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Atlanta’s music scene is starting 2026 with a bang as INVASION ATL and HANYANG SOCIETY join forces to host a vibrant Korean New Year celebration on Saturday, January 3rd, 2026 at Rendevouz. Promising a night packed with high-energy performances, fan moments, and genre-defying music, the event marks one of the first major cultural and musical highlights of the year in Atlanta. Designed to bring together fans of K-Hip Hop, electronic, and live performance art, the celebration captures the essence of community, artistry, and global music trends. The lineup represents a perfect fusion of established names and rising stars. Justin Park, known for his smooth vocals and dynamic stage presence, sets the tone for the night with his R&B and pop-infused performances. Following him, JUNOFLO brings his signature lyrical flow, combining hip-hop bravado with storytelling that resonates with fans both locally and internationally. DJ IMYOONOTYOU ensures the dance floor stays alive all night, curating a set that seamlessly blends electronic, hip-hop, and K-Pop influences. BACHYARD GHOST, known for genre-defying beats, adds another layer of energy, keeping the crowd on its feet with pulsating rhythms and creative mixes. The evening also showcases emerging talents making waves in the scene. SAM SUEN and JJANG.E bring fresh perspectives and contemporary sounds, balancing high-energy tracks with moments of melodic introspection. Toshi, with his unique vocal timbre and charisma, provides a captivating experience that blends performance and personal storytelling. Fans can also look forward to special appearances by WEST1NE!, DJ CHEN, and Ben Kang, who round out the evening with surprises and collaborative moments, making this celebration a truly fan-centered experience. Rendevouz offers an intimate yet high-impact venue, allowing fans to feel connected to the artists while enjoying a full-scale production experience. From stage design to lighting, the space is tailored to highlight each artist’s performance style, creating an immersive musical journey. As the night progresses, the mix of live performances and DJ sets ensures that energy remains high while giving fans moments to engage directly with the music and culture of Korean New Year festivities. Tickets are available now via Rebelity . Fans are encouraged to purchase early, as events of this scale often sell out quickly. While VIP perks are yet to be fully detailed, attendees can expect exclusive opportunities such as early entry, premium viewing, and collectible memorabilia that enhance the overall experience. Pre-sale benefits and official merchandise will also be available to ensure that fans can commemorate this special night. Beyond music, the event celebrates cultural unity and community engagement. By highlighting artists from diverse backgrounds and musical styles, INVASION ATL and HANYANG SOCIETY create a space that honors both the heritage of the Korean New Year and the modern, globalized approach to music and entertainment. This event is not only a concert—it’s a cultural experience, blending tradition, innovation, and community spirit into one unforgettable night. For fans looking to kick off 2026 with energy, creativity, and connection, the INVASION ATL x HANYANG SOCIETY Korean New Year Celebration is a must-attend event. With a lineup of crowd favorites and rising stars, Rendevouz will transform into the epicenter of music, dance, and cultural celebration, setting the tone for the year ahead.

As 2026 begins, the final echoes of 2025’s most defining global music moments are still resonating, and few were as monumental as G-DRAGON’s “Übermensch” world tour. Concluding with a grand encore in Seoul this past December, the tour now stands as one of the most significant artistic and cultural achievements to close out the year, solidifying G-DRAGON’s place not only as a pioneer of K-pop, but as a once-in-a-generation global icon. Spanning 39 performances across 17 cities in 12 countries, “Übermensch” brought together an astonishing 825,000 fans worldwide. At a time when global touring reached new heights in 2025, G-DRAGON redefined the solo tour standard through a rare dome and arena-level run that stretched across Asia, Oceania, North America, and Europe. The scale alone placed the tour in historic territory, but it was the depth of its artistic execution that elevated it beyond numbers and records. The Seoul encore, held from December 12 to 14 at Gocheok Sky Dome, served as both a culmination and a reflection of the journey. G-DRAGON curated a setlist that moved with deliberate emotional precision, threading together defining tracks such as “PO￦ER,” “MichiGO (GO),” “Crayon,” and “Crooked,” before arriving at the deeply personal “Untitled, 2014.” Rather than feeling like a closing chapter, the progression unfolded as a narrative of growth, vulnerability, and transcendence, echoing the tour’s central theme. One of the most emotionally charged moments came with “HOME SWEET HOME,” when TAEYANG and DAESUNG joined G-DRAGON on stage. Their surprise appearance instantly reignited BIGBANG’s unmistakable chemistry, transforming the encore into a shared, multigenerational moment. Performances of “WE LIKE 2 PARTY” and “A Fool of Tears” blurred the line between past and present, reminding audiences that BIGBANG’s legacy remains deeply embedded in K-pop’s foundation while continuing to evolve alongside its future. Additional surprise moments underscored the tour’s dynamic spirit. During “TAKE ME,” G-DRAGON was joined by choreographer Bada for a spontaneous “Smoke” challenge, electrifying the crowd and highlighting the artist’s ability to seamlessly merge performance with cultural moments. A specially prepared video reflecting on the meaning of “Übermensch” added emotional gravity, inviting fans to reflect on the journey they had collectively shared across continents and months. Throughout 2025, audience response to the tour bordered on unprecedented. Tokyo and Osaka sold out entirely, including limited-view seats, despite marking G-DRAGON’s first performances there in eight years. In Macau, over 680,000 fans reportedly entered ticketing queues, while Taipei and Osaka both added encores due to overwhelming demand. Hanoi experienced full pre-sales based solely on performance announcements, with the city itself transforming into a celebration through daisy-themed campaigns and GD tributes across businesses and public spaces. In the United States, the tour drew attention from major outlets such as Forbes and was supported by widespread outdoor advertising, reaffirming G-DRAGON’s enduring global influence. Critics and fans alike praised “Übermensch” for its conceptual cohesion. Rather than operating as a traditional hit-driven concert, the tour unfolded as a fully realized artistic narrative. Multidimensional stage designs, dragon bike sequences, massive LED installations, and continuously evolving fashion choices worked together to express the theme of transcending existence. Each city featured reimagined staging elements, reinforcing the idea that the tour itself was alive, adapting and growing alongside its audience. Looking back from the start of 2026, the “G-DRAGON 2025 WORLD TOUR [Übermensch]” now reads as a defining close to the year that was. It marked not just the return of an artist after years of hiatus, but the reaffirmation of his irreplaceable role in shaping global pop culture. Through artistic ambition, cultural impact, and unparalleled execution, G-DRAGON closed 2025 by raising the bar for what a solo artist can achieve on the world stage — and as his words hinted during the Seoul encore, the story is far from finished.

