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The virtual music scene is about to welcome an entirely new sensation. OWIS , a rookie virtual girl group, has officially confirmed their debut for March 23rd, sparking excitement among fans of digital idols and K-pop enthusiasts alike. Comprised of five distinct members—Serere, Haru, Summer, Soi, and Yuni—the group has already captured attention through a carefully crafted blend of music, storytelling, and immersive visuals. The announcement follows a series of teasers, including an official SNS trailer and webtoon-style illustrations, offering fans a first glimpse into the members’ personalities, daily lives, and the imaginative world they inhabit. With this debut, OWIS is not just launching as a musical act, but as a fully realized virtual narrative that invites audiences into a dreamlike universe. The debut trailer immediately sets the tone for OWIS’s cinematic approach, opening with a voice that invites viewers into the “Museum of Memories.” Accompanied by the phrase, “Old memories need to be organized,” the trailer transforms mundane objects into surreal motifs that blur the line between reality and the virtual world. A key line, “I am your missing piece,” underscores themes of self-discovery, dreams, and identity, creating an artistic, almost filmic atmosphere that distinguishes OWIS from traditional idol groups. The trailer’s visual storytelling suggests that their debut is not only a musical introduction but a conceptual experience, designed to engage fans on multiple sensory and emotional levels. Alongside the cinematic teaser, the group released webtoon visuals that give fans a chance to meet the members in their “natural” virtual environment. Aptly described as “5 Members, 5 Colors,” the webtoon captures everyday moments of Serere, Haru, Summer, Soi, and Yuni—from running through lush green fields to taking group selfies in school uniforms in front of a practice room mirror. One standout scene features a massive, glowing gate beneath a night sky, hinting at the promise of discovery and new experiences beyond it. The teaser concludes with the members asleep, leaning on one another, alongside the phrase, “Standing on the sky, we will meet again.” These glimpses into OWIS’s unique worldview are building anticipation for how the group will continue to unfold their story and connect with fans through both music and narrative content. OWIS is the first artist launched by ama (all my anecdotes), a newly founded entertainment company led by CEO Jay Kim and CCO Lee Haein, who has previously produced acts such as KISS OF LIFE and CLOSE YOUR EYES. The group’s name—an acronym for “Only When I Sleep”—perfectly encapsulates their conceptual identity, conveying that these virtual idols can only be encountered in the dream world. Their vision centers on opening a new chapter in the virtual idol market, focusing on a growth story about young girls in pursuit of lost dreams, combining both relatable themes and fantastical elements in their music and visual storytelling. While the debut music and full promotional schedule are yet to be revealed, OWIS’s initial content has already created a buzz, leaving fans eager to experience their first songs and further explore the immersive world teased through the trailer and webtoon. With a debut that bridges music, storytelling, and digital artistry, OWIS is poised to redefine the concept of virtual idols and engage audiences with a fresh, dreamlike perspective that blends narrative, visuals, and music into a single cohesive experience.

International rock powerhouse ONE OK ROCK are bringing one of their most electrifying performances to theaters around the world with the announcement of ONE OK ROCK: DETOX In Cinemas , a cinematic concert experience capturing the band’s career-defining hometown performance at Japan’s legendary Nissan Stadium. Presented in partnership with CJ 4DPLEX, the film offers fans a chance to witness the scale, emotion, and sheer power of the band’s stadium show in a way that goes far beyond traditional concert footage. The film is set to premiere in Japan on April 17 before rolling out internationally in the weeks that follow, beginning April 22 and culminating with screenings across the United States and Mexico on April 30. For fans who have followed the band’s global journey or those discovering their music for the first time, the theatrical release represents a rare opportunity to step inside one of the most memorable performances of the band’s career and experience it on a scale that mirrors the intensity of the live show itself. As anticipation builds for the worldwide release, the film promises to transform the concert-going experience by utilizing two of the most immersive premium cinema technologies available today: SCREENX and 4DX. These formats, developed by CJ 4DPLEX, expand the boundaries of traditional movie screens and surround audiences with the full spectacle of the performance. SCREENX allows the visuals to extend beyond the main screen and across the side walls of the theater, creating sweeping panoramic perspectives that replicate the sensation of standing in the middle of a stadium crowd. At the same time, 4DX technology adds a physical dimension to the viewing experience through motion seating and environmental effects such as wind, vibration, and lighting cues that synchronize with the music and the movement on stage. Together, these technologies aim to place viewers directly inside the energy of the performance, amplifying the intensity of the show and recreating the atmosphere that 70,000 fans felt when the band took over Nissan Stadium for one of the most defining nights of their career. The performance captured in the film took place during the massive DETOX WORLD TOUR , a global run that demonstrated just how far ONE OK ROCK have come since their early days performing in intimate venues. During the tour, the band sold more than 190,000 tickets across North America, Europe, and Japan, reinforcing their status as one of the most internationally successful rock acts to emerge from Japan in the modern era. The Nissan Stadium concert in particular stood out as a defining moment, both visually and emotionally, as the band performed in front of a sea of fans in their home country while delivering a set that captured the intensity and connection they have built with audiences worldwide. Through sweeping visuals and thunderous audio design, the film recreates that night with remarkable detail, ensuring that viewers can feel the roar of the crowd, the explosive stage production, and the emotional peaks that have made the band’s live performances legendary among fans. The timing of the film’s release also carries special significance, as it arrives on the one-year anniversary of the band’s eleventh studio album, DETOX. When the album was first released, it quickly drew global attention from both critics and longtime listeners who praised the band’s willingness to push their sound forward while maintaining the emotional honesty that has defined their music from the beginning. Throughout the record, ONE OK ROCK blend massive, arena-ready hooks with raw and introspective lyricism, creating a body of work that reflects both their personal experiences and their evolution as artists navigating a global stage. The album’s breakout single " Tropical Therapy " introduced listeners to this new sonic chapter, combining soaring melodies with an intensity that captures the band’s signature emotional depth. Within the concert film, fans will also experience powerful live renditions of tracks such as " Delusion: All " and " Dystopia ," songs that have quickly become standout moments in the band’s live performances and further demonstrate the energy and vulnerability that continue to define their music. Reflecting on their journey makes the scale of this moment even more remarkable. Since forming in 2005, ONE OK ROCK have steadily evolved from a young band performing in small clubs into a global rock phenomenon capable of selling out arenas and stadiums around the world. Over the years, their emotionally driven fusion of alternative rock, emo, and post-hardcore has resonated deeply with listeners across cultures and languages, helping the band cultivate a devoted international fanbase. With billions of streams across digital platforms and accolades that include recognition as Rock Sound’s Best International Band, the group has carved out a unique space in modern rock music where intensity, vulnerability, and ambition coexist. Their rise has been defined not only by the scale of their performances but also by their ability to connect emotionally with audiences, turning each concert into an experience that feels both massive and deeply personal at the same time. Even as the film prepares to bring one of their most memorable concerts to theaters, the band shows no signs of slowing down on the live front. ONE OK ROCK recently launched the Asia and Australia leg of their ongoing DETOX WORLD TOUR, continuing to bring their high-energy performances to fans across the region. Upcoming stops include major cities such as Manila, Singapore, Melbourne, Sydney, Brisbane, Taipei, Kuala Lumpur, Hong Kong, Shanghai, and Jakarta, each venue offering another opportunity for fans to witness the intensity and emotion that have become hallmarks of the band’s stage presence. These performances not only extend the life of the DETOX era but also reinforce the band’s reputation as one of the most powerful live acts in contemporary rock. As the countdown to the theatrical premiere continues, ONE OK ROCK: DETOX In Cinemas  promises to deliver far more than a standard concert film. By combining massive stadium visuals with immersive theater technology, the project aims to recreate the unforgettable atmosphere of the Nissan Stadium show while allowing fans around the world to experience the band’s music in a completely new environment. For longtime followers of ONE OK ROCK, the film offers a chance to relive a historic performance that represents the band at the height of their creative and live-performance power. For newcomers, it serves as a striking introduction to a band whose journey from small club stages to global stadiums continues to inspire fans across continents, proving that the emotional force of rock music can transcend borders and connect audiences everywhere. You Can Still Catch ONE OK ROCK on Tour ! Melbourne (March 12), Sydney (March 14), Brisbane (March 15), Taipei (April 25 - 26), Kuala Lumpur (April 29), Hong Kong (May 2-3), Shanghai (May 9), and Jakarta (May 16)

