm. She had the crowd singing along to a festive version of “Pretty Ugly,” alongside hits like “Ain’t My Fault” and “Midnight Sun.” Staying true to her tour tradition, Zara invited a fan onstage to perform the viral TikTok dance to “Lush Life,” creating one of the night’s most heartwarming and memorable moments. The evening reached its grand finale when Nelly, introduced by Lil Jon, closed out the show with a legendary run of hits. From “Where The Party At” and “Ride Wit Me” to “Country Grammar,” “Air Force Ones,” “Grills,” “Dilemma,” “Hot in Herre,” and “Just A Dream,” Nelly’s performance felt like a celebration of nostalgia and longevity, sending the crowd home on an undeniable high. photo credit: @gettyentertainment Beyond the music, Y100.7’s Jingle Ball 2025 continued its tradition of giving back, supporting the Ryan Seacrest Foundation with a portion of every ticket sold benefiting initiatives that inspire pediatric patients through entertainment and education. Backed by national partners including Capital One, Pizza Hut®, Boost Mobile, JCPenney, Mercedes-Benz, and more, the Miami stop stood as a powerful reminder of why Jingle Ball remains one of the most meaningful and beloved holiday music events year after year. As the final notes rang out at Kaseya Center, iHeartRadio Y100.7’s Jingle Ball 2025 left fans with memories that extended far beyond the holiday season—closing the tour not just with star power, but with heart, connection, and a shared love for music that brought everyone together.

December 11, 2025 marked a defining moment for the global electronic music landscape as Pacific Music Group officially unveiled Ghostone Records, its electronic and dance music imprint designed to elevate Pan Asian talent on an international scale. Founded by an influential collective that includes NE YO, Sonu Nigam, MC Jin, and veteran music executive Jonathan Serbin, Pacific Music Group’s expansion into electronic music signaled a deliberate move toward shaping the future of global dance culture through an Asian centered lens. Rather than arriving as a traditional label launch, Ghostone Records entered the scene as a statement of intent, positioning Asia not as an emerging market but as a driving force within the global electronic ecosystem. Headquartered in Hong Kong with a Pan Asian operational reach, Ghostone Records was introduced as a cultural bridge between East and West at a time when electronic music audiences across Asia were experiencing unprecedented growth. Festival attendance, club culture, and global streaming engagement across the region had already made Asia one of the most engaged electronic music markets in the world. Against this backdrop, Ghostone’s arrival felt timely and necessary, offering a platform built to nurture innovation while giving Asian electronic artists the infrastructure and visibility required to thrive globally. Central to the imprint’s debut was the appointment of internationally acclaimed Thai DJ and producer 22Bullets as President of Ghostone Records. Tasked with overseeing A and R, creative direction, and the imprint’s long term vision, his leadership brought immediate credibility to the label’s mission. Already regarded as one of Southeast Asia’s most influential electronic artists, 22Bullets’ career had long embodied the cross border success Ghostone aimed to cultivate. His collaborations with artists such as Timmy Trumpet, KSHMR, and Hardwell, alongside appearances at Tomorrowland, Ultra, and EDC, had positioned him firmly within the global dance conversation. His historic entry into the DJ Mag Top 100 DJs list as the first Thai artist to do so further underscored the symbolic weight of his role, making his presidency feel both earned and forward thinking. Jonathan Serbin, Co Founder of Pacific Music Group, described Ghostone Records as a natural extension of PMG’s broader mission to champion world class talent and global collaboration. He highlighted 22Bullets as a visionary leader whose experience and creative instincts set the tone for a new era of electronic music coming out of Asia. For 22Bullets himself, the moment represented more than a professional milestone. In reflecting on the imprint’s launch, he emphasized the importance of creating a space where innovation, culture, and boundary breaking artistry could coexist, expressing pride in helping build a truly global platform alongside the Pacific Music Group team. Ghostone Records made its debut with an inaugural roster that included 22Bullets and Chinese DJ and producer Lizzy Wang, whose signing immediately reinforced the imprint’s Pan Asian focus. Lizzy Wang’s release of “ Glow ,” accompanied by an official lyric video, served as the label’s first official musical offering. The single arrived just ahead of her highly anticipated performance at EDC Thailand in January, creating a natural bridge between the imprint’s launch and its presence on one of the region’s most prominent festival stages. The release functioned not only as a personal creative statement for Lizzy but also as a clear introduction to Ghostone’s sonic direction and artistic priorities. Already recognized as one of Asia’s most globally visible electronic artists, Lizzy Wang entered the Ghostone era with significant momentum. Her inclusion in the DJ Mag Top 100 DJs rankings and recent performances across Kuala Lumpur, Hong Kong, and Singapore had positioned her as a key figure in Asia’s electronic export movement. Her upcoming EDC Thailand debut further amplified the significance of “Glow,” allowing the track to resonate as both a career milestone and a defining moment in Ghostone Records’ early identity. Lizzy later described joining the imprint as the beginning of a new creative chapter, one rooted in showcasing the global potential of Asian electronic music without compromise. The launch of Ghostone Records also reflected Pacific Music Group’s broader multi genre strategy, which spans pop, hip hop, and R and B alongside its newest electronic and dance imprint. As Asia continues to assert itself as one of the fastest growing and most influential regions within the global music industry, Ghostone’s emergence highlighted a shift toward long term artist development, cross border collaboration, and global scale ambition. The imprint’s focus on world class A and R, production support, and international promotion signaled a commitment to building sustainable careers rather than momentary trends. Founded in 2025, Pacific Music Group has positioned itself as a next generation music company rooted in mentorship, cultural exchange, and global reach. With headquarters in Hong Kong and a Pan Asian presence, PMG leverages the collective expertise of its founders to support artists navigating an increasingly interconnected industry. The introduction of Ghostone Records marked a significant chapter in that journey, reinforcing the company’s dedication to creating pathways for Asian artists to lead, rather than follow, global music movements. In retrospect, the debut of Ghostone Records stands as more than a label launch. It represents a moment of alignment between vision, leadership, and cultural timing, where Asia’s growing influence in electronic music was formally recognized and strategically supported. With figures like 22Bullets and Lizzy Wang at its core, Ghostone Records entered the global dance conversation not as a newcomer, but as a necessary presence, one built to help define where electronic music moves next.