Lee​‍​‌‍​‍‌​‍​‌‍​‍‌ Sung-yeol, the talented South Korean singer, dancer, actor, and a member of INFINITE, is back with a deeply personal and meticulously designed special single album titled Asteroid, which was dropped on December 12, 2025, at 6:00 PM KST. The album is released under his current agency, Management 2Sang. The emotional and artistic aspect of Sung-yeol that people are familiar with is what the solo artist represents here with this project. This special single album is a step by his as a solo artist, which also shows his heartfelt bond with fans, the Inspirits, who have been with him since his debut. The work is not a full-length album but a special single album that is a concentrated, intimate work and which reflects a careful balance of vulnerability, maturity, and musical nuance. The Asteroid has the three tracks, “Asteroid,” “One Step Closer,” and “DIVE.” Each track is emotionally attached, reflecting the different facets of the musical identity of Sung-yeol, and at the same time, they maintain a coherent narrative of reflection, connection, and gratitude. The album is available to the public in digital and photobook editions; thus, listeners can not only hear the music but also its visual storytelling, which is a reflection of the care and thought put into every aspect of the release. First of all, the album mood is captured by "Asteroid" –a very atmospheric, tender-emotionally resonating song. Sung-yeol’s voice is so soft and like a whisper that it seems to be carried by the melody, the one that is flowing gently, and to think of a tiny asteroid drifting in the vast universe is what the voice and the melody together evoke. In other words, the song is a lyrical expression of love’s mystery using the metaphor of an asteroid slowly going around the cosmos to illustrate the tiniest swelling and diminishing of the heart. The fact that Sung-yeol was hands-on with the song creation process, working closely with composers to change the lyrical expression, tone, and emotional delivery, is what makes the piece authentic and that is what the audiences felt deep down. His vocal expression is very light indeed but yet it is very deep and it shows wonderfully his inner conflicts of desire, hesitation, and hope, resulting in a piece the audience can relate to on an intimate level and also broadly ​‍​‌‍​‍‌​‍​‌‍​‍‌applicable. After​‍​‌‍​‍‌​‍​‌‍​‍‌ the opener, “One Step Closer” is a deep and thoughtful follow-up in a reflective mood. The tune’s melodic outline is very nice and flowing, and it has very light instrumentation which makes Sung-yeol’s voice the absolute main point. His delivery moves very close to a sensitive and shy confident nature at the same time, creating emotional closeness which at the same time attracts the audience. The song’s subtle changes in volume are the moments of looking inside oneself and showing the realization of the move to the next emotional level with another person or something dear to life. Sung-yeol’s perfect vocal control is his ability to convey even the smallest changes in emotions which is here obvious in the song and the artist’s high skill level is demonstrated in this track, the artist who can without the use of overt dramatics. The last song, “DIVE,” gives the audience the feeling of the opposite of the previous moments but still, it has the same emotional atmosphere that runs through the whole album as all the songs are connected emotionally. Also, its overlapping vocals and the seamless melodic progression are like a sensory plunge into the reflecting and introspective state of mind. Expansive yet fragile are Sung-yeol’s vocals which bring the listener to follow his emotional journey through the different stages from hesitant curiosity to complete surrender. The creation of the track shows the impression of movement and the issue of depth which are the main ideas of the action of diving not only into the water, but also into one’s own feelings and weaknesses. Therefore, Asteroid can be seen as a full picture of a trip which not only starts with thoughtful musing, gradually moves through the emotional closeness, and finally completely immerses the listener in the world of Sung-yeol’s ​‍​‌‍​‍‌​‍​‌‍​‍‌expression. Management​‍​‌‍​‍‌​‍​‌‍​‍‌ 2Sang characterized Asteroid as a very special gift to Sung-yeol’s fans by the singer himself. “Asteroid is a warm personal gift from Sung-yeol to his fans, very much a true representation of emotions and stories that he always kept to himself,” the agency conveyed by its official statement. The emotion behind the story is the main theme for the whole album, the precise musical arrangements as well as the album’s visual representation through the photobook edition. Every detail of the release — lyrics, melodies and the album concept — is a manifestation of Sung-yeol’s desire to reach out to his fans in a discursive but sincere way, without any mediation. Sung-yeol reiterated his thanks to the fans by saying that he will definitely keep on sharing his musical journey with them. Asteroid's release comes with fan meetings scheduled for different cities in Asia in the first half of 2026. The events will surely help fans experience the music of Sung-yeol in a very close and friendly manner, thus personally, the topic of the album will be further elongated. With these fan meetings, Lee is not only going to be making music, but he will be creating a dialogue with his fans. Lee Sung-yeol, the artist, has successfully blended a career of achievements with a journey of personal growth. He made his debut with INFINITE in June 2010 and very soon he proved himself to be a singing-artist capable of both strong and gentle performances. The group’s success came with the hit songs such as “The Chaser,” which was brand-new and was later on recognized by Billboard as one of the best K-pop songs of the 2010s and also was counted by Rolling Stone as one of 75 Greatest Boy Band Songs of All Time. Sung-yeol is not stopping his talent at music but rather further he has ventured into acting and musical theater, which clearly shows his artistic versatility and the eagerness to try new forms of creative expression. An idea like this, a solo career, that Lee has now named Asteroid, is a mirror of the same discipline, the same self-inquiry, and the same heartfelt truth in the artist ​‍​‌‍​‍‌​‍​‌‍​‍‌himself. Asteroid​‍​‌‍​‍‌​‍​‌‍​‍‌ is a proof of Sung-yeol's change to be a- one that artistically balances poetic imagery, delicate vocal delivery, and production that is thought-provoking. To be honest, the record feels like a total immersion into Sung-yeol's invisible side: from the emotional vagueness that can drift away of the headliner track, through the reflective closeness of "One Step Closer" and to the engrossing profundity of "DIVE.". I guess it is a very selective kind of listening that the work demands, and the subtle emotional and musical layers, as well as the profound connection, are what keep emerging with every play. The album, Asteroid, acts as an eloquent recall to the fans and music lovers that Lee Sung-yeol has been one of the most treasured and stable figures in the K-pop industry for more than ten years. Not only does the record depict his artistical maturity and sensitivity but also, it is a genuine thankful message that closes the gap between the performer and the audience. Essentially, Lee Sung-yeol in Asteroid indicates that albeit the musical world is rapidly changing, the timeless qualities of being authentic, caring and emotionally resonant still remain. By putting it out into the world, Sung-yeol is saying that he is a one-of-a-kind voice in K-pop. A singer and a performer who always treats his work with great care, insight and, most importantly, respect for his fans. Asteroid is far from being a single album; it can be said that it is a sincere trek, a private chat, and a bright instance of the art which from the very start has been the hallmark of Lee Sung-yeol's ​‍​‌‍​‍‌​‍​‌‍​‍‌career.