A back-to-back rush of live energy at Orlando Family Stage that kept fans on their feet and begging for an encore. By the time Orlando Family Stage doors swung open on February 27, the parking lot had transformed into a full-blown pre-party—lightsticks cutting through afternoon sun, fans trading custom banner designs and passing out freebies to newly made friends. VVS & B-OURS 1st U.S. Stage pulled in stans from across Florida and beyond, all buzzing about the double bill that promised straight rookie fire from two of K-Pop's freshest acts under Wannabe Entertainment . The line snaked around the block buzzed with that electric chatter you only get when everyone knows they're about to see something historic unfold in real time. VVS debuted as a powerhouse on August 6, 2024—Allan, Layon, Hyosung, Taeseok, and Shinhwa—packing sharp choreography and vocal layering that lands like a precision strike every time. Their sound slices through with clean lines and hooks that demand replays, the kind of polished rookie package that feels years ahead of schedule. B-OURS counters with intensity through Subin, Sunwoo, Seyeon, Chaeeun, and Soyoung, blending street-ready performance swagger with addictive hooks that burrow into your brain from the first listen. Both groups arrived in Orlando carrying massive first-impression weight—the kind of hype that builds when rookies finally step onto U.S. soil. The air crackled with that specific pre-show chaos, half anticipation, half disbelief that these acts were really about to bring their full stage power to Florida for the very first time. When the lights finally dropped, Orlando learned real quick why everyone calls this the beginning of something completely unstoppable. Fans flew in from across the region knowing smaller showcases like Orlando Family Stage offer that rare, up-close shot at rookies breaking through on American soil for their very first U.S. performances—the true stateside debut that everyone had circled on calendars for months. Social media had been flooded with speculation and "first U.S. stage" hype threads. For Wannabe Entertainment's rising duo, this wasn't just another gig—it marked Orlando as ground zero for their U.S. wave, proving smaller crowds can ignite just as fiercely as arenas when the energy syncs right and the room turns into one living, breathing pulse. As fans filtered in, that warm pre-show glow hit immediately—top-tier ticket holders getting those precious hi-touch moments and fan-sign chats with B-OURS and VVS members, swapping quick stories and locking eyes while general admission caught soundcheck cheers echoing through the walls, only ramping up the hype to fever pitch. Byeolbit organizer Marie took the stage to massive applause, introducing the evening's translator (Eric) who immediately got roasted with a crowd-wide "ARE YOU SINGLE?!" that had him chuckling offstage as the real show prepared to ignite. B-OURS hit first, silhouettes cutting sharp under minimal lighting that teased just enough face to spark screams. The roar was instant and deafening as they tore into aespa's " Rich Man " to set an absolutely fierce tone right out the gate. Member introductions flowed smooth into their own " Be Ur Girl " and " Live A Lie " stages—pure fire—then they paused for an energy check that had every hand shooting up screaming back louder than before. They kept the momentum rolling hard with BABYMONSTER's " We Go Up " and BLACKPINK's " Forever Young ," turning the entire room into one massive, sweaty singalong-dancefloor hybrid. Then the insider drop: unreleased " Gravity " that felt like exclusive access, followed by aespa's " Set The Tone " to seal their portion before waving off and handing it to VVS. The vibe stayed raw and electric all night—Orlando Family Stage's intimate setup meant no massive LED walls or pyro showers, just strategic spotlights slicing through dark rooms to catch every bead of sweat and every sharp angle of their moves, with color pops flooding in perfect sync to the biggest drops. B-OURS rocked layered streetwear that peeled back strategically for choreography reveals, while VVS leaned into sleek blue jean fits built for their lightning-fast switches and formations—simple but punchy aesthetics that let the performances take center stage without distraction in the small space. VVS only cranked the temperature higher, opening with BTS' " Mic Drop " as a pure explosion that shook the walls. They announced a special track and one fan belted " We One Top~ " before the members paused everything to teach us the fanchant—"to sky!" "go straight!"—which the crowd nailed instantly like we'd been practicing for months. " We On Top " followed with that perfect, infectious youthful bounce that had everyone locked in. Their set masterfully alternated originals with powerhouse covers—BOYNEXTDOOR's " Hollywood Action ," " Nothing Lasts Forever ," Wanna One's " Energetic ," and by the time " Bang Bang " began, the crowd was on their feet for every stage following. The members took a moment to conduct an energy check before preparing the crowd for their closing stages before performing an unreleased stage that hinted at their appreciation to everyone in attendance as well as the upcoming heat, and SEVENTEEN's " Aju Nice " to close their main portion, leaving the venue absolutely shaking from the sustained energy blast. Fans fully embraced every single moment of the night. Lightsticks crashed like waves during the biggest covers, and fanchants landed crisp and unified during " We On Top " after VVS' quick lesson. The entire room transformed into a full-on dancefloor for the encores. There were no formal fan projects planned, but the spontaneous energy of the crowd spoke volumes—shouts of "JINU!" erupted following " Soda Pop ", and the opening question roasting the translator highlighted that this audience came prepared to connect, not just to spectate from their seats. Standouts kept hitting one after another—B-OURS slipping in the unreleased " Gravity " mid-set like a special treat for the fans, VVS turning chant practice into instant crowd ownership, and then the absolute madness of the Demon Hunters encore, where all nine members quoted lines from Soda Pop  while striking iconic poses. Allan took center stage for a solo rendition of Jimin's " Like Crazy ", backed by both groups, while Seyeon delivered a powerful performance of Dayoung's " Body ". The night culminated in a final medley that included " BUTTER " transitioning into "BANG BANG BANG " and " Apt ." to end the note on the highest level as all nine artists took time to interact with fans near and far. Walking out into the thick Florida night air, ears ringing from that final "APT." wave crashing over us all, it felt like we'd just witnessed U.S. K-Pop history scratching itself into existence—two rookie acts under Wannabe Entertainment proving beyond doubt they belong anywhere fans show up ready to scream their names. VVS and B-OURS didn't just debut stateside that night. They planted a flag deep in Orlando soil, turning a showcase into a declaration. Fans spilled into the parking lot still buzzing, swapping clips and already requesting future tour dates. Be Sure To Follow VVS, B-OURS, Wannabe Entertainment, and Byeolbit K'Events for Future Events Check Out Our Full Show Gallery here Soundcheck | Fan Engagements | B-OURS | VVS | Encore Stages

EXILE TRIBE's KID PHENOMENON , the unstoppable 7-piece ensemble comprised of KENSUKE, TSUBASA, KOHAKU, SOMA, SHUNNOSUKE, KOTA, and RUI, are set to make waves as they prepare for their highly anticipated performance at SXSW in Austin, Texas, (March 12 to 18). These J-Pop rookies, who emerged victorious from LDH's rigorous iCON Z survival show, have quickly captured the attention of fans worldwide with their distinctive blend of street-sharp choreography, infectious melodies, and an exuberant energy that resonates with listeners of all ages. Their debut single, " Wheelie ," released in 2023, marked a significant milestone in their career, showcasing their unique sound and captivating stage presence. As they embark on their ongoing LIVE TOUR 2026 "KIDS00's," these fearless performers channel their experiences—ranging from the gritty determination required to excel in beach sprints to the exhilarating challenges of Budokan eliminations—into electrifying performances that immerse fans in their vibrant and unstoppable world. K Fuse had the unique opportunity to sit down with all seven members just before their monumental leap onto the global stage. During this insightful conversation, they delved into the pivotal turning points experienced throughout their journey on iCON Z, sharing the invaluable lessons learned from LDH that have shaped their growth as artists. They also reflected on the rich legacy of EXILE TRIBE, discussing how they intend to honor this heritage while infusing their own distinctive twist into their music and performances. The members opened up about their quirky habits, such as playful duck faces and their penchant for fidgeting with rings, which add a personal touch to their charismatic personas. Additionally, they expressed their hopes and aspirations for the Austin crowd, envisioning how they want the audience to feel when the "phenomenon" of KID PHENOMENON comes alive on stage. Before we begin, we’d like to thank KID PHENOMENON for taking the time to share their story with our readers, the SoundLovers. We’ve admired your growth and dedication since your debut, and we appreciate you speaking with us as you prepare to step onto the global stage. For SoundLovers who may be meeting you for the first time, could you introduce yourself with your name, your role in the group, your most memorable moment from iCON Z, and one quirky habit fans would never guess about you? KENSUKE : I’m the leader of KID PHENOMENON. Although dance is my strongest skill, I mainly handle rap and occasionally take on vocals as well. The most memorable moment for me in iCON Z was when I was eliminated in Chapter 1. It was incredibly frustrating, but that experience made me stronger than anything else. As for a slightly unusual habit, I eat gummy sweets almost every day. Gummies are my source of energy. TSUBASA : Within the group, I think I play the role of a cushion — someone who first receives and absorbs everyone’s opinions. In iCON Z, during the Chapter 2 individual ranking announcement, I unexpectedly placed second in the vocal category and third in the dance category. Although I didn’t take first place in either, being recognized overall gave me confidence that with enough effort, I could truly achieve results. KOHAKU : My role in the group — performance-wise, I mainly handle rap and dance. Especially in dance, my strength is the hip-hop style I’ve developed since I was young. As a person, I see myself as both an energy maker and sometimes an energy breaker — one of the core sources of the group’s overall energy. The most memorable moment in iCON Z — all seven of us were eliminated once at the final screening of Chapter 1 at the