On December 23, 2025 ASC2NT , the boy group from South Korea famous for their versatility and depth of emotions launched a new digital single Replay under New Ways Company Co., Ltd . Unlike an album or an EP, the single is just one track. Its aim is to kick off ASC2NT’s music series which consists of four seasons. In this approach, each release will capture the feel of a given season in such a way that fans will be able to emotionally connect with it. With Replay the group explores the wintry chill and introspection, laying down both the thematic and emotional base for their ambitious series yet to come. Musically and conceptually, Replay are designed to reflect the inner turmoil of an individual that is not able to move on after a break up hence he/she keeps playing the memories over again. The lyrics which were co-written by the group members Leon and Kyle in collaboration with composer known as Kang Ji-won express this type of feeling quite well and they also show case longing perfectly. By using soft melodies along with introspective arrangements, the track warrants the emotional winter’s gravity, combining emotive lead vocals with subtle musical texturing so as to generate nostalgia and a lingering sense of loss. ASC2NT does not see the single only as a music piece, but it positions it to be an all-encompassing experience story-wise as well, calling for individuals to dwell in apathetic yet poignant refrains of abandoned heart. The visual representation of Replay enriches the mood conveyed by this performance. The group officially declared through their communications that the visual concept is based on the themes of “Our Winter is Replay” and “precious memories to replay,” creating a melancholic, introspective winter mood. Through teasers and official clips posted on ASC2NT’s social pages, they represent members immersed in contemplation in very artistic settings, using cinematic lighting, carefully staged moments, and symbolic imagery to depict memory and emotional repetition. The video doesn’t only depend upon choreographed context for its visuals but does a lot more introducing introspectiveness and mood that demonstrate the song’s lyrical focus on emotionality pause and reflection. This slow paced music alongside with heart wrenching shots only further configure single’s thematic core making sound and sight one solid statement. Replay goes beyond just a plot device, the novel lets us understand the evolution that has taken place in the artistry of ASC2NT. And then on May 7, 2024 they debuted with the song EXPECTING TOMORROW since then this group has gather repute for being able to contrast their high-energy tracks and senstive ballads with ease. Who is KARAM (leader and main vocalist), JAY (main rapper and dancer), REON (rapper and sub-vocalist), KYLE (sub-vocalist and maknae) under New Ways Company (HYOWON joined ASC2NT on 2025 when INJUN had to withdraw because of his health condition). This refreshed configuration brings new dynamics to the group, intensifying the display of emotions that accompany Replay's revamp. We can see that Replay is not just an experiment in art; it is also one of the strategies used to develop a long-lasting narrative for fans which are referred to as “EPPY” by the group. ASC2NT amongst other things has a goal of forming a more loyal audience following with the help of this four-season approach where each next release builds upon the preceding ones emotionally, and turns out to be none other than isolated singles. The first chapter, based on winter themes, sets a premise for further exploration of different mood, emotions and storytelling so that the band’s music could find some new dimensions and they achieve their signature as artists even better. Hence, Replay can be seen as both the conclusion and the beginning of something: a single that can express the subtlety of emotional contemplation yet to kick-start ASC2NT’s new concept which is temporally, long term. Through gentle vocals, introspective lyrics and thoughtfully crafted visuals; this song depicts an advanced stylistic approach in K-pop with combines melodious storytelling with aesthetic appeal. Therefore during this section of their careers, Replay does not only confirm but also further define who they are as artists before the public eye and will be followed by a series of releases that deepen their fans’ bond with them and reinforce their position in the ever-changing world of K-pop.