Snow, memories, and winter warmth. With White Longing, fromis_9 doesn’t just cover a classic—they transport us to that soft, fleeting moment where winter nostalgia settles in, and every falling snowflake seems to awaken a memory we thought we’d forgotten. Released on December 2, 2025, at 6 PM KST, this special digital single marks the group’s first return since their mini-album From Our 20’s in June, acting as a heartfelt year-end gift for their fandom, the flover. After a year of major transitions—new five-member lineup, change of agency, a summer comeback, and their first world tour—White Longing symbolizes a shift toward calmer, more introspective emotions, perfectly closing out 2025 with warmth and tenderness. Chosen as a remake of Kim Min-jong’s iconic 2001 track, White Longing keeps the nostalgic soul of the original while infusing it with fromis_9’s bright, modern sensibility. The musical arrangement, a medium-tempo pop composition, blends clean guitars, soft synths, and gentle layers to create an enveloping, cozy atmosphere. Every sound element is carefully designed to evoke winter: the crispness of the first snow, the comfort of a quiet evening by the fire, and the magic of the holiday season. According to their agency ASND, the single was intended as a “winter carol,” a seasonal song revisiting the 2001 classic through fromis_9’s unique vocal color. The official music video, released alongside the track, translates this vision into imagery, combining wintery visuals, festive vibes, and even an appearance by Kim Min-jong himself—a touching bridge between generations of Korean music fans. The visual promotion for White Longing is as meticulously crafted as its sound, unfolding in three phases that form a complete winter narrative. The first, “White Snow,” captures winter purity and softness. The members wear white dresses amidst falling snow, creating a fairy-tale-like scene reminiscent of the first snowfall and childhood memories. Accessories like canes, transparent spheres, and red ribbons add a magical, delicate touch, emphasizing the storybook charm of this initial phase. The second phase, “Pastel Santa,” presents a cozier, warmer interpretation of the holidays: members wear Santa-inspired outfits in soft pastel shades—from pale pink to light blue—with expressions and poses exuding warmth and intimacy. This stage bridges the ethereal winter of “White Snow” and the more mature, festive atmosphere of the final phase. The third phase, “Holiday / Chic Santa,” features elegant red outfits, evoking traditional Christmas festivities and a glamorous year-end spirit. Together, these three phases tell a full seasonal story: from winter’s purity, through cozy holiday warmth, to festive elegance, offering fans a visually cohesive and emotionally rich experience. Musically, White Longing shines in balancing respect for the original with modern touches. fromis_9’s bright, expressive vocals bring a youthful energy while preserving the song’s warm melody. The use of clean guitar and soft synths creates a contemporary yet serene sound, and the medium-pop tempo keeps the track accessible and emotionally resonant—perfect for winter playlists and cozy, reflective moments. The arrangement highlights each member’s voice, showcasing their growth in vocal maturity and artistry since becoming a five-member group. The music video enhances this seasonal and emotional approach. The group performs in a wintery, festive setting with snow, soft lighting, and holiday props, while Kim Min-jong’s cameo reinforces the intergenerational connection—linking those familiar with the original to a new generation of listeners. The visuals complement the music perfectly: the visual chill of snow contrasts with the warmth of the production and vocals, creating a fully immersive winter experience for fans and viewers alike. In the broader context of 2025, this release demonstrates fromis_9’s ability to reinvent themselves while honoring their roots. After three members departed in late 2024 and the group signed with ASND Label, fromis_9 began a new chapter as a five-member unit, exploring a more mature, sophisticated, and polished identity. Their mini-album From Our 20’s and the 2025 fromis_9 WORLD TOUR NOW TOMORROW already displayed their ambition and desire to reconnect with international fans. With White Longing, they reveal another facet of their artistry—gentle, reflective, and seasonal—highlighting their flexibility and willingness to evoke diverse emotions. For the flover, this single is more than just music: it’s a heartfelt year-end gift. The song invites listeners to revisit warm memories, enjoy the first snow, and experience a musical moment that spans generations. It demonstrates the group’s skill in merging heritage and modernity, nostalgia and freshness, while affirming their current artistic identity. Between meticulously planned visuals, sensitive vocal performance, and contemporary production, White Longing becomes a must-add to any winter playlist—a track to play repeatedly while soaking in the season’s magic and warmth. With this release, fromis_9 proves they can continue evolving, surprising, and connecting with their audience while staying true to themselves. White Longing is not just a remake—it’s an immersive experience that celebrates winter, nostalgia, and holiday joy, securing the group’s position as a standout act in contemporary K-pop, capable of bridging generations and turning each release into a uniquely emotional and memorable moment.

NewJeans continues to make their mark as one of the most powerful girl groups of their generation, making it clear that their influence within global streaming services has no signs of diminishing. Each achievement made by this group will see them leave their mark that transcends the realm of temporary trends. The company announced on the 21st of December that “Super Shy” by NewJeans broke the record of more than 800 million streams on Spotify. It is the third song from this band to reach this milestone, in the wake of huge success by “OMG” and “Ditto.” The industry presents a high turnover rate, yet the band has accomplished this on a regular basis. Their success is not something which has come in one moment. The repertoire of the band consists of 15 songs which have all broken the barrier of 100 million streams. NewJeans have already broken the barrier of over 7 billion streams, which not only showcases their popularity but also the loyalty of their fan base, which is not a common phenomenon in the initial stages of their careers. The timing of this achievement is also quite special as it came when they were resolving some legal issues with their agency, ADOR. The courts have also recently upheld that the exclusive contract between New Jeans and ADOR is still valid. They were initially considering appealing, but the members withdrew themselves from the appeal on the 12th of December. With this decision, ADOR has confirmed that the rookies Haerin and Hyein have chosen to rejoin the agency, with communication underway with the other members. Though little is known, this is set to mark the start of a fresh era for the group, one that is defined by resolution, among other factors. Considered cumulatively, these achievements represent a narrative of both success and challenges. NewJeans are setting streaming records at an incredible speed and are earmarked to enter an era of stability and planning. As “Super Shy” joins the lists of “OMG” and “Ditto” in the 800-million-stream club, there is little doubt that NewJeans are shaping international streaming culture. This critical juncture, NewJeans find themselves at the crossroads of artistic success and industry accolades, leading the way to the future of pop music while making their mark on the global community.