Budokan. Among those moments, losing to my younger brother there became one of the biggest turning points in my life. An unusual habit — I have a tendency to repeatedly take my rings off and put them back on. SOMA : In the group, I’m in charge of rap and dance. During the training camp in iCONZ, all the candidates went running early in the morning. Running in the middle of summer was extremely tough, but what stands out most was sprinting on the beach. Doing multiple sets of dashes while losing your footing in the sand is something I can hardly imagine doing now. Since I have a sensitive stomach, I avoid eating and drinking before performances. SHUNNOSUKE : As a track maker, I’m responsible for arranging songs and creating the sound for all of our live performances. What left the strongest impression on me in iCON Z was the very first training camp. I had watched the audition since I was young, but actually experiencing it was incredibly tough, and I was doing my best just to keep up. I also have a blanket that I’ve cherished since childhood. KOTA : I’m one of the vocalists in the group — and I’m quite free-spirited! The most memorable moment for me in iCON Z was the Shirahama training camp. It lasted for quite a long time, and I reached my limits again and again, which ultimately made me stronger. I also have a habit of making a “duck face.” I do it a lot in photos, but it even slips into my everyday life without me noticing. RUI : My role in the group — I’m the youngest member, currently 18 years old. In terms of performance, I handle dance and rap. The most memorable moment in iCON Z — every morning at around 6 a.m., we had running and sprint training sessions. They were unbelievably tough, and they still leave a strong impression on me. A slightly unusual habit — when I sleep, my legs end up tangled together. What or who first inspired you to pursue music, and what path do you think you might have followed if you had not become artists? TSUBASA : It was largely influenced by my mother, who used to be a vocalist in a band. When I was little, she saw me dancing on my own and enrolled me in a dance school, and she was also the one who gave me vocal training. Not only that, but her presence play a huge role in shaping the core of who I am as an artist. Coming from the training system of LDH JAPAN, what is one lesson that has stayed with you and still shapes how you work today? KENSUKE : It's about viewing ourselves objectively. Of course, we always aim to deliver performances that we genuinely think are cool However, in order to communicate our message and performance more effectively, stepping back and looking at ourselves from a distance can completely change how things come across. That's what I focus on most when creating a live show. Your performances are known for sharp choreography and strong stage presence. What do you focus on most when preparing to step on stage? SHUNNOSUKE : I focus on staying calm and communicating with the other members. When building a song or performance, who tends to bring unexpected ideas that change the direction creatively? KOHAKU : Each member has different favorite genes and areas of expertise, and we all have completely different sensibilities. That diversity is one of our greatest strengths, so I think it's possible for any one of the seven of use to shift the overall direction with a single idea. If someone could only watch one stage to understand who you are as performers, which would you choose and why? KOTA : If I had to choose one stage that represents who we are, I'd say NEO EXILE SPECIAL LIVE 2025 at the end of last year. I was personally involved in parts of the production , so it's especially memorable to me. I think it turned out to be a performance we can be truly proud of. What detail in your performances do you always hope audiences notice, even if they only see you once? RUI : I'd like people to notice the depth of my isolation. I have a bit of a swayback posture, but I actually use that to my advantage to create greater range in my movements -- so please pay attention to that detail! Thinking back to your debut song Wheelie, what do you remember feeling the first time you performed it live? TSUBASA : When we performed our debut song, "Wheelie," live for the first time, I remember feeling a sense of excitement -- like we were setting off from the starting line of our debut and imagining all the stories that lay ahead. I truly enjoyed that performance. Even now, whenever we present something for that first time, that same feeling hasn't changed. How do you think you have grown since debut, both as performers and as individuals? SHUNNOSUKE : Since this is a profession were we're constantly being watched, I have learned to understand myself better than anyone else. I've grown into someone who can truly recognize and support who I am. What have you learned about yourselves during your recent live experiences that surprised you? TSUBASA : At every event, we're grateful that fans evaluate and appreciate our performances. Recently, I saw someone write on social media that we're "a group that's great at hyping up the crowd." As a group that carefully thinks about our performances together, that meant a lot to us. It made me realize that we're steadily growing, and it gave me even more confidence. You will soon perform at SXSW in Austin. When you picture that moment, what excites you most? KENSUKE : Since I think most of the audience will be seeing us for the first time, I'm most excited about being able to share KID PHENOMENON's music with them. What do you hope first-time viewers feel when they see you live? SOMA : Of course, we want people to see the cool and powerful aspects of our performance, but more than anything, we value simply enjoying the world of KID PHENOMENON and our music together with the audience. We believe a live show is a kind of unreal space where you can connect and communicate with so many people through music. I'd be truly happy if everyone could enjoy the unique world that only we can create, from beginning to end. It makes us happy when people say they had fun, of course -- but even more than that, I hope our live performance helps them feel the true power and beauty of music, and live shows themselves. What do you want international audiences to think of when they hear the name KID PHENOMENON? TSUBASA : I want people to see us as a crazy, whirlwind-like group that pulls the audience in through our music and performances. Since our CEO, HIRO-san gave us the name with the hope that we would "create a phenomenon in the world," we're determined to live up to that name and truly become a group that sparks a real phenomenon. As part of EXILE TRIBE, what does it mean to you to represent that name on global stages? KENSUKE : Since we'll be representing our agency, I want to step on stage iwth a strong sense of mission and responsibility as a part of EXILE TRIBE. What have you learned from watching senior artists that has influenced how you approach your own performances? RUI : Our senior artists have an incredible ability to completely embody their roles on stage during live performances. I've learned a lot from that, and I always try to fully immerse myself -- almost like becoming a character -- so I can truly captivate the audience. How do you balance honoring that legacy while still showing your own identity as a group? KENSUKE : Our CEO, HIRO-san, taught us that challenging ourselves with new things is the LDH style. So we're always conscious of exploring new versions of ourselves, whether it's through our outfits or our performances. Who keeps the group grounded when things get intense? KOHAKU : In important moments, I feel like our leader, KENSUKE, always takes the lead and sets the tone for the group. Who brings unexpected energy when practice gets tiring? SOMA : I'd say KOTA. Usually, when we talk about a mood maker, KOHAKU comes to mind. But in terms of being unexpected, it's KOTA. He normally seems cool and not the type to joke around, but out of nowhere, his Kansai-style humor and surprising gap in personality catch everyone off guard and completely changes the atmosphere. Personally, whenever I'm feeling down, just talking to KOTA cheers me up. What is something about your teamwork that people would only understand if they saw you behind the scenes? RUI : KID is incredibly close as a group. For example, before going on stage, we always change our team huddle chant on the spot. We improvise it every time to raise our energy. When did you personally realize your connection as a group was real? TSUBASA : No matter ow much our opinions clash, when it comes to stepping on stage, everyone's attitude is amazing. Our energy and unity instantly rise, and we all share this determination that we won't lose to anyone. That's when I truly feel our bond. In the end, it leads to the best possible performance. Because each of us cares deeply about the group, we sometimes clash -- but those moments are necessary and actually create an even stronger bond. What is something you have improved about yourself recently as an artist? SOMA : Recently, I've changed my mindset during live shows to focus on showing emotions like joy with the audience. Before, I was thinking one-sidedly about how to entertain them. But I realized in order for people to truly enjoy themselves, we first have to enjoy it too -- and sharing that feeling is the most beautiful form of live performances. What motivates you to keep pushing forward when things get challenging? KOHAKU : We wouldn't be where we are without the support of our fans, SPINEL KIDS. And to the core, we genuinely love music -- singing, rapping, dancing -- and we truly enjoy doing it. those two things are our biggest driving forces. What kind of artists do you hope to become in the future? KOTA : I ant to become an artist who can turn the things I love and envision into live performances that resonate with many people and remain as something meaningful and lasting. What is one goal you are working toward right now that fans may not know about? SHUNNOSUKE : Honestly, there aren't any goals we haven't shared yet. Because our fans support us every day, we always make a point of sharing the places we're aiming for and the dreams we're chasing. What is one word that describes your group right now? KENSUKE : Core. We're currently refining the core of who we are in order to spark a true phenomenon. Starting with SXSW, we want to let that core explode onto the world stage. TSUBASA : Omen. Each of use carries intense passion, and it feels like the calm before the storm -- a sign that we're about to create something huge in this world. KOHAKU : A bud. the style and character we've built as KID PHENOMENON are finally becoming solid strengths as a group, and the things we've always wanted to do are truly starting to move forward. It feels like we're just before full bloom. SOMA : Challenger. Our name means "phenomenon," but that's not something that just happens by waiting. We believe we can only create it by constantly challenging high walls and carving out new paths. That's why we want to approach every stage with the spirit of a challenger. SHUNNOSUKE : Challenge. Because we always try to keep challenging ourselves. KOTA : Selfish -- and true to ourselves. RUI : Acceleration. Not only in Japan, but as we expand into countries around the world, we're picking up speed -- so "acceleration" feels right. What message would you like to share with long-term fans and readers who are about to discover you for the first time? KENSUKE : Thank you always for your support. KID PHENOMENON is a group that continues to evolve and update itself. We'd be so happy if you could witness the phenomenon we're about to create around the world. TSUBASA : Because you support us while we're still growing -- and still enjoy our music and performances -- it motivates us to work even harder to deliver the best we can. We aim to be an artist group that could truly be called the soundtrack to your life. We hope you'll stay with us as we build the KID PHENOMENON story from here on. KOHAKU : To all the SPINEL KIDS who always support us, an to those we're about meet -- we'd be happy if you continue to warmly watch over us as we freely and unapologetically enjoy being KID PHENOMENON. We promise we'll shine on the world stage. SOMA : Thank you so much for your constant and warm support! We're going to keep challenging ourselves and create huge, unexpected phenomena. We want to deliver KID PHENOMENON's music and world to as many hearts as possible. Get excited about our limitless potential and stay with us -- let's go see incredible view together. SHUNNOSUKE : Please look forward to the phenomenon we're about to spark. KOTA : Thank you always for your support! We may seem wild and carefree, but we're all working toward the same goal. Not just in Japan, but in many countries, we want to spark a true PHENOMENON. RUI : thank you for your support! And if this is your first time discovering us -- nice to meet you! We simply want to express what we truly love in our own authentic way, so I hope you enjoy our world. We promise we'll entertain you! We sincerely thank KID PHENOMENON for pulling back the curtain—from gummy fuel and tangled‑leg sleep to beach sprints, duck faces, and those last‑second team huddles that turn nerves into fire. Whether you caught them clawing through iCON Z eliminations or just heard Wheelie for the first time, these seven Tokyo phenoms are carrying EXILE TRIBE’s legacy straight to SXSW 2026 in Austin (March 12‑18). #SoundLovers—don’t sleep on this! 🔥 KID PHENOMENON are hitting SXSW stages ready to explode 📍 Austin, Texas | March 12‑18, 2026🎟️ Grab SXSW passes NOW → Show up. Feel the acceleration. Tag your SXSW crew with #KIDSXSW #SPINELKIDS From refining their core to chasing that whirlwind phenomenon HIRO-san envisioned, KID PHENOMENON won’t just perform—they’ll redefine what J‑Pop rookies can do on global ground. Stay with them. The bloom’s coming.

To commemorate the group’s first album under CHXXTA Company , Everglow released their fourth mini-album CODE on March 3, 2026 at 6 PM KST. It consists of Four active members Sihyeon , E:U , Onda , and Aisha . After their single release in 2024 for the song Zombie , the CODE album comes as a continuation of the Everglow established style and also as its growth in several areas like sound production, visual presentation and performance strategy that helps to address the international market despite such changes. CODE begins with BREAKOUT, creating right from the start dynamic and high-energy atmosphere which is mainly focused on empowerment and stage performance. This track mingles percussive elements with moving synth textures, composing a sonic landscape suitable for live performance in addition to further supporting the album’s thematic emphasis on self-assertion. FOCUS then steps in, with a tone that is slightly more contemplative, switching between sections of minimalist instrumental and choruses that are grand. The difference helps to bring out the growth of the members’ vocal maturity as well as adds subtlety to the album’s story line position, finding enough introspection to bright intensity. The eponymous track, CODE, is the heart of the conceptual and musical side of the album. Its intricate electronic production fuses the strong percussive elements with synths that are laid over top, specifically to work with choreography for maximum stage impact. The track captures the essence of identity, empowerment and resilience in its themes. Can’t Be Broken summarises the mini-album expressing harmony and atmospheric textures in emphasis. The track still sticks to the general sound yet offering a contemplative counterpart for the high-energy openers which showcases the group’s ability to perform both dynamic and tempered music spaces. It can be clearly seen in CODE that the vocal performance presents a kind of compromise between the need for an individual singer to express himself and the need for group harmony. E:U is prominent in the choruses with her powerful and clear singing, Sihyeon adds more gentle, ethereal tones that enrich harmonics, and Onda meanwhile Aisha interlace intensity with subtlety. Such a distribution guarantees that an album embodies collective power yet offers diversity in vocal coloration that is crucial for both studio listening and live performance settings. In relation to an album, its production accents structure coherence, and sonic continuity. Recurring synth motifs and rhythmical patterns give a very subtle auditory signature that connects one track with another, while gradually managed transitions between energetic and minimalist sections make a kind of emotional line that directs the audience from assertive openings to reflective closings. These decisions correspond to a high level of detail attention which broadens functionality of the album as an audio- visual experience and performance tool. As far as it goes artistic TEAM, CODE reaffirms the identity of Everglow. Teaser posters and concept photos are shown with a dark, high-contrast style and with a coordination of fashion that only enhances the group’s stage appeal. The imagery highlights the album’s themes of inner strength and collective identity, where each member is portrayed in a way that promotes unity and intensifies the conceptual narrative album. The alignment of visual and musical cues illustrates an integrated approach to art which means visuals as well as sound combine for creating consistent appearance. CODE comes just in the time of structural changes. With Everglow’s shift to CHXXTA Company and consolidation as four members band the vocal allocation, stage dynamics, and overall group interaction also see a big difference. The album responds to these changes indicating unity and shared energy, therefore a quartet that is not only strategically positioned in performance but also identity wise. This context provides CODE with significance making it not just a linear succession of tracks but a progression and evolution statement for the group. Even though the album keeps to the pop-electro type which Everglow has already adopted, it brings in more textures and complex instrumentation. The order of BREAKOUT, FOCUS, CODE, and Can’t Be Broken determine a specific emotional flow that starts from high-energy expression to reflective intensity. This serves to give the audience a better experience of their act as well as show that they can be spectacular and musical at the same time. CODE categorizes Everglow among the Kpop girl crushes which clearly highlights the assertive performances, elaborate choreography, and confident visual representation. The album combines EDM and synthpop of today definiing this group internationally. Thematically it addresses empowerment, resilience, identification in languages and cultures thus offering messages that are easily understood. The album itself also highlights the position of K-pop as a transmedia cultural product. CODE’s release strategy, which encompasses concept pictures, teasers, and live performances done concurrently, interacts on multiple levels being a great engagement tool for the group’s fan base both within and outside Korea. It also demonstrates the manner in which the genre can combine music, visual storytelling and performance into one narrative experience. In terms of music composition, CODE can be described as the product of an intelligent mind. Some distinctive features that show what CODE is include recurrent motifs, dynamic vocal distribution as well the balanced song structures. By modulating phrasing and nuances in general both live execution and critical listening are supported. The album represents a very careful arrangement of musical instruments for the purpose of increasing the musical interest and keeping spectators’ attention. Everglow’s performance-oriented brand is also reinforced by this approach. CODE is a keystone in Everglow’s journey as a group. This album summarizes the groups energy, visual strength, and performance capability while specifying a moderate extension of sonic range and conceptual depth. The purpose of the album is not to try anything new but rather to consolidate the group’s continuity, unity, and strategic positioning within the world K-pop scape system. The minialbum also situates Everglow within larger cultural and musical references. The production CODE made is in the international pop direction, as the songs are influenced by electronic and dance music, and their visual storytelling tell of transmedia stories which are today’s day features in Kpop. This project is a deliberate attempt to let everyone know that they care about their international audience hence enhancing K-pop’s role as a carrier of cultures and soft power. Besides this, the album’s performance-geared tracks and its thoroughly though aesthetics give a good example of how genre has been combining different musical styles and serving worldwide audience. In the end, CODE reflects only artistic and strategic goals of Everglow. The album is about unity, hard work and clear focus, in terms of both the visual and sonic message. It expresses to the public the groups dedication to performance, international appeal, and artistry that is consistent while also addressing certain issues like lineup changes and even agency change. As much as it is Everglow’s recognized identity being presented CODE is also a ground for its further evolution, showing how meticulous approach to production value, live performance quality and conceptuality allows K-pop group to stay in spotlight all over the years.