On Saturday, December 20, 2025, the national iHeartRadio Jingle Ball Tour came to a festive close as iHeartRadio Y100.7’s Jingle Ball 2025 presented by Capital One took over Miami’s Kaseya Center, transforming the arena into a vibrant celebration of music, community, and holiday spirit. As the final stop of one of the season’s most anticipated touring events, the night carried an undeniable sense of excitement, bringing together global superstars, rising favorites, and thousands of fans ready to sing, dance, and close out the year on a high note. photo credit: @altaimages From the moment doors opened, the energy inside the venue felt electric. South Florida student and alumni band Undercover, representing Young Musicians Unite, kicked off the evening by warming up the crowd with soulful, pop, and disco-inspired covers, setting a joyful and nostalgic tone that perfectly matched the spirit of Jingle Ball. Their performance served as a reminder of the event’s deeper mission—not just showcasing major artists, but also uplifting young musicians and supporting the next generation of talent. As the night unfolded, the stage welcomed an impressive lineup that spanned genres, generations, and global sounds. MONSTA X brought polished charisma and emotional depth, captivating the crowd with performances of “Baby Blue,” “Middle of the Night,” “Someone’s Someone,” and “Do What I Want.” Their sleek choreography and heartfelt delivery resonated strongly with fans, reinforcing the group’s lasting connection with U.S. audiences and their ability to command a massive stage with ease. Photo Courtesy of @gettyentertainment The energy surged as BigXthaPlug took over, delivering a high-impact set packed with raw intensity and Southern swagger. Tracks like “Levels,” “Hell,” “At Night,” “Home,” “Texas,” and “Largest” had the crowd moving nonstop, his commanding presence and booming delivery keeping the momentum at full throttle. The transition into Kehlani’s set brought a shift in mood, as she effortlessly blended vulnerability and confidence. With fan-favorite songs including “Toxic,” “Distraction,” “Out The Window,” “Nights Like This,” and “After Hours,” Kehlani’s performance felt intimate yet powerful, creating moments of reflection amid the high-energy night. Latin pop star Feid sent the arena into a frenzy as he delivered a string of hits that had the audience singing along word for word. Songs like “ Normal ,” “ Ferxxo 100 ,” “ Yandel 150 ,” “ PERRO NEGRO ,” “ NOS DESCONOXIMOS ,” “ Feliz Cumpleaños ,” and “ LUNA ” turned the venue into a massive dance floor, showcasing his global appeal and undeniable chemistry with fans. That momentum carried seamlessly into Sean Paul’s set, where the veteran hitmaker proved once again why his music remains timeless. With classics like “ Temperature ,” “ Get Busy ,” “ Give It Up to Me ,” “ Cheap Thrills ,” “ Baby Boy ,” “ No Lie ,” and “ We Be Burning ,” Sean Paul transformed the arena into a full-blown party, bridging generations through infectious rhythms and familiar anthems. Photo Credit: @altaimages Adding a uniquely playful and interactive moment to the evening, Y100.7 hosted a special KPOP DEMON HUNTERS sing-along that brought fans together in collective joy, highlighting the diversity of the night’s programming and the communal spirit that defines Jingle Ball. Shortly after, mgk delivered a dynamic, emotionally charged performance, running through tracks like “Forget Me Too,” “Bloody Valentine,” “Cliché,” and “Exes.” His set blended pop-punk edge with raw emotion, keeping the audience fully locked in from start to finish. Zara Larsson continued the celebration with a vibrant set that balanced pop perfection and holiday charm. She had the crowd singing along to a festive version of “Pretty Ugly,” alongside hits like “Ain’t My Fault” and “Midnight Sun.” Staying true to her tour tradition, Zara invited a fan onstage to perform the viral TikTok dance to “Lush Life,” creating one of the night’s most heartwarming and memorable moments. The evening reached its grand finale when Nelly, introduced by Lil Jon, closed out the show with a legendary run of hits. From “Where The Party At” and “Ride Wit Me” to “Country Grammar,” “Air Force Ones,” “Grills,” “Dilemma,” “Hot in Herre,” and “Just A Dream,” Nelly’s performance felt like a celebration of nostalgia and longevity, sending the crowd home on an undeniable high. photo credit: @gettyentertainment Beyond the music, Y100.7’s Jingle Ball 2025 continued its tradition of giving back, supporting the Ryan Seacrest Foundation with a portion of every ticket sold benefiting initiatives that inspire pediatric patients through entertainment and education. Backed by national partners including Capital One, Pizza Hut®, Boost Mobile, JCPenney, Mercedes-Benz, and more, the Miami stop stood as a powerful reminder of why Jingle Ball remains one of the most meaningful and beloved holiday music events year after year. As the final notes rang out at Kaseya Center, iHeartRadio Y100.7’s Jingle Ball 2025 left fans with memories that extended far beyond the holiday season—closing the tour not just with star power, but with heart, connection, and a shared love for music that brought everyone together.