As a TWICE fan who has been following the girls since 2017, the moment they announced Philadelphia as one of the stops for the  This Is For Tour,  I knew I had to get a ticket. Photo by Jesse Faatz TWICE is currently on their This Is For Tour  with 78 stops across Asia, Oceania, Europe, and North America. On February 24, 2026, they made their long-awaited stop in Philadelphia, marking their first time ever performing in the city. The show took place at Xfinity Mobile Arena, previously known as Wells Fargo Center. Not only was this TWICE’s first time in Philadelphia, but they were also the first K-pop act to ever perform at the arena. With a capacity of around 21,000, it was the perfect venue for a 360 stage setup. Just two days before the show, a blizzard hit the East Coast, and many fans were under the impression that the show might get cancelled or postponed. Luckily, that was not the case. The arena staff did an impressive job clearing the snow. By the time I arrived, the walkways and parking lots were completely fine. My only complaint was how small the seats were. It was difficult to get in and out, but the staff were incredibly kind, helpful, and understanding throughout the night. I arrived around 4:00 PM for VIP check-in. The email mentioned that there would be hosts guiding fans, but there was a noticeable lack of signage, and several other ONCES were just as confused as I was. Once I found the entrance, everything was smooth. Gates to seats opened around 5:00 PM, soundcheck ran from 6:00 to about 6:15 PM, and then there was roughly a two-hour gap before the main show. The merch lines were extremely long at all three booths, and food and drinks were available throughout the arena. Photo by Jesse Faatz The main show began around 8:10 PM with a new remix of “FOUR”. At first, the massive screen above the stage confused me, but as the show went on, its purpose became clear. It helped fans in the upper levels see clearly while also acting as part of the stage design and transitions. They opened with “This Is For,” and it was such a powerful way to start the night. The entire arena was singing along and doing the choreography. One thing I really appreciated was how they filled the gaps between sets. For the first transition, they gave the stage to the dance crew, fully utilizing both the main stage and the extended stages. The way they moved across the entire setup made the show feel bigger than just a regular concert. For the next transition, the live band had their own spotlight moment, and honestly, that instrumental set was one of my favorite parts of the night. I love how JYP Nation artists consistently bring a live band on tour because it truly elevates the experience. Photo by Jesse Faatz TWICE’s energy deserves its own paragraph. I genuinely don’t understand how they are able to sing, dance, and move between multiple stages so seamlessly. I was initially skeptical about the 360 stage concept because I was worried that constant movement would look awkward. Instead, the transitions were beautifully incorporated into the choreography, making everything feel fluid and intentional. Performances weren’t limited to the main stage either. The extended stages were fully utilized, ensuring that fans in every section, even those on the sides or in the upper levels, had a great view. For me, the This Is For Tour  in Philadelphia was the best concert I have ever attended. It didn’t feel like a regular concert. It felt like a moving production where multiple things were happening at once, but everything was synchronized perfectly. The 360 stage, the live band, the dance breaks, and the screen transitions could have easily felt overwhelming. Instead, it felt seamless. It was grand without being messy, dramatic without losing control.

P1Harmony has become a familiar name for their high-concept storytelling, explosive live stages, and hands-on approach to every era, from the razor-sharp intensity of " Siren ," “ Do It Like This , ” and “ Back Down ” to the emotional depth of projects like DUH! and EX. Across world tours, late-night TV appearances, and festival stages, the six-member group—Keeho, Theo, Jiung, Intak, Soul, and Jongseob—has steadily built a reputation as one of K-Pop’s most reliable “full package” teams, balancing tight vocals and rap with a clear artistic vision. Now, after a landmark 2025 defined by chart milestones, packed arena shows, and growing global recognition for both commercial and critical achievements, P1Harmony is poised to open a new chapter with its highly anticipated ninth mini album, UNIQUE, arriving Thursday, March 12, 2026, introduced through a cinematic teaser trailer titled “THE HERO IS MISSING.” The six-and-a-half-minute visual continues the heroic storyline first introduced in the group’s debut science-fiction film, “P1H: The Beginning of a New World,” which drew attention from major outlets like The New York Times when it was released. The trailer opens with missing person flyers searching for the members, who have reportedly declared a “hero strike” and vanished, setting a tone of mystery and chaos in their established universe. News reports describe mysterious lights spotted amid global disorder, pulling viewers into the perspective of an “Alkaid Tracer”—a figure pursuing these phenomena through shadowy streets and flickering signals. As the tracer closes in, P1Harmony reappears, engaging in raw, honest conversations about their journey and decision to return as heroes, their faces lit by the same ethereal glow. The sequence builds to a powerful final shot of the six members standing together, united and resolute, before revealing the UNIQUE title, album artwork, and full rollout schedule including pre-save links, concept photos, teasers, and more for P1ece. This layered storytelling doesn’t just tease the music—it deepens the group’s ongoing narrative of purpose and destiny. The “hero strike” motif echoes their DUH! era’s symbolic rebellion, while the tracer’s pursuit and the members’ reemergence frame UNIQUE as a story of reflection, growth, and reclaiming agency. Snippets of two new tracks punctuate key moments, hinting at the sonic evolution ahead, with production that balances cinematic drama and their signature rhythmic drive. For longtime fans, these details connect directly back to the film’s origins, where each member’s character mirrored their real personalities—Keeho’s leadership, Jiung’s introspection, Jongseob’s quiet intensity—turning personal evolution into collective mythology. Announced on February 26, UNIQUE is led by a bold title track of the same name, inspired by Brazilian funk and built around heavy, driving drum patterns. The song finds P1Harmony embracing their identity as an unstoppable “crew,” leaning into a sound that feels both global and distinctly their own. True to the group’s creative ethos, the members took on key roles across songwriting, composition, stage performance, and overall direction, with Jiung, Intak, and Jongseob co-writing the single. That level of involvement continues the pattern fans have seen over the past several releases, where P1Harmony’s fingerprints are on everything from lyrics and arrangements to stage design. UNIQUE follows a banner year in which P1Harmony released two major projects: DUH! and their first English-language project, EX. DUH! became their first release to surpass 400,000 copies globally and their third to reach No. 1 on the Billboard U.S. World Albums chart, solidifying their presence as album artists rather than just single-focused performers. EX expanded their reach even further, debuting at No. 9 on the Billboard 200 with nearly 40,000 copies sold in its first week—an impressive feat for a Korean group still in its early years. Critics highlighted multiple P1H tracks in year-end lists, including title songs “ DUH! ” (recognized by Billboard) and “ EX ” (spotlighted by TIDAL), as well as B-sides “ Pretty Boy ” from DUH! (featured by The Hollywood Reporter and Stardust Magazine) and “ Dancing Queen ” from EX (noted by AV Club). The members contributed to composition across these tracks, with “ Pretty Boy ” standing out as a special moment co-produced by leader Keeho and co-written by Jiung, Intak, and Jongseob as a sharp, thoughtful commentary on toxic masculinity and stereotypes. Their momentum hasn’t just been on streaming platforms and charts. In 2025, P1Harmony was named Record Store Day’s K-Pop Artist of the Year, releasing an exclusive vinyl in partnership with the annual celebration of independent retailers and physical media. Onstage, the 2025 P1Harmony LIVE TOUR [P1ustage H: MOST WANTED] began in August and stretched across Asia, Oceania, Latin America, and North America, where they performed their first-ever arena shows in the United States. The tour showcased how seamlessly they can translate their conceptual worldbuilding into powerful live experiences, with setlists that pulled from multiple eras while highlighting their growth as performers. The group is set to conclude the tour with three “ENCORE” shows in Seoul on March 6, 7, and 8—just days before the new album drops—offering a full-circle moment where P1Harmony can reflect on the path that led them to UNIQUE and embody the sound and story of this next era on stage. Offstage, the group’s profile continues to climb. Introduced through their cinematic debut film and official debut in October 2020, P1Harmony has steadily become known for blending pop, rock, Latin, and other global influences into a cohesive, narrative-driven discography. Their creative approach has led to collaborations with producers and artists like Christopher “Tricky” Stewart, Pink Sweat$, and New Hope Club, while their media footprint includes appearances and features with Good Morning America, The Kelly Clarkson Show, The Daily Show, Entertainment Tonight, Billboard, Rolling Stone, Vogue, Forbes, PAPER, People, NME, Hypebae, and more. 2026 has already started strong, with the band winning Best Recording for their 2025 album DUH! and the “Global” grand prize award at the 2nd Annual D Awards in Seoul this February, reinforcing their status as artists whose impact extends far beyond a single market. With UNIQUE, P1Harmony appears ready to bring all of these threads together: their cinematic origins, their hands-on creativity, their global genre influences, and the lived experience of becoming a group known for both chart success and deep storytelling. As the teaser promises, the “missing” heroes are not only returning—they’re returning on their own terms, more self-assured, more experimental, and more uniquely themselves than ever.