December 11, 2025 marked a defining moment for the global electronic music landscape as Pacific Music Group officially unveiled Ghostone Records, its electronic and dance music imprint designed to elevate Pan Asian talent on an international scale. Founded by an influential collective that includes NE YO, Sonu Nigam, MC Jin, and veteran music executive Jonathan Serbin, Pacific Music Group’s expansion into electronic music signaled a deliberate move toward shaping the future of global dance culture through an Asian centered lens. Rather than arriving as a traditional label launch, Ghostone Records entered the scene as a statement of intent, positioning Asia not as an emerging market but as a driving force within the global electronic ecosystem. Headquartered in Hong Kong with a Pan Asian operational reach, Ghostone Records was introduced as a cultural bridge between East and West at a time when electronic music audiences across Asia were experiencing unprecedented growth. Festival attendance, club culture, and global streaming engagement across the region had already made Asia one of the most engaged electronic music markets in the world. Against this backdrop, Ghostone’s arrival felt timely and necessary, offering a platform built to nurture innovation while giving Asian electronic artists the infrastructure and visibility required to thrive globally. Central to the imprint’s debut was the appointment of internationally acclaimed Thai DJ and producer 22Bullets as President of Ghostone Records. Tasked with overseeing A and R, creative direction, and the imprint’s long term vision, his leadership brought immediate credibility to the label’s mission. Already regarded as one of Southeast Asia’s most influential electronic artists, 22Bullets’ career had long embodied the cross border success Ghostone aimed to cultivate. His collaborations with artists such as Timmy Trumpet, KSHMR, and Hardwell, alongside appearances at Tomorrowland, Ultra, and EDC, had positioned him firmly within the global dance conversation. His historic entry into the DJ Mag Top 100 DJs list as the first Thai artist to do so further underscored the symbolic weight of his role, making his presidency feel both earned and forward thinking. Jonathan Serbin, Co Founder of Pacific Music Group, described Ghostone Records as a natural extension of PMG’s broader mission to champion world class talent and global collaboration. He highlighted 22Bullets as a visionary leader whose experience and creative instincts set the tone for a new era of electronic music coming out of Asia. For 22Bullets himself, the moment represented more than a professional milestone. In reflecting on the imprint’s launch, he emphasized the importance of creating a space where innovation, culture, and boundary breaking artistry could coexist, expressing pride in helping build a truly global platform alongside the Pacific Music Group team. Ghostone Records made its debut with an inaugural roster that included 22Bullets and Chinese DJ and producer Lizzy Wang, whose signing immediately reinforced the imprint’s Pan Asian focus. Lizzy Wang’s release of “ Glow ,” accompanied by an official lyric video, served as the label’s first official musical offering. The single arrived just ahead of her highly anticipated performance at EDC Thailand in January, creating a natural bridge between the imprint’s launch and its presence on one of the region’s most prominent festival stages. The release functioned not only as a personal creative statement for Lizzy but also as a clear introduction to Ghostone’s sonic direction and artistic priorities. Already recognized as one of Asia’s most globally visible electronic artists, Lizzy Wang entered the Ghostone era with significant momentum. Her inclusion in the DJ Mag Top 100 DJs rankings and recent performances across Kuala Lumpur, Hong Kong, and Singapore had positioned her as a key figure in Asia’s electronic export movement. Her upcoming EDC Thailand debut further amplified the significance of “Glow,” allowing the track to resonate as both a career milestone and a defining moment in Ghostone Records’ early identity. Lizzy later described joining the imprint as the beginning of a new creative chapter, one rooted in showcasing the global potential of Asian electronic music without compromise. The launch of Ghostone Records also reflected Pacific Music Group’s broader multi genre strategy, which spans pop, hip hop, and R and B alongside its newest electronic and dance imprint. As Asia continues to assert itself as one of the fastest growing and most influential regions within the global music industry, Ghostone’s emergence highlighted a shift toward long term artist development, cross border collaboration, and global scale ambition. The imprint’s focus on world class A and R, production support, and international promotion signaled a commitment to building sustainable careers rather than momentary trends. Founded in 2025, Pacific Music Group has positioned itself as a next generation music company rooted in mentorship, cultural exchange, and global reach. With headquarters in Hong Kong and a Pan Asian presence, PMG leverages the collective expertise of its founders to support artists navigating an increasingly interconnected industry. The introduction of Ghostone Records marked a significant chapter in that journey, reinforcing the company’s dedication to creating pathways for Asian artists to lead, rather than follow, global music movements. In retrospect, the debut of Ghostone Records stands as more than a label launch. It represents a moment of alignment between vision, leadership, and cultural timing, where Asia’s growing influence in electronic music was formally recognized and strategically supported. With figures like 22Bullets and Lizzy Wang at its core, Ghostone Records entered the global dance conversation not as a newcomer, but as a necessary presence, one built to help define where electronic music moves next.

On December 23, 2025 ASC2NT , the boy group from South Korea famous for their versatility and depth of emotions launched a new digital single Replay under New Ways Company Co., Ltd . Unlike an album or an EP, the single is just one track. Its aim is to kick off ASC2NT’s music series which consists of four seasons. In this approach, each release will capture the feel of a given season in such a way that fans will be able to emotionally connect with it. With Replay the group explores the wintry chill and introspection, laying down both the thematic and emotional base for their ambitious series yet to come. Musically and conceptually, Replay are designed to reflect the inner turmoil of an individual that is not able to move on after a break up hence he/she keeps playing the memories over again. The lyrics which were co-written by the group members Leon and Kyle in collaboration with composer known as Kang Ji-won express this type of feeling quite well and they also show case longing perfectly. By using soft melodies along with introspective arrangements, the track warrants the emotional winter’s gravity, combining emotive lead vocals with subtle musical texturing so as to generate nostalgia and a lingering sense of loss. ASC2NT does not see the single only as a music piece, but it positions it to be an all-encompassing experience story-wise as well, calling for individuals to dwell in apathetic yet poignant refrains of abandoned heart. The visual representation of Replay enriches the mood conveyed by this performance. The group officially declared through their communications that the visual concept is based on the themes of “Our Winter is Replay” and “precious memories to replay,” creating a melancholic, introspective winter mood. Through teasers and official clips posted on ASC2NT’s social pages, they represent members immersed in contemplation in very artistic settings, using cinematic lighting, carefully staged moments, and symbolic imagery to depict memory and emotional repetition. The video doesn’t only depend upon choreographed context for its visuals but does a lot more introducing introspectiveness and mood that demonstrate the song’s lyrical focus on emotionality pause and reflection. This slow paced music alongside with heart wrenching shots only further configure single’s thematic core making sound and sight one solid statement. Replay goes beyond just a plot device, the novel lets us understand the evolution that has taken place in the artistry of ASC2NT. And then on May 7, 2024 they debuted with the song EXPECTING TOMORROW since then this group has gather repute for being able to contrast their high-energy tracks and senstive ballads with ease. Who is KARAM (leader and main vocalist), JAY (main rapper and dancer), REON (rapper and sub-vocalist), KYLE (sub-vocalist and maknae) under New Ways Company (HYOWON joined ASC2NT on 2025 when INJUN had to withdraw because of his health condition). This refreshed configuration brings new dynamics to the group, intensifying the display of emotions that accompany Replay's revamp. We can see that Replay is not just an experiment in art; it is also one of the strategies used to develop a long-lasting narrative for fans which are referred to as “EPPY” by the group. ASC2NT amongst other things has a goal of forming a more loyal audience following with the help of this four-season approach where each next release builds upon the preceding ones emotionally, and turns out to be none other than isolated singles. The first chapter, based on winter themes, sets a premise for further exploration of different mood, emotions and storytelling so that the band’s music could find some new dimensions and they achieve their signature as artists even better. Hence, Replay can be seen as both the conclusion and the beginning of something: a single that can express the subtlety of emotional contemplation yet to kick-start ASC2NT’s new concept which is temporally, long term. Through gentle vocals, introspective lyrics and thoughtfully crafted visuals; this song depicts an advanced stylistic approach in K-pop with combines melodious storytelling with aesthetic appeal. Therefore during this section of their careers, Replay does not only confirm but also further define who they are as artists before the public eye and will be followed by a series of releases that deepen their fans’ bond with them and reinforce their position in the ever-changing world of K-pop.