Filipino P-Pop powerhouse BGYO has consistently delivered moments that resonate across borders, from their chart-topping EPs and international festival stages to the sharp charisma that’s earned them a dedicated global following. Now the quintet—Gelo, Akira, JL, Mikki, and Nate—returns with their bold new empowerment anthem “ Fresh ,” available now on all digital streaming platforms via ABS-CBN Music. As their first Tagalog single since 2024’s heartfelt “ Andito Lang ,” the track ushers in a confident new chapter, blending smooth hip-hop grooves with lyrics that celebrate individuality and self-belief. “ Fresh ” arrives as a natural progression from last year’s “ Headlines ” EP, which explored deeper emotional landscapes through tracks like “ All These Ladies ” and “ Dance With Me .” This time, the group leans into unapologetic swagger with lines like “ I got what you want ” and “ Ain’t nobody fresher than me ,” crafted by member Mikki Claver to reflect their growing artistic voice. The song’s sleek production expands BGYO’s palette while staying true to the charisma that has fueled over 100 million combined audio and video streams, along with past #1 iTunes debuts across the Philippines, Hong Kong, Singapore, UAE, Saudi Arabia, and more. What sets “ Fresh ” apart sonically is its groove-driven hip-hop foundation, a deliberate shift that showcases the group’s vocal versatility and performance synergy. Mikki’s composition centers on a tight bassline and crisp percussion that propel the track forward, creating space for each member’s distinct timbre—Gelo’s commanding leads, Akira’s fluid ad-libs, JL’s rhythmic precision, Mikki’s introspective verses, and Nate’s soaring harmonies—to shine without overpowering the collective energy. The pre-chorus builds tension with layered synths and a subtle trap influence, releasing into a hook that’s both anthemic and instantly danceable, designed for the choreography that has always been BGYO ’s calling card. It’s a song that feels engineered for movement, with transitions that mirror the confidence in the lyrics: every drop and switch-up reinforces the idea of stepping into your own power, fresh and unfiltered. This level of artistry reflects BGYO ’s thoughtful evolution as songwriters and performers. Formed through ABS-CBN’s Star Hunt Academy in 2018, the group debuted in 2021 with a polished mix of P-pop flair and global appeal, quickly establishing themselves through meticulous vocal arrangements and choreography that blends precision with personality. Mikki’s role in penning “Fresh” highlights their increasing self-determination, moving beyond external production to infuse personal perspective into the sound. The track’s structure—verse-hook-bridge-outro—prioritizes replay value, with call-and-response elements that invite fans into the experience, turning a studio creation into a shared anthem. The release caps a remarkable year for BGYO , marked by overseas performances, their first solo concert at New Frontier Theater, and topping Spotify Philippines’ “Best of P-Pop On The Rise” chart. They also received TikTok’s “Community Impact Award,” a nod from the Recording Academy’s Asian pop artists to watch list, and features in Teen Vogue and MTV Asia, plus a spot in Netflix’s “Alas Netflix” series. With accolades like “Best Theme Song” at the Asian Academy Creative Awards and consecutive Awit Awards for People’s Choice Favorite Group Artist, their nearly 5 million social media followers and 60 million TikTok likes underscore a connection built on stellar vocals, precise choreography, and genuine passion. As 2025 Spotify RADAR artists and nominees for “Rising International Artist” at Brazil’s Breaktudo Awards, they’ve also taken stages like Summer Sonic Bangkok. Looking ahead, “ Fresh ” sets the tone for what’s next, including a headline slot at Japan’s DUNK! Music Festival at K-Arena Yokohama on March 14 alongside SB19 and Cup of Joe. This performance highlights their rising presence in key markets while giving fans a live taste of the track’s energy. BGYO ’s commitment to evolving their sound—blending pop genres into something distinctly their own—shines through here, offering both longtime supporters and new listeners a clear signal of the creative ground they’re claiming.

ONE OR EIGHT—the dynamic 8-member Japanese boy group (Mizuki, Neo, Reia, Ryota, Souma, Takeru, Tsubasa, Yuga) forged through the high-stakes WARPs DIG survival show—embody their "all or nothing" mantra in every razor-sharp performance and raw studio moment. From their 2024 breakout debut "Don't Tell Nobody" to the fierce 1st mini-album GATHER and the just-announced 1st LIVE TOUR – GATHER – storming U.S. cities with Studio PAV, these J-pop trailblazers fuse hip-hop edge, intricate choreo, and unfiltered brotherhood. K Fuse gathers all eight right before America calls, for an exclusive deep-dive introducing who they really are, unpacking GATHER's fearless evolution, revealing U.S. tour secrets, and answering top SoundLovers-submitted questions that capture 1DERZ' real curiosity from socials worldwide. Meet ONE OR EIGHT & Tour Talk Thank you for taking the time to share your story with us. To start, could you introduce yourself to our readers, SoundLovers, worldwide may be meeting ONE OR EIGHT for the first time, can each member introduce yourself with your role in the group? MIZUKI : I’m MIZUKI from ONE OR EIGHT! I’m in charge of rap in the group. I also play the “dad” role within the group!  RYOTA : I love food and poodles. On stage, I can get pretty wild during performances. I’m RYOTA. NEO : I am the rapper and composer of ONE OR EIGHT. I focus on shaping our sound, from writing rap verses to building melodies and developing song structures. I care deeply about how a track feels from beginning to end, not just my own parts. REIA : I’m REIA from ONE OR EIGHT. People often say I’m the mood-maker, the tall airhead of the group—but I don’t think so! I’m one of the vocalists in the group. YUGA : I’m YUGA, a vocalist from ONE OR EIGHT. I love playing and singing with a guitar, and listening to music. The other members often say I have a sexy style of singing and dancing. Nice to meet you! TAKERU : I’m TAKERU! I’m a vocalist and the dance leader of the group. TSUBASA : I’m TSUBASA from ONE OR EIGHT. I’m one of the vocalists, and I often take on parts that really kick-start the group’s energy. SOUMA : I’m SOUMA, the youngest member of ONE OR EIGHT. though people say I don’t look like the youngest! I’m the rapper of the group. "ONE OR EIGHT" stands for total commitment—how has this philosophy defined your journey from WARPs DIG trainees to becoming global stage-ready artists? MIZUKI : After graduating from university, instead of choosing to get a regular job, I decided to join WARPs DIG. Honestly, at the time there was no guarantee that I would debut, but I saw it as my last chance and gave everything I had to the audition. The feelings I had back then are still with me today. That mindset—approaching everything with total commitment, whether it’s recording a song or performing on stage—has become the foundation of who I am now. What's the full story and core concept behind your 1st mini-album GATHER, and how does the explosive title track "TOKYO DRIFT" reflect ONE OR EIGHT's evolution in 2026? SOUMA : In GATHER, we put the meaning of “betting a lifetime on a single, real moment.” There’s no hierarchy in challenges—every challenge requires resolve and courage. By sharing our weaknesses and struggles, we become stronger, and that makes the journey even more meaningful. TOKYO DRIFT expresses the determination to risk everything alongside your crew, and the freedom to break through in your own way on the streets of Tokyo. It’s about moving at our own speed, showing a view only we can create—something no one else can imitate—and enjoying the ride. Which member's vocals, lyrics, production touch, or studio idea became the heartbeat of GATHER during its creation process? NEO ：For GATHER, the heartbeat was all of us. Every member brought unique ideas into the studio, whether it was adlibs, melody changes, or freestyles that happened in the moment. Some of the strongest parts of the album were not planned. They came from instinct. That energy gave the project its core. You can hear each personality clearly, but it still feels unified. That balance defines GATHER. From your pre-debut track "KAWASAKI" to GATHER, how has ONE OR EIGHT's music and stage presence grown over time? RYOTA : Each song carries its own thoughts and emotions—no two tracks are alike. There isn’t a single song that feels similar to another; each one stands on its own. The tone of our voices and the level of intensity change completely from track to track. This album deeply captures the way the eight of us live—constantly evolving and moving on to the next stage. Because every song has a different message and performance style we want to convey, we kept asking ourselves: How should we express this feeling on stage? How should the eight of us present it together? From the way we performed to the order of the setlist, we discovered new challenges as ONE OR EIGHT and faced moments of doubt along the way. At every stage, we tried to present the songs in the way we believed was right. There were moments of reflection, and there were moments of success. For SoundLovers who may be building their playlist, pick one GATHER track that you would recommend to listeners and why. TAKERU : It’s TOKYO DRIFT! The reason is that it’s my favorite song in ONE OR EIGHT’s catalog. It’s a track that really brings together everything the members want to express, which is why I chose it. If I were to introduce ONE OR EIGHT to someone, this is the song I would pick—that’s how much I love it. ONE OR EIGHT recently announced an upcoming tour with Studio PAV. How did you feel when you first heard the news? SOUMA : We had the chance to work together during the previous SHŪKAI overseas performances, so I’m truly filled with happiness that we’re able to go on another international tour together this time as well. Out of all the cities on your U.S. tour routing, which one are you most excited for, and why? YUGA : I’m excited for every city, but I’m especially looking forward to Mexico. I can’t wait to hear the fans cheering so loudly that I can’t even hear my in-ear monitors. (*spoilers?) How will you blend your debut-era bangers with the fresh heat from GATHER—which tracks feel guaranteed for every U.S. show? NEO : During our debut era, we were fresh, still developing, and hungry. Now we are more mature. We understand our identity and our objectives as a team much better, and we are even hungrier than before. Rather than separating old and new songs, we focus on making the sound flow naturally. The goal is cohesion. We want the audience to feel one continuous journey from start to finish. Are there any special stages, covers, outfit reveals, or fan interaction moments being tailored just for U.S. crowds? TAKERU : We’ll be performing songs that we didn’t do at the last SHUKAI in the U.S., and there will also be original stage elements created just for this live show. So I’d be really happy if everyone looks forward to it! If you had to describe the ONE OR EIGHT concert experience in three words, what would they be? RYOTA : Challenges, hope, and growth. Brotherhood, Bonds, and Behind The Scenes Looking back from surviving WARPs DIG together to now, which member do you think embodies the ultimate "all or nothing" core of ONE OR EIGHT, and why? TSUBASA : I think it’s RYOTA. The reason is that he’s always genuinely thinking about the group, and he constantly pushes himself to refine his own style and presence. I think he’s the member who embodies that spirit the most. What has been the funniest or most unbreakable roommate story that's truly forged your brotherhood as a group. SOUMA : When we were living together in a dorm in Korea, there were times when bugs would get into the house. It was really funny how all the members would immediately come together and try to get rid of them as a team. One-word: If each member had to define their exact role in ONE OR EIGHT (like leader, energizer, etc.), what word would you each pick and why? MIZUKI :  “Dad.” I really do have a father-like role in the group, and while I’m the oldest member, I wouldn’t say I’m exactly the leader. I see myself more as someone in middle management. So personally, I think of my role as the “middle-management dad.” RYOTA :  I’m a bomb. 💣 I tend to have unusual ideas, and I’ve always liked taking on challenges through improvisation and going all in without overthinking. I often change up my parts, get wild during performances, and when I start feeling tired on stage, I actually get more excited. So I think I’m a bomb—in a good way. 💣 NEO : One-word: If each member had to define their exact role in ONE OR EIGHT (like leader, energizer, etc.), what word would you each pick and why? REIA : I think I’m one of the mood-makers in the group. I like listening to people, so I’m the type who actively gives advice and shares my opinions. (laughs) YUGA : I’m the beauty leader. I spend a lot of time taking care of my body and appearance. I’m always researching and trying new skincare products, and I work hard to maintain my skin. TAKERU : I’m the one who plays the straight man—and the one who tries to see things from a broad perspective. The members make a lot of jokes, and I think I’m usually the one who picks up on them. I also tend to think about things from a third-person point of view. Recently, the members have said I’m kind of like the “mom” of the group. TSUBASA : I think I’m a mood-maker. During rehearsals, when the atmosphere feels tense, I’ll go talk to the members or staff to help lighten things up. I see that as part of my role. SOUMA : I think I’m a mood-maker too! I try to read the room and act accordingly—bringing the energy up when it’s time to hype things up, and staying calm when the situation calls for it. Outside of promotions and touring, what’s something that’s been bringing you joy recently? MIZUKI : It’s communicating with 1DERZ through our fan club app! Being able to share what they’re doing and what I’m doing, and actually have conversations with them, makes me really happy. How do you usually recharge after a long day of schedules or rehearsals? YUGA : I’m the type where it’s pretty obvious when I’m tired, so I usually just stay at home and recharge by eating good food. Post-show vision: After your American concerts end, how exactly do you want 1DERZ walking out of the venue feeling—changed forever in what way? REIA : I hope we can become the kind of presence that makes people feel, “I’m really glad I became a fan of ONE OR EIGHT,” or “I’m so glad I came to see them.” I want us to be a group that can keep chasing our dream of going global together with our fans. We’re able to do what we do because 1DERZ are always there supporting us. So I hope we can stay together for a long time to come. Do you have any pre-performance rituals? MIZUKI : Right before I go on stage, I tell myself, “I’m going to blow everyone away”—or “I’m going to captivate them all.” I fire myself up with that fierce determination and step into the performance with that energy. Are there any foods you want to try while in the U.S.? REIA : When I went to New York recently, I had this bagel with salmon and garlic, and it was seriously so good. I really want to eat it again!! Who would you love to team up with to ignite your future stages here? NEO : I’d love to collab with LNGSHOT and Ayumu Imazu Once the U.S. tour dust finally settles, what's ONE OR EIGHT's immediate next musical conquest or milestone you're chasing? RYOTA : In terms of musical challenges, I want ONE OR EIGHT to take on a slightly more rugged, masculine hip-hop sound—something where people can instantly say, “This is what ONE OR EIGHT is.” When I had the chance to attend the MTV VMAs in the U.S., I was honestly blown away by the skill and presence of the artists on that stage. Since then, I’ve been thinking every day about what it will take for us to stand on that stage ourselves, and I act with that goal in mind. Fast forward five years: Paint the picture of the arena, festival, or global spotlight where you envision ONE OR EIGHT owning the stage. TSUBASA : No matter what festival we perform at, I want us to be the kind of artists who can make it feel like home the moment ONE OR EIGHT steps on stage.And for our own shows, I believe we’ll be performing at even bigger venues in the future. SoundLovers Takeover "Who in the group is most likely to... cry at movies?" YUGA ：SOUMA "Favorite snack?" TSUBASA :  Kettle-cooked potato chips. "Best quality about another members—and why?" REIA : What I love most is how warm everyone’s heart is. No matter what happens—even if we argue—we always sit down and talk things through until we fully resolve it. I really admire that we never give up on facing each other honestly. Each member truly thinks about the others, and everyone has a strong sense of responsibility. I think that’s something really special about us. "Most funny memory?" SOUMA : It was so much fun when all the members sat around a table and played Werewolf together. What really stood out to me was how Ryota kept trying to pin the “werewolf” on Mizuki—it totally threw everyone’s deductions into chaos! "Idea rest day: What's your perfect off-stage day activities look like?" MIZUKI : I’d love to forget about time and do a digital detox in a cabin deep in the forest, surrounded by sunlight filtering through the trees. "Who is the easiest member to communicate with? Why?" YUGA : REIA. I tend to like people who are older than me, and I often go to cafés or take bike rides with Reia. He’s a really kind big brother.  “Which member takes care of others the most?” TAKERU : I think I’m the one who pays attention the most. I tend to notice even the small changes in everyone right away, and I always try to look at things from a broad perspective. Because of that, I often feel like I’m the one looking out for everyone. ONE OR EIGHT, thank you for opening up to K Fuse, SoundLovers, and 1DERZ worldwide! Before you storm America, is there a message that you would like to leave for fans? NEO ：To our 1DERZ, you mean the world to us. Finally being able to perform in front of you means more than we can express. We have been waiting for this moment. See you very soon. We are ready to give you everything we have. ONE OR EIGHT leave this conversation the same way they step onto every stage: eight hearts moving as one, still choosing “all or nothing” even when the lights go down. From WARPs DIG nerves to GATHER-era confidence, from bug-hunting in their Korean dorm to dreaming about VMAs and festivals that feel like home the moment they walk out, their stories keep circling back to bravery, honesty, and the promise they’ve made to 1DERZ. This first LIVE TOUR – GATHER – isn’t just a victory lap for a strong debut; it’s the moment they finally meet the fans they’ve been picturing in every late-night studio session, testing whether the resolve they sing about can really reach across oceans. As SoundLovers and 1DERZ file out of those U.S. venues, ONE OR EIGHT hope you’re not just replaying “TOKYO DRIFT” in your head—you’re also carrying that spark of “I’m glad I chose them, and I’m glad I chose myself” into whatever comes next, until the road brings you together again.