On November 15, Paris turned into a meeting point of emotion, discovery, and pure energy when NCHIVE stopped in the capital for a show that will stay in the minds of fans for a long time. Even before entering the venue, the atmosphere outside felt strikingly simple—an almost solemn kind of anticipation, filled with hopeful, curious conversations. Many people were seeing the group for the first time. “I just discovered them,” one fan said. “I came to get to know their music better,” added another, while a small group was already hyping things up with, “It’s gonna be fire!” For some, the night even carried a sense of personal victory: “Having fun despite my disability. We’re going to show them what French energy is. They’re a really cool group and their music is great.” ©️ hanrushyfilm Not everyone was new to them. Lou, a long-time fan, shared a more emotional story: she’s been following the group since their debut, and her bias is N, with whom she has had “a lot of calls.” “They brought me the light I needed and saved me,” she said. Others simply hoped the fandom would grow, like Maiwenn: “I’ve known them since their post on X. I hope the fandom grows after tonight’s concert.” A few international fans, visibly excited, proudly said they’d been following the group “since before debut.” Aïchatou, who won a contest, came with the intention of discovering something new: “I listened to their songs and it’s different from the groups I usually follow. I’m waiting to see how it feels live since the experience is different, but I think I’ll like it.” ©️ hanrushyfilm That night, NCHIVE wasn’t alone. Paris was treated to an exclusive opening act: Loudi, performing only for this date. Before he even stepped onstage, MMS introduced the winner of their contest, inviting her to dance in front of a crowd that cheered her on without hesitation. Then Loudi appeared, and the room instantly welcomed him with warmth and genuine enthusiasm. He opened with an energetic “Let’s go!”, setting the mood right away. His performance also marked his very first time singing in Europe. He started with A World Imagination, then moved on to Idol, from the movie K-Pop Demon Hunters. After Idol, the encouragements from the crowd filled the room so loudly that he laughed, slipping in a few words in French: “Bonsoir Paris,” “Bonjour,” “I can’t wait to perform,” “It’s my first in Paris.” Curious about his audience, he asked who had seen K-Pop Demon Hunters and what their favorite song was. The most unifying moment came when he performed an acoustic version of BLACKPINK’s Whistle. The entire venue sang with him, turning the moment into a true shared experience. “Amazing. Do the same for the next song,” he said, before announcing a surprise: “Preparing a special song… sing a song you guys will know… it’s an honor for me.” Then the first notes of Papaoutai played, and the room erupted with excitement. After the song, the crowd started chanting “Popopopopo,” and Loudi jumped in, dancing and laughing while admitting, “French pronunciation is so hard. Next time I will practice more.” He followed with Obsession, then performed a brand-new unreleased track, giving Paris the world premiere. He warmly thanked the audience afterwards. He later sat down for an interview with KSTV, saying he found the audience “amazing”: “You helped me recharge my batteries.” He talked about his artistic journey, how he wants to explore different styles—R&B, Disney songs, collaborations—and shared his hope to return to Europe next year. “Thank you so much for supporting me since 2019. Have fun too.” ©️ hanrushyfilm When NCHIVE finally took over the stage, the transition felt natural—the fans were already charged up, carried by the energy Loudi had helped build. KSTV had interviewed the members backstage right before. They themselves admitted receiving “a lot of encouragement and warmth” in Europe, and were expecting “fiery cheers from the audience.” One member even threw out the now-iconic “C’est parti mon kiki,” a phrase they repeated several times throughout the concert. They opened with Can't Catch Me , and from the very first seconds, hands shot up just as they had asked. The crowd responded with a loud “ohohohoh” at the end of the song, the first sign of an atmosphere that wouldn’t cool down once. NChristmAs brought a soft, warm note before LUV+ME and Flash followed. Between songs, the members chatted with the crowd, mentioning they had seen the Eiffel Tower, which they found “very beautiful,” to the point that Juyoung “cried twice.” They hoped fans would listen to their upcoming album a lot and tried out some French phrases: “Vous êtes tous jolis,” “olalala,” “c’est très joli.” A series of solo and unit stages came next, including a standout cover of G-Dragon’s Untitled 2014. Then came the announcement: the next morning at 10 a.m., their new song Love in Christmas would be released—this time bringing a contrast to the softer mood of their previous holiday track. “I want to walk in beautiful European streets while listening to this song,” one member said. The Paris crowd, always reactive, chanted “Ici c’est Paris” multiple times and responded loudly to the classic “Vous êtes fatigués?” with “On n’est pas fatigués!” At one point, a member summed it up perfectly: “Paris is all lit up, just like you.” For a TikTok challenge, the whole venue raised their phones with the flash on, creating a glowing landscape before Racer kicked off. The energy rose even higher when fans shouted their love for each member. “You want more?” one of them asked before breaking into a dance medley of Stray Kids songs. Then came a more intimate moment: the group wanted to memorialize the night with a photo featuring the crowd behind them. “Are you ready? Isn’t it too sad if we end like this? Should we keep going a bit?” And they did. They went down into the audience, walking among fans, taking phones to film, creating memories that felt both personal and unforgettable. They performed Fireworks, then K-pop classics like BIGBANG’s Bang Bang Bang and Fantastic Baby. Finally, they circled back to Can't Catch Me—a mirrored ending to their opening—singing it partly onstage, partly within the crowd itself. ©️ hanrushyfilm VIP ticket holders had the chance to take a group photo with all the members before the show, and afterward, every fan could pose with the member or members of their choice—plus the separate photo session with Loudi. This Parisian night unfolded like a series of suspended moments: the fans’ testimonies, Loudi’s first European steps, NCHIVE’s sunny energy, and that rare closeness between artists and audience. It was more than a concert—it was something shared, carried together, and transformed into a memory worth holding onto until their next visit. ©️ hanrushyfilm Full Gallery

Date: 11/04/2025 I went to LOVE DAWN 2025 SF9 LIVE FANTASY #5 in Philadelphia, and I couldn’t stop thinking about it for three days straight. I’ve been listening to SF9 since ninth grade, and this concert was my first time ever seeing them live. They did not disappoint. The show took place at Franklin Music Hall. Doors opened at 6 PM, and the concert ran from 7 to 9, which was earlier than most shows I’ve attended. They kicked off the night with “LOVE RACE,” and the second they walked out, my mind went blank. It was such a powerful opening, and their burgundy outfits looked incredible under the lights. They followed with “RPM” and “Now or Never.” I’ll admit, I was a little frustrated that “Now or Never” came so early in the set. I was in the photo pit trying to capture shots, so I didn’t get the chance to really take it in. That song means a lot to me since it was my first comeback as a FANTASY. On the bright side, I can say Chani’s solo dance happened just five feet away from me. FANTASY, their fandom, was so loud from the very beginning. The crowd was cheering, singing, and hyping the boys up every chance they got. The energy in the room was so full of love, and you could feel the genuine connection between SF9 and their fans. Even during the ments (stage talking), when the group paused to talk, the fans stayed just as loud and supportive. Inseong took on the role of their “official English speaker,” and he was hilarious. I haven’t kept up with SF9 closely in the past few years, so I forgot how funny he is. Both Inseong and Jaeyoon kept cracking jokes throughout the night and honestly deserve an award for it. Their English was so fluent that they barely needed a translator. At one point, Inseong even caught a small mistranslation and corrected it himself. One of my favorite moments was when Jaeyoon talked about visiting the Benjamin Franklin Bridge. It connects South Jersey with Philly, and as a local who crosses it all the time, it was funny to hear him treat it like a major tourist spot. Even Chani called it a “very famous bridge,” which made everyone laugh. The solo stages were another major highlight. Youngbin performed pH-1’s “Nerdy Love,” followed by Inseong singing The Weeknd’s “Can’t Feel My Face.” Jaeyoon’s cover of Billie Eilish’s “Birds of a Feather” was a perfect choice, and Hwiyoung closed the solo set with “Back to Friends” by sombr. His performance was so good that I’m still thinking about it days later. Another thing I have to mention is how stable and powerful their live vocals were. I was genuinely shocked. At one point, I even took out my earplugs just to make sure I was hearing it right. The backtrack was so low it was basically nonexistent, and their live singing carried the entire show. It stood out even more during the encore when they performed “Mamma Mia!” completely live with no backing vocals. They were dancing and jumping all over the stage, yet their voices stayed flawless. Jaeyoon hit his high note like it was effortless. Walking out of the venue that night, I felt like my ninth-grade self would have been proud. Seeing SF9 live reminded me why I fell in love with their music in the first place. It wasn’t just a concert. It was nostalgia, connection, and pure happiness all at once.

The energy outside The Eastern was pure electricity as fans lined up hours before doors even opened, EVNNE lightsticks glowing bright against the Atlanta night. The line stretched down the block, a sea of blue banners, homemade signs, and excited chatter that never seemed to pause. Every conversation included excited speculation about which songs would make special appearances, which member would steal the show, and how long the line would last before the doors opened. Excitement buzzed through every chant of the members’ names. For ENNVE, this wasn’t just another concert — it was a reunion that had been more than a year in the making. Fans had counted down the days, relived old performances, and connected with friends both online and in-person to prepare for the night. When EVNNE announced Atlanta as one of their SET ’N’ GO  tour stops, it felt like a long-awaited celebration — a chance to scream, dance, and sing alongside the group that had captured their hearts. Making their debut on September 19, 2023, under Jellyfish Entertainment, EVNNE (이븐) immediately captured attention with their bold and addictive title track “ Trouble .” Their arrival on the K-pop scene felt fearless, filled with undeniable charisma and sound that demanded attention. Fast forward to October 12, 2025, and the anticipation inside The Eastern was nothing short of electric. Fans were greeted by a stage illuminated in deep red lights and a massive screen flashing SET ’N’ GO . They found their spots, connected with fellow ENNVE, and readied their lightsticks for the high-energy night ahead. As the lights dimmed and the first VCR flickered to life, the room erupted into deafening cheers that bounced off every wall. When Keita, Hanbin, Jeonghyeon, Seungeon, Yunseo, Junghyun, and Jihoo finally stepped onto the stage, the energy was overwhelming — the kind that made every fan feel like they were part of something monumental, a memory they’d carry for a lifetime. Atlanta had been waiting for this moment, and EVNNE delivered with everything they had. The night opened explosively with “ UGLY ,” its intense instrumentals, rapid-fire raps, and precise choreography immediately setting the tone. The crowd roared with each move, their cheers almost audible above the booming bass. EVNNE seamlessly transitioned into their debut track “ TROUBLE ,” and the venue came alive with fans shouting the lyrics in unison. Lightsticks waved to the rhythm as Keita delivered his iconic line, “Yo! It’s crazy, like? Ain’t nobody wanna come with a New Thang…”  His smile widened as he witnessed the crowd singing along word-for-word, proof that Atlanta had been ready for them. After catching their breath, the members greeted ENNVE, thanking fans for celebrating their second anniversary together. The group followed with “ dirtybop ,” a genre-bending track that had the crowd hyped before the night even truly began. Fans had been anticipating this moment since the doors opened, and the energy in the room was electric, echoing with every jump, clap, and cheer. EVNNE continued the momentum with “ SYRUP ,” delivering smooth yet magnetic choreography that emphasized their stage presence. “Boom Bari” followed, bringing relentless energy, while “ Pretty Thing ” slowed the tempo just enough to allow fans to sway to a sultry R&B groove. With “ JUKEBOX ,” the group ramped back into a catchy rhythm, before Junghyun teased the next stage: “So, should we change gears for our next stage? Get ready for another HOT song, because it’s the first time performing this in the U.S.!”  