Montreal-based R&B artist Myles Lloyd continues to build meaningful bridges between his music and the listeners who champion it with his new single “ DMC .” The track invites Gemini, Karencici, and JUNNY into the world of his breakout song “ Drive Me Crazy ,” reshaping it through a K-pop–inspired lens while honoring the emotion that first drew people in. It feels less like a departure and more like a natural evolution, acknowledging how far the original has traveled and the community that helped bring it there. For new listeners discovering Lloyd through this single, “ DMC ” offers a strong glimpse into his broader artistry. His music draws from classic soul, modern R&B, and early 2000s pop, with a focus on storytelling that speaks to overthinkers, romantics, and anyone trying to navigate complex feelings. Projects like “ Goodbye, ” “ Forever, Yours, ” and “ WHAT MORE CAN I SAY? ,” along with his recent album “ I’m Still Thinking ,” show an artist committed to honesty, growth, and thoughtful craftsmanship. Each release has helped shape him into one of the most compelling voices in his lane. “ Drive Me Crazy ” has quietly grown into a global favorite, resonating deeply with listeners in South Korea and beyond. With more than 26 million streams and a nod from ENHYPEN, the song’s reach has extended far outside Lloyd’s home base, reflecting the way heartfelt R&B can connect across language and geography. Seeing that response, especially from Korean fans, encouraged Lloyd to revisit the energy and excitement he associates with K-pop and Korean R&B, and to imagine what this story could sound like if he told it alongside artists who are shaping that space right now. That imagination takes shape in “ DMC .” The single keeps the tender core of “ Drive Me Crazy ” while introducing new dynamics through each featured artist. Lloyd’s smooth falsetto and introspective tone provide the foundation, and Gemini, Karencici, and JUNNY each add their own colors without overshadowing the original feeling. The result is a version that feels both familiar and refreshed, crafted with intention for the listeners who embraced the song first and asked for more. Lloyd has been open about how inspiring it was to see support coming from Korea, describing how it reignited his appreciation for the high energy and emotional impact of K-pop. Revisiting older favorites and discovering artists like Karencici, JUNNY, and Gemini became part of that process, and “ DMC ” turns that inspiration into something concrete and collaborative. It reads as a genuine thank-you to the community that helped lift “ Drive Me Crazy ” and a celebration of what can happen when artists from different scenes meet on shared ground. The release of “DMC” also arrives at a meaningful moment in Lloyd’s live journey. He is on the road supporting JUNNY on Canadian tour dates, bringing their collaboration from the studio to the stage. After opening in Montreal, Lloyd is joining JUNNY for shows across Canada, including upcoming dates in Vancouver on March 4 at the Vogue Theatre and Calgary on March 5 at The Palace Theatre. For fans, it’s a chance to experience the connection behind the record in real time, with both artists sharing the same stage. By inviting Gemini, Karencici, and JUNNY into the world of “ Drive Me Crazy ,” Myles Lloyd highlights how music can travel, transform, and come back stronger with the help of the listeners who carry it. For fans of K-pop, Korean R&B, and modern R&B alike, this version stands as a warm, collaborative response to a song that clearly found a home far beyond where it started.

Hanyang Society and Invasian ATL are partnering once again to present The Great Migration Festival on March 7, 2026, in Atlanta. Returning as a celebration of Asian and Asian American creativity and community, this year’s festival continues to spotlight artists, performers, and storytellers who are shaping the cultural conversation across the South. The event remains free to attend and welcomes participants from all corners of the community, including K-Pop fans and cosplay groups who’ve been a lively part of past editions. Attendees joining through the K-Pop and cosplay track can secure free entry by reserving their tickets online and using the code guestlist for a full discount. Tickets are available now! The festival takes place on Saturday, March 7, and will feature live performances, art showcases, food pop-ups, and interactive spaces dedicated to creative expression. Hanyang Society and Invasian ATL’s collaboration continues to highlight the stories of migration, tradition, and identity that connect Asian communities in Atlanta and beyond. Keeping the event free ensures that everyone can take part, whether they’re discovering new artists, attending with friends, or joining in the shared celebration of culture and creativity. As one of Atlanta’s most community-driven events, The Great Migration Festival continues to offer space for collaboration, conversation, and collective joy. Follow Hanyang Society and Invasian ATL on social media for more details!

TWICE brought their fourth world tour, THIS IS FOR, to Dallas on January 31 for night one, and the arena pulsed from the moment fans poured in. Snow fell outside, but inside, the cold could not touch the heat of a crowd decked out in Victoria’s Secret Fashion Show-inspired fits, lightsticks glowing, and chants already rolling. JYP’s pre-show artist showcase screens had everyone clapping along, building that electric buzz before the lights dropped. Even for someone who thought they knew what to expect from TWICE’s live reputation, the night delivered way more fun and precision than anticipated. Photo: JYP Entertainment, Bailey Orr TWICE is a nine-member powerhouse under JYP Entertainment. Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu debuted back in 2015 and have stacked four world tours since. Their Dallas set pulled deep from classics and sprinkled in b-sides from THIS IS FOR, keeping longtime ONCE fed while teasing newer cuts. The group powered through even with two members sidelined by injury and illness, which only made their stamina and smiles stand out more. The opener hit hard with “THIS IS FOR” as the tour title track. That led straight into bright, high-octane numbers like “Strategy” and “I Can’t Stop Me,” setting a pace that never really slowed. A dancer intermission followed, giving the tour crew their shine with tight routines that kept the momentum alive. Then the vibe shifted into rock territory. Outfit changes brought leather and edge, and the spotlight swung to their live band, who backed the girls through heavier grooves. Photo: JYP Entertainment, Bailey Orr Solo stages stole the show for a lot of fans. Each member got their moment with custom outfits, dancers, and stage setups that played to their strengths. Jeongyeon owned a sparkly pink pony-country take on “Fix a Drink” that felt both playful and fierce. Jihyo made her return feel monumental with a gripping “ATM” that locked every eye in the room. Those personal spotlights let the group’s range breathe, turning individual charisma into collective fire. The production matched that energy with a stage setup unlike anything standard. A 3D platform rose in the center of the arena, flanked by two side stages that put TWICE everywhere at once. No seat felt cheated. Front row caught every detail up close. Upper levels still had clear lines to the action. The design forced constant movement from the girls, who navigated it flawlessly despite the challenges and their reduced lineup. Photo Credit: JYP Entertainment, Bailey Orr Fan interaction broke things up mid-show. Ment segments and call-backs turned the arena into one big shared space. That flowed right into the final act and encore, where Dallas night one scored big. The crowd voted between two options, landing on the iconic “Doughnut” as the ultimate send-off. Chants stretched it out longer than usual, with TWICE feeding off the noise. What stuck most was how much fun the group seemed to have. They threw max energy into every corner, even adapting on the fly with missing members and complex staging. Songs I knew less well, like some of the THIS IS FOR deep cuts, ended up as highlights once the live vocals and crowd lift hit. Dallas night one proved TWICE can carry a massive room on pure performance power and genuine stage love, no matter the obstacles. ONCE left buzzing, and the tour’s reputation only grew stronger.