The crowd erupted as “ Newest ” started, fiery reds and golds illuminating the stage as EVNNE’s precise choreography highlighted both power and unity. “ CROWN ” followed, showcasing the group’s growth, tight synchronization, and evolving artistry — every member moving as one. A short outfit change later, the group returned in casual mix of race and streetwear looks that allowed them to move freely, embodying a perfect blend of comfort and style that resonated well with their youthful image. The vibrant colors and trendy designs of their outfits not only showcased their fashion sense but also enhanced the energetic vibe of the performance, making it clear that they were ready to engage with the audience in a dynamic way. As the music kicked in, the crowd erupted once again during the performance of “ HOT MESS ,” an anthem of self-assurance that had everyone shouting along.. The stage was alive with movement, as the members danced in sync, their charisma captivating everyone present. The youthful vibrancy continued seamlessly with the lively track “ Birthday ,” during which they playfully asked the audience if anyone was celebrating their birthday that day. In a moment of pure excitement, a fan eagerly raised their hand, prompting a wave of cheers and applause from those around them. The members of EVNNE took this opportunity to celebrate the moment together with the fan, expressing their joy and enthusiasm. They even gave a heartfelt shout-out to Yunseo’s upcoming birthday, creating a special connection. The atmosphere throughout the performance was intimate and joyful, filled with laughter and excitement, showcasing the group’s ability to connect with their fans on a deeply personal level. The energy in the venue was at a new level, with fans singing along and dancing, fully immersed in the experience. Next, “ K.O. (Keep On) ” brought a high-energy sing-along moment as the entire crowd joined for the chorus, voices echoing across The Eastern. Between this and the next song, Yunseo surprised everyone with a short interlude dance that left Hanbin completely speechless, prompting laughter and cheers from both the group and the audience. Hanbin quickly regained the spotlight, hyping the crowd for “ How Can I Do ” with a playful shout: “Shall we get to the next stage?!?” During “ How Can I Do ,” Seungeon stole hearts with his smooth, charismatic dance moves, while the rest of the members showcased their legendary stage chemistry. EVNNE has always been known for seamless hand-offs between rappers Keita and Jihoo, and this performance elevated that skill further — each member flowing flawlessly into the next verse, every transition choreographed and polished to perfection. The crowd was captivated not just by the movement, but by the care and precision behind every beat, every gesture, and every lyric. Shifting to a more romantic theme, “ Love Like That ” and “ Badder Love (English Version) ” brought softer colors to the stage, signaling the tenderness of youthful love. Fans swayed along to the harmonies, their flashlights flickering in time with the melodies, creating a moment of intimacy that contrasted beautifully with the high-octane tracks from earlier. The group shared heartfelt reflections about their preparation and growth throughout the tour: Keita confessed that the energy from the crowd had his “tension coming inside of him,” Yunseo expressed how much he had grown to love this tour, and Seungheon revealed that he had been studying English to better connect with international fans. When Hanbin announced it was time for the last song, the crowd and the members shouted back a unified, “NOOO!” The encore brought even more joy as EVNNE returned to the stage with their electrifying anthem “ FESTA ,” instantly reigniting the venue with an energy that reverberated through the crowd. The atmosphere was charged, as fans erupted into cheers. After expressing heartfelt gratitude to ENNVE for their unwavering support throughout the night, the group launched into a final celebratory run, performing a medley of their most beloved tracks including “ KESHIKI ,” “ CROWN ,” “ TROUBLE ,” and “ Role Model .” Each song resonated deeply with the audience, creating an unbreakable bond between the performers and their dedicated fans. As the music flowed, fans cheered enthusiastically, waving their lightsticks in unison, creating a mesmerizing sea of colors that illuminated the venue. Many locked eyes with the members, sharing moments of genuine connection that transcended the music itself. Laughter and joy filled the air, as fans sang along, their voices blending harmoniously with the powerful melodies. The confetti-filled stage became a stunning backdrop, showering the performers in a cascade of vibrant colors, while the glowing lightsticks danced in rhythm, marking the climax of a night full of unforgettable memories, energy, and love. As the last notes of “ Role Model ” echoed through the venue, EVNNE took their bow as the crowd’s cheers lingered long after the lights went out. Every song, every dance move, every shared laugh and heartfelt glance reinforced the bond between artist and fan. PHOTO GALLERY LIVE

It’s finally happening — KINO is officially hitting the road with his highly anticipated ‘FREE KINO’ tour, making stops across the United States and Europe . Known for his role as a key member of PENTAGON, KINO has captivated audiences worldwide with his precision in dance, emotional vocals, and creative input in music and choreography. Now, he’s stepping into the solo spotlight, ready to connect with fans on a whole new level. KINO debuted with PENTAGON on October 10, 2016, quickly becoming known for his stage presence, artistic versatility, and dedication to his craft. Over the years, he contributed heavily to the group’s music, choreography, and overall identity, earning a reputation as not just an idol but a true creative force. His journey from group member to solo artist reflects years of hard work, personal growth, and a desire to express himself fully through music. As a solo artist, KINO has explored a more intimate and authentic side of his artistry. His music blends storytelling, emotion, and performance in ways that reveal his personal voice, while still delivering the energy fans love from him. The ‘FREE KINO’ tour promises to bring that vision to life with an experience designed for both longtime fans and new listeners. Attendees can expect a mix of fan favorites, solo material, interactive moments, and plenty of surprises that showcase KINO’s personality on stage. The tour kicks off in the Europe, bringing KINO to cities where fans have been eagerly waiting for a solo experience, including: Frankfurt — February 2, 2026 Berlin — February 4, 2026 Paris — February 6, 2026 London — February 7, 2026 Warsaw — February 9, 2026 Singapore — March 26, 2026 Taipei — March 28, 2026 Following the European leg, KINO will bring the energy to North America, giving fans across the country the chance to experience his solo artistry up close in: New York, NY — April 19, 2026 Chicago, IL — April 25, 2026 Columbus, OH — April 26, 2026 And more... Tickets for the ‘FREE KINO’ tour will be available through official ticketing platforms such as Ticketmaster, and fans are encouraged to follow KINO’s social media for official announcements. At its core, the ‘FREE KINO’ tour is more than just a series of performances — it’s a celebration of freedom, growth, and connection. KINO is ready to show fans the music and performances that reflect his personal journey while giving back to the supporters who have stood by him throughout the years. From energetic dance numbers to intimate moments on stage, every stop is designed to feel personal, authentic, and unforgettable. After years of dedication to PENTAGON and years of preparation as a solo artist, KINO is finally free to explore his artistry on his own terms. Fans can expect an emotional, high-energy, and fan-focused tour that promises to leave memories that last a lifetime. The world is ready, KINO is ready — and the fans? They’ve been waiting for